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Mixer Accessories

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AVB-D16
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PRE-AVBD16

StudioLive Series III… now with Dante

Onboard AVB-networking and the AVB-D16 make it possible to add Dante functionality to your StudioLive Series III mixer without the unnecessary hassle of an internal option card. Simply connect one or more AVB-D16 AVB-to-Dante bridges to your existing StudioLive Series III AVB network to add 16 channels of Dante I/O with each bridge. AVB-D16 makes the vision of plug-and-play functionality between audio networks a reality!

One endpoint, two networks

Whether you’re looking at your Dante network setup from Audinate’s Dante Control software or managing your StudioLive Series III AVB ecosystem from UC Surface or a StudioLive Series III console touchscreen, the AVB-D16 presents itself as a simple 16x16 network device. This lets you easily patch up to 16 audio sources on your StudioLive Series III mixers or NSB-series stage boxes to any available input on your Dante network and receive 16 channels of audio from your Dante network to route to your StudioLive Series III mixers, EarMix 16M personal monitor mixers, or the outputs on your NSB-series stage boxes, creating a truly cohesive networking experience between the two protocols.

One endpoint, two sample rates

With built-in Asynchronous Sample Rate Conversion, the AVB-D16 provides precision clock isolation between the AVB and Dante networks. This ensures pristine, clear audio with no dropouts or artifacts. It also allows you to run different sample rates on the AVB and Dante networks. So even if you're operating a Dante network at 96kHz, you can still connect streams between your StudioLive Series III AVB network operating at 48kHz with total confidence that the audio will be clean and error free.

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Earmix 16M
PRE-EARMIX 16M

High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio. We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally.

Your ears—and bands—will thank you.

EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles. We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.

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SL-SNAKE-150, CAT5E snake, 150 feet
PRE-SL-SNAKE-150

45 meter cable

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Stagebox NSB 8.8
PRE-NSB 8.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

8 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

16x8 AVB (8 direct input channels + 8 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

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NSB 8.8 Rack kit
PRE-NSB 8.8-RACK KIT
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Stagebox NSB 16.8
PRE-NSB 16.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

16 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

 

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

32x8 AVB (16 direct input channels + 16 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

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NSB 16.8 Rack Kit
PRE-NSB 16.8-RACK KIT
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PRM-1 Microphone
PRE-PRM-1

A professional measurement tool.

The PRM1 Precision Reference Microphone is a special type of microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools. It employs a ¼”, pre-polarized electret-condenser capsule with an omnidirectional polar pattern, which allows the microphone to measure reflections, as well as direct signals up to 132 dB SPL. The PRM1 has an all-metal chassis and comes with a clip, foam windscreen, and hard case.

 

What makes the PRM1 different from most mics?

Unlike mics you use for recording and live sound, the PRM1 has a narrow dynamic range, since it is intended to receive test frequencies, such as pink noise, at a fixed level. As a result, it is not recommended for recording or performance—but it’s the right mic for tuning a sound system to perform accurately in a venue. The PRM1 exhibits linear (“flat”) frequency response between 20 Hz and 20 kHz, meaning it captures all frequencies equally within that range. Since it neither boosts nor cuts frequencies, it doesn’t color the sound, making it ideal for measuring what a room or speaker is doing to a sound system’s outgoing signal.

 

Designed for use with Smaart and other audio analysis tools.

While the PRM1 can be used for a variety of measurement applications, such as MLSSA™, Spectrafoo™, and TEF™, it is especially recommended for use with the Smaart® System Check wizards that are integrated into PreSonus® UC Surface control software for StudioLive® AI and StudioLive RM mixers. With this combination, you can have a complete, powerful, and affordable, audio-analysis and correction system.

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SLMAD-RACK ears for Series 3 consoles
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150MBPS Wireless USB Adapter for AI series mixers
PRS-660-WF150

Wi-Fi LAN USB 2.0 Adapter for StudioLive AI and StudioLive RM series mixers; official replacement part.

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SL-AR12-Rack Ear
PRE-SL-AR12-RACK EAR

Rackmount your StudioLive AR12 mixer.

 

  • Solid rack-mounting system for one (1) StudioLive AR12
  • 8U Rack Ears
  • Total Mixer Length - 15.589" (approx 8.9U)
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SL-AR12/16-Bag
PRE-SL-AR12/16-BAG

A cool way to protect your StudioLive AR12 or AR16. Go gig-to-gig in style.

 

  • Black padded nylon backpack
  • Reinforced zipper
  • Adjustable padded shoulder straps.
  • Large pouch for cables and mics
  • Removable bolster for use with StudioLive AR12
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SL-AR8-Bag
PRE-SL-AR8-BAG

StudioLive AR8 USB mixer bag

A cool way to protect your StudioLive AR8 Mixer. Go gig to gig in style.

  • Black, padded nylon shoulder bag
  • Reinforced zipper
  • Adjustable nylon shoulder strap.
  • Large pouch for cables and mics
  • Convenient handles for transport
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SL-AR8-Rack Ear
PRE-SL-AR8-RACK EAR

Rackmount your StudioLive AR8 mixer.

 

  • Solid rack-mounting system for one (1) StudioLive AR8
  • 7U Rack Ears
  • Total Mixer Length - 12.047" (approx 6.9U)
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SL1602-Backpack
PRE-SL1602-BACKPACK

Backpack for one StudioLive 16.0.2 Mixer

 

Take the show on the road with this convenient carrying backpack for StudioLive 16.0.2 Mixer. Sherpa shown in picture, not included. Item#: PRE-SL1602-Backpack

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SL1602-Cover
PRE-SL1602-COVER

Protect your StudioLive Mixer from dust with this stylish black cover.

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SL1602-Rack Ear (Kit)
PRE-SL1602-RACK EAR
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SL1642-Bag
PRE-SL1642-BAG
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SLAMAD16-Cover
PRE-SLMAD16-COVER
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SLAMAD24-Cover
PRE-SLMAD24-COVER
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SLAMAD32-Cover
PRE-SLMAD32-COVER
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