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Radial Microphone Splitters

 

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JS2 Passive Microphone Splitter
RAD-R800 1022 00
* Jensen transformer-equipped for optimal signal transfer
* Choice of 2-way or 3-way designs for extra flexibility
* Compact design , up to 8 may be rack mounted in J-Rak
* Ultra rugged 14-gauge steel construction for added durability
 
The Radial JS2 and JS3 are high performance balanced mic level splitters that let you split a signal and feed multiple destinations at the same time. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal to a live PA during a broadcast event.
 
Two units are offered: The JS2 is equipped with one isolated output while the JS3 has two. The engine inside both units is a premium Jensen transformer. It features a nickel laminated core for exceptionally low harmonic distortion without the usual phase shift and limited bandwidth typically introduced by lesser designs. The JS2 and JS3 deliver better than 90dB of noise rejection, eliminating troublesome noise caused by stray DC voltage and hum & buzz caused by ground loops. The signal path is 100% discrete and incorporates RF filtering for even greater noise suppression. These 'problem-solvers' offer a simple yet highly effective interface for microphones or direct boxes, and by engaging the built-in -30dB pad, consumer and line level devices may also be connected without distortion or fear of overload due to saturation.
 
As with all Radial products, both mic splitters feature rugged 14-gauge steel construction for maximum durability. A unique book-end design creates a protective zone for switches and connectors against the harsh environment of concert touring while the internal I-beam frame makes it virtually impossible to torque the PC board which could otherwise compromise the sensitive solder joints. The innovative design also has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak.
 
The Radial JS2 and JS3... split the mic signal without compromising your sound.
 
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JS3 Passive Microphone Splitter
RAD-R800 1023 00
* Jensen transformer-equipped for optimal signal transfer
* Choice of 2-way or 3-way designs for extra flexibility
* Compact design , up to 8 may be rack mounted in J-Rak
* Ultra rugged 14-gauge steel construction for added durability

The Radial JS2 and JS3 are high performance balanced mic level splitters that let you split a signal and feed multiple destinations at the same time. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal to a live PA during a broadcast event.
Two units are offered: The JS2 is equipped with one isolated output while the JS3 has two. The engine inside both units is a premium Jensen transformer. It features a nickel laminated core for exceptionally low harmonic distortion without the usual phase shift and limited bandwidth typically introduced by lesser designs. The JS2 and JS3 deliver better than 90dB of noise rejection, eliminating troublesome noise caused by stray DC voltage and hum & buzz caused by ground loops. The signal path is 100% discrete and incorporates RF filtering for even greater noise suppression. These 'problem-solvers' offer a simple yet highly effective interface for microphones or direct boxes, and by engaging the built-in -30dB pad, consumer and line level devices may also be connected without distortion or fear of overload due to saturation.
As with all Radial products, both mic splitters feature rugged 14-gauge steel construction for maximum durability. A unique book-end design creates a protective zone for switches and connectors against the harsh environment of concert touring while the internal I-beam frame makes it virtually impossible to torque the PC board which could otherwise compromise the sensitive solder joints. The innovative design also has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak.
The Radial JS2 and JS3... split the mic signal without compromising your sound.
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ProMS2 Passive Microphone Splitter
RAD-R800 1122 00
* High performance Eclipse transformer for optimal signal transfer
* Equipped with direct, isolated and auxiliary outputs for 3-way split
* May be rack-mounted in the J-Rak for multi-channel use
* Rugged 14-gauge steel construction for added durability and shielding

The Radial ProMS2 is a high performance mic splitter that accepts a balanced microphone signal and sends it to three outputs simultaneously. As a passive device, there is no need for power – you merely plug in and the ProMS2 automatically springs to life to deliver pristine audio without artefact or color.
The magic inside the ProMS2 is a premium Eclipse ET-MS10 transformer. This features a nickel laminated core that delivers a wide frequency response and exceptional signal handling with virtually zero distortion at all frequencies. And with better than 115dB of common mode noise rejection, you can rest assured that hum and buzz caused by ground loops and stray DC currents will be kept at a minimum. To shield against stray magnetic fields, the transformer is doubly protected with an integral MuMETAL® can plus a rugged external steel enclosure. This is augmented with RF filtering and a 100% discrete signal path to ensure optimal signal flow.
As with all Radial products, construction begins with a rugged 14-gauge steel for maximum durability. A unique book-end design creates a recessed zone around the switches and connectors to protect against the harsh environment of concert touring. An internal I-beam frame makes it virtually impossible to torque the PC board which could otherwise compromise the sensitive solder joints. The innovative design has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal from a live stage to supply a broadcast feed.
The Radial ProMS2 is a great sounding problem solver that lets you split microphone and DI signals with ease and confidence.
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OX8-J
RAD-R800 8004 00
* Balanced 8-channel mic splitter in single space 19" frame
* Delivers exceptional audio without artefact
* Eliminates hum and buzz caused by ground loops
* Ideally suited for live recording, PA and broadcast

The Radial OX8 is a high-performance 8-channel microphone splitter that lets you send a microphone signal to as many as three consoles at the same time. Each channel is configured with a balanced input, a direct out which also serves as a return path for 48V phantom power, a thru-put with ground lift switch and a transformer isolated output.
The OX8 is particularly well suited for live recording by delivering a transformer isolated audio signal path to the recording system while providing direct feeds to the front of house and monitor consoles. Transformer isolation eliminates hum and buzz cause by ground loops for ultra quiet results.
For maximum flexibility, several connector options are available. Inputs may be accessed via the front panel, using standard XLRs, or the rear panel, with a choice of either 25 pin D-subs (wired to the Tascam standard) or Euro screw-down terminal connectors (Note: Wire-end terminal blocks are sold separately). Outputs include D-subs and Euro connectors, which are also located on the rear panel. These make it easy to connect to popular multi-track recording systems while providing easy termination for permanent installations.
Although primarily designed for mic signals, the OX8 is equipped with a -36dB pad to accommodate line level sources, making the OX8 highly adaptable for all types of signal splitting. Several connector options are available to enhance flexibility. Inputs may be accessed via the front panel using standard XLRs, or via the rear panel with a choice of either 25 pin D-subs wired to the ProTools standard or screw-down Phoenix/Euro terminals which are commonly used in permanent installations.
Because the OX8 is 100% passive, it does not require any power whatsoever to make it work. You simply plug in and the transformers do all the work. The OX8 comes standard with Eclipse ET-MS10 mic bridging transformers or may be special ordered with premium transformers for the ultimate purist. Each channel is further advantaged with an ultra-short signal path and built in RF filters to ensure absolute quiet performance even in the most noise-prone environments.
The Radial OX8 is a professional recording tool that is equally at home in live touring, permanent installations or broadcast.
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RAD-R800 8003 00
* Balanced 8-channel mic splitter in single space 19" frame
* Delivers exceptional audio without artefact
* Eliminates hum and buzz caused by ground loops
* Ideally suited for live recording, PA and broadcast

The Radial OX8 is a high-performance 8-channel microphone splitter that lets you send a microphone signal to as many as three consoles at the same time. Each channel is configured with a balanced input, a direct out which also serves as a return path for 48V phantom power, a thru-put with ground lift switch and a transformer isolated output.
The OX8 is particularly well suited for live recording by delivering a transformer isolated audio signal path to the recording system while providing direct feeds to the front of house and monitor consoles. Transformer isolation eliminates hum and buzz cause by ground loops for ultra quiet results.
For maximum flexibility, several connector options are available. Inputs may be accessed via the front panel, using standard XLRs, or the rear panel, with a choice of either 25 pin D-subs (wired to the Tascam standard) or Euro screw-down terminal connectors (Note: Wire-end terminal blocks are sold separately). Outputs include D-subs and Euro connectors, which are also located on the rear panel. These make it easy to connect to popular multi-track recording systems while providing easy termination for permanent installations.
Although primarily designed for mic signals, the OX8 is equipped with a -36dB pad to accommodate line level sources, making the OX8 highly adaptable for all types of signal splitting. Several connector options are available to enhance flexibility. Inputs may be accessed via the front panel using standard XLRs, or via the rear panel with a choice of either 25 pin D-subs wired to the ProTools standard or screw-down Phoenix/Euro terminals which are commonly used in permanent installations.
Because the OX8 is 100% passive, it does not require any power whatsoever to make it work. You simply plug in and the transformers do all the work. The OX8 comes standard with Eclipse ET-MS10 mic bridging transformers or may be special ordered with premium transformers for the ultimate purist. Each channel is further advantaged with an ultra-short signal path and built in RF filters to ensure absolute quiet performance even in the most noise-prone environments.
The Radial OX8 is a professional recording tool that is equally at home in live touring, permanent installations or broadcast.
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LX8 Line Level Signal Splitter and Isolator
RAD-R800 8200 00
* 8-channel balanced line level signal splitter & isolator
* Handles +26dB signals without distortion or artifact
* Over 100dB of common mode noise rejection
* Eliminates hum and buzz caused by ground loops

The Radial LX8 is an eight channel passive line-level isolator designed specifically to manage balanced signals in professional audio systems. Applications include splitting a source between two destinations or simply isolating devices to eliminate the hum and buzz caused by ground loops.
The single rack space design begins with 100% passive circuit which means it does not require any powering whatsoever to make it work. Inside, each of the eight channels is equipped with a premium Eclipse ET-LD4 transformer that is able to handle transients in excess of +26dB at all frequencies right down to 20Hz without audible distortion. This results in an accurate signal transfer with minimal phase shift or artifact. In the studio, the Eclipse transformer delivers added warmth and a natural 'vintage-sounding' compression that is preferred by the most critical listeners. When used in larger systems, you benefit from significantly lower noise.
Input connections include a series of front-panel XLRs for easy integration into live racks or a rear-mounted 25-pin D-sub. Output connections include a hardwire thru-put, a transformer isolated output and an auxiliary output, the latter two being equipped with ground lift switches to help eliminate hum and buzz caused by ground loops. All rear panel connections are presented with choice of standard 25-pin D-Sub wired to the Tascam-ProTools standard or with screw-down Phoenix connectors for easy field termination for permanent installations. (Note: The Phoenix cable terminal connectors are sold separately).
All of the eight incoming signals are routed to the direct output, the transformer isolated output and an auxiliary out, enabling multiple signal paths to be put into practice without the usual noise that is associated. These features combine to make the Radial LX8 the perfect isolator for the most demanding multi-channel audio system.
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JD7 Guitar Distro & Splitter
RAD-R800 7000 00
* Drive up to 7 amps and effects at the same time
* 100% discrete class-A buffers with Jensen Transformer isolation
* Built-in Radial DI with multi-out Reamping™ capabilities
* Drag control load correction for natural sound

The Radial JD7 Injector is a guitar signal splitter that is able to drive as many as seven amplifiers at the same time and do so without the noise that often plagues most systems.
It features A or B selectable inputs with Radial's award winning class-A buffering circuit for ultra low distortion. To ensure maximum signal fidelity, Drag Control™ load correction lets you replicate the load on the guitar pickup as if connected to a tube amplifier for the most natural tone. The hi-Z outputs are equipped with high-performance Jensen Transformers for optimal signal transfer. Transformer isolation along with individual ground lifts help eliminate hum and buzz caused by ground loops for cleaner, quieter guitar tracks. 180º polarity reverse ensures all amps play in phase while channels 5 and 6 are equipped with effects loops for greater setup flexibility.
The JD7 is fully equipped for Reamping: a built-in Radial direct box lets you record a dry track while a separate Reamp™ input is ready for re-recording dry tracks when needed. This enables you to move mics around the room, change amps or add effects to optimize the sound of the recording. And Reamping works equally well on bass, voice and other instruments.
Designed to spur on creativity, the JD7 is plug & play easy to use, super quiet, and amazingly natural sounding… a guitarist's dream come true and a producer's very best friend.
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JX-44 Guitar Signal Manager
RAD-R800 6500 00
* Control as many as 4 guitars and 6 amps at once
* Programmable with remote control for pedalboard
* Built in Radial DI box, SGI line driver and X-Amp
* Transformer isolated to eliminate ground loops

The Radial JX44 Air Control is a guitar signal manager designed for the most demanding professional concert stages where wireless guitar systems, acoustics, effects and multiple amplifiers are used simultaneously.
To ensure the highest quality signal transfer, the four instrument inputs employ Radial's unique class-A buffering with 100% discrete components throughout. Inputs A & B are equipped with Drag™ Control load correction that lets you 'dial in' the perfect load on the pickup for the most natural tone. Inputs B &C are equipped with a trim level that let you quickly balance signal levels when using wireless systems or active guitars.
There are two effects loops: The first is a 'local' effects loop to interface drawer-filled pedals or multi-effects processors. The second is a long-haul balanced interface that provides a noise-free connection to-and-from distant pedalboards to distances of 100 meters when combined with a stand-alone Radial SGI-44. A built-in Radial direct box works double duty as an acoustic guitar output for the PA or as a dry feed for recording. With the JX44, you can record a 'clean guitar track' and use the built-in Radial X-Amp in post production to Reamp the signal to multiple amplifiers and pedals at the same time.
Up to six guitar amplifiers may be used at once. Outputs 1 and 2 are single while outputs 3 and 4 are doubled-up to drive multiple stacks. All outputs are transformer isolated to eliminate hum and buzz from ground loops. These also feature a 180º polarity reverse switch to set the amps in phase. Selecting the amps can be done via the front panel or by using the optional JR5 remote control. This five function footswitch is equipped with internal memory that lets you store 4 amp scenes and recall them with a single foot action. A second JR5 can also be used to activate or mute guitars. To enhance stage functionality, the JX44 is equipped with a separate tuner out. Signals can be muted using the front panel switch, a latching footswitch, or with the JR5 remote, giving you complete control right where you want it. Should ever a problem occur, a front panel 'panic' button hardwires input-A to output-1 for direct-to-amp connection. This will even work if the JX44 power goes down. With a Radial JX44 in your rig, the show will go on!
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Radial mPress - Broadcast Press Box
RAD-R800 8010 00
* Modular press box with up to 448 outputs
* Completely analog, no digital trickery!
* Active drive with transformer isolation to eliminate noise
* Can play background music when on standby

The Radial mPress is a modular press box that can be expanded as needed to feed a community-sized press gallery or distribute audio for an international event.
The design begins with the mPress, a master head distribution amplifier that is equipped with two microphone inputs, 48V phantom power for condenser microphones and a built-in limiter to prevent overload from overly rambunctious orators.
 
Eight balanced mic outputs may be used to supply feeds to a small press gathering. For larger system requirements, a series of modular Exo-Pods may be deployed. These external modules are connected using standard mic cables and feature ten balanced mic outputs and four mini 3.5mm TRS connections to feed portable recorders or hand-held video cameras. In order to eliminate hum and buzz caused by ground loops, stray DC currents and less than ideal powering systems, all outputs are transformer isolated.
 
The mPress’s modular approach replaces the spaghetti of cables that usually hampers setups with an orderly system than enables one to create zones for various groups. From each of the mPress XLR outputs as many as four Exo-Pods may be chained together, for a total of 320 microphone and 128 recorder outputs. A built-in 1kHz test tone provides everyone with a reference level and the built-in headphone amplifier helps when trouble shooting. To simplify setups, a main stereo output is available to feed a pair of powered speakers and broadcast the event to an audience. Separate audio inputs also enable the mPress to play background music while waiting for the guest speaker to appear.
The mPress… a modular press box designed to grow to suit your needs.
 
View the Exo-Pods here
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Exo-Pod - Broadcast Splitter
RAD-R800 8012 00
* Passive design with 14 transformer isolated outputs
* Set & forget variable output trim control
* Balanced line level XLR input with expandable input
* Extra durable heavy 14-gauge steel construction

The Radial Exo-Pod is a passive broadcast splitter that can take the balanced line output from a mixing console and distribute the signal to 14 hand-held recorders, video cameras or wireless receivers. It can also be used in conjunction with the Radial mPress master press box to create a modular solution for hundreds of individual press feeds.
The compact floor-box begins with 14-gauge steel construction for exceptional durability against the rigours of the road. The steel casing also provides excellent shielding against stray magnetic fields from stage lighting dimmers, power transformers and electrical cables. This is augmented with protective bumpers to protect the connectors and trim control switch from damage plus a sturdy steel handle for easy manipulation. Connecting to and from the Exo-Pod begins with a balanced XLR input, ten XLR balanced outputs and four mini 3.5mm TRS connectors for video cameras, hand-held recorders, tablets or other media systems. A variable input trim allows the broadcast technician to reduce the output level locally for convenience. All of the outputs are transformer isolated to eliminate hum and buzz that is often encountered due to ground loops. The XLR outputs are supplemented with individual ground lift switches to further abate noise.
As the Exo-Pod is completely passive, no power is required. You simply connect your line level source and feed as many as 14 mic inputs at once with excellent audio performance, high signal-to-noise and plenty of headroom.
The Radial Exo-Pod is a simple solution that goes to work every day!
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BackTrack 15V stereo backing track switcher
RAD-R800 8102 00
  • Backtrack™ Stereo Audio Switcher
  • Switch between two stereo backing track sources on stage
  • Easily connect playback devices with ¼ and 3.5mm TRS jacks
  • Headphone output for silently cueing up tracks
  • Transformer isolated main outputs eliminate buzz and hum
  • Switch inputs remotely with optional JR-2™ remote

The Backtrack™ is a compact stereo audio switcher, perfect for bands running redundant backing tracks on stage or for switching between any stereo audio sources.

 

Connecting your playback devices to the Backtrack is easy, with ¼" TRS connections provided for the outputs of a recording interface and 3.5mm stereo inputs for integration with a smartphone, tablet or laptop. ¼" TRS outputs can feed powered speakers for monitoring on stage and balanced XLR outputs will drive signals up to 100m (300ft) to connect to the PA system. The XLR outputs are transformer isolated to eliminate buzz and hum from ground loops and feature a ground lift switch to further reduce noise.

 

Once connected, an A/B switch determines which stereo input to use, so the backup source can be quickly activated should the primary playback system fail. A JR-2 remote can also be connected to the Backtrack to change the inputs remotely. When cueing up tracks for playback, a mute switch cuts the feed to the main and monitor outputs, allowing tracks to be silently monitored using a dedicated headphone output. This output features its own level control and input selector switch, so even during a live performance, both sources can be checked without disturbing the outputs on stage.

The Backtrack is an ideal switching system for redundant playback devices where reliability and portability is crucial.

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