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Here you can find NEW products from our manufacturers.

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Phone Grip
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DIN-5102

The Dinkum Systems Phone Grip for Dinkum DS5102 device has multiple ¼-20 & 3/8” threads and can be easily attached to the Action POD (DS3006), Action POD Pro (DS3143) or the Flexi Mount (DS3013) – not included - to provide a convenient way to hold phones, monitors, and other items steady for field viewing.

 

Use this grip device for holding phones, monitors, and other items steady for field viewing, macro photography, positioning devices like GoPros, audio / video receivers, video transmitters, lights, cables, microphones or giving you a third hand for anything else. 

 

Accommodates surfaces up to 1" - 2" thick,  Weight 4 oz.

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SSL UC1 controller
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SSL-726580X1

SSL Plug-in Controller

UC1 is a hardware plug-in controller like no other. Dedicated knob-per-function Channel EQ and Dynamics controls, centre section featuring full Bus Compressor controls and authentic moving-coil gain reduction meter combine to offer the most creative, intuitive, and ultimately effective way of controlling the new SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins within your DAW session.

Console ergonomics and workflow

SSL production tools are the benchmark for studio ergonomics and workflow. UC1 draws on decades of analogue and digital console design to develop an intelligent and deeply integrated SSL plug-in control surface that lets you focus on your production goals and not the process.

UC1’s layout of encoders, switches and colour groupings offer professional SSL console ergonomics seamlessly integrated with our most advanced Channel Strip and Bus Compressor plug-ins to date. Multiple parameters can be controlled simultaneously and precisely, equipping you with a production tool that nurtures muscle memory, provides unmatched sonic flexibility and inspires operator confidence.

Every detail of UC1 has been implemented to keep you in control and informed of how your mix is reacting to processing. Dedicated front panel encoders accompanied by an on-board hi-res display allow you to move quickly between instances of Channel Strip and Bus Compressor directly from the surface. You can also load presets, as well as alter the Channel Strip process order.

SSL 360° Plug-in Mixer

At the heart of the UC1 system is the SSL 360° Plug-in Mixer, view and control all of your Channel Strips and Bus Compressors in one place. 360° Plug-in Mixer offers an efficient way of interacting with multiple plug-ins simultaneously, further bridging the gap between console and in-the-box workflow.

Channel Strip and Bus Compressor

UC1 provides dedicated controls of all key Channel Strip 2 plug-in parameters. EQ, Filters, Compressor and Gate/Expander controls offer the same configuration and visual feedback as found on large-format SSL consoles, allowing you to quickly home in on your channel processing sweet spot.

At the heart of UC1 are Bus Compressor controls. Its authentic layout and metering feels like you’re controlling a hardware bus comp built into the centre section of an SSL console. With a classic moving coil gain reduction meter as found on SSL consoles since the 1970’s, it represents the Bus Compressors time constants and gain reduction characteristics perfectly for producers and engineers to know exactly how it’s reacting with their instruments, sub groups and of course mix bus.

SSL Native Channel Strip 2 & Bus Compressor 2 Plug-ins

Full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins are included with UC1. Channel Strip 2 is a a fully-featured Channel Strip, based on digital modelling of the EQ and Dynamics curves from the legendary XL 9000 K SuperAnalogue console. V2 adds SSL’s proprietary anti-cramping algorithms and the ability to trigger the dynamics sidechain externally. Bus Compressor 2 adds a tonne of user requests, with additional Ratio, Attack and Release options, the ability to trigger the sidechain externally, as well as x2 and x4 oversampling.

Features

- Legendary SSL workflow and console ergonomics meets the power of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins.

- Every UC1 purchase includes full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins (worth $479.00)

- Knob per-function control of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins.

- Muscle-memory operation and constant visual feedback via the smart LED rings.

- On-board display tells you which Channel Strip and Bus Compressor plug-in UC1 is currently focused on, as well as giving you a value readout of the control currently being turned.

- Load Plug-in Presets and change Channel Strip routing directly from UC1.

- Authentic moving-coil Bus Compressor gain reduction meter, driven from the SSL Native Bus Compressor plug-in.

- SSL Plug-in Mixer (hosted in SSL 360°) provides a place to view and control of your Channel Strips and Bus Compressors, all from one screen.

- Switch between 3 different DAWs that are connected to the Plug-in Mixer.

- High Quality all metal enclosure, with a brushed anodised top plate.

- Hi-Speed USB connection to computer.

- Powered by SSL 360° Mac and PC software.

 

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Universal Shock Mount SHK-1
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PRE-SHK-1

Shock mount for the PreSonus PX-1 and M7 microphones

The SHK-1 isolates your microphone from the mechanical vibrations of the physical world—meaning when you record, you only have your voice or instrument to worry about.

Robust, industrial metal construction protects your mic from scratches while looking hot on-camera

Extra shock cord and hard stand mount included

Compatible with the PreSonus PX-1, M7 and other similarly-threaded microphones and standard mic stands.

Compatible with microphones up to 55mm (2.15 inches) in diameter

​Thread size is 22mm x 1 TPI

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Broadcast Accessory Pack
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PRE-BAP

Podcasters, live streamers, gamers, and YouTubers: get everything you need to upgrade your online presence in a single purchase! The Broadcast Accessory Pack includes a sturdy microphone boom arm, a pop filter, headphones, and a professional XLR cable. The adjustable-tension PBA-1 microphone boom arm is compatible with Revelator, PX-1, PD-70, and most other standard microphones via the included 5/8" male to 3/8" female thread adapter. With a boom arm, you’ll clear up valuable desk space while adding new mic positioning options—including far away from clackety mechanical keyboards.

Rounding out the package are the lightweight, great-sounding HD7 headphones, which remain cozy and non-fatiguing over long production or stream sessions. The APF-1 pop filter reduces vocal plosive sounds from enthusiastic presenters, ensuring that your dialogue recordings remain world-class. And just to tie everything together—you also get a 10-foot professional XLR cable to connect your mic to your interface.
First shipment will arrive in August 2021

PBA-1 microphone boom arm features adjustable tension and is compatible with Revelator, PX-1, PD-70, and most standard microphones

Includes a 5/8" male to 3/8" female thread adapter for use with standard microphone mounts

APF-1 pop filter reduces vocal plosive sounds in your recordings and streams

HD7 headphones are lightweight, comfortable, and great-sounding; includes ⅛” to ¼” adapter

10-foot XLR microphone cable included to connect your mic to your interface

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M7 MKII condenser microphone
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PRE-M7 MKII

Versatile and Affordable Mic for Vocals, Guitar, Podcasts, and More

M7 Cardioid Condenser Microphone

The most mic for the least money.

Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7’s cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don’t. Last but not least, the M7 can rock hard when asked—its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free—something more expensive mics can’t always do.

A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you’re good to start producing right out of the box!

 

Features

General Features

Professional condenser microphone at an unbeatable price

Great choice for recording vocals, guitar, podcasts, and more

Exceptional clarity throughout its frequency response range with a warm top end

Cardioid polar pattern

Side address

1-inch (25 mm) back electret condenser capsule

Rugged construction

Hard mount, 10-foot XLR cable, and carrying case included

Technical Specifications

M7

Capsule Type Back electret condenser

Polar Patter Uni-directional

Sensitivity -38 dB +/-3 dB (0dB=1V/Pa at 1kHz)

Frequency Response 20 Hz to 18 kHz

Output Impedance 150Ω +/-30% (at 1 kHz)

Equivalent Noise Level 19 dBA

Maximum SPL 134 dB (at 1kHz = 1% THD)

S/N Ratio 75 dB

Working Voltage 48V Phantom

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EXTC STEREO
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RAD-R800 1437 00

Guitar Effects Interface

The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.

  • Connect stereo guitar pedals to balanced recording gear
  • Front panel 1/4″ inputs and outputs for pedals
  • Send & Receive controls to optimize gain staging
  • Utilize your pedal collection in new & unique ways

A secret weapon for mixing engineers

The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection.

Video: https://youtu.be/FblFozXqDC4

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SSL UF8 Advanced DAW Controller
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SSL-726490X1

Solid State Logic UF8 Advanced DAW Controller

Accelerated creativity with intelligent studio production ergonomics

UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation

Not all controllers are equal:

UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.

Advanced workflow:

UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity.

Configurability:

Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking.

360° Control:

SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity.

Features:

• High-quality 100 mm touch sensitive faders

• High-resolution colour displays

• All metal enclosure, finished with a brushed, anodised top plate

• 8 Endless Rotary Encoders

• Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys

• Intelligent Multi-Purpose CHANNEL Encoder

• Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision

• Integrates With All Major DAWs with workflow ready templates

Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One

• Hi-Speed USB connectivity

• Switch Control between 3 Simultaneously connected DAWs

• Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-ins

 

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SoundID Reference for Speakers & Headphones w. Microphone
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SNW-SW5SX

SoundID Reference software for speakers and headphones. Includes the SoundID Reference app for Windows and Mac, Measure module for speaker measurement, as well as the DAW plug-in (AU, VST, AAX). Includes individually calibrated Sonarworks measurement microphone. Bundle packed in a retail box; valid for 3 installs.

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SoundID Reference for Headphones (DOWNLOAD)
SNW-SW5HD

SoundID Reference software for headphones. Includes the SoundID Reference app for Windows and Mac as well as the DAW plug-in (AU, VST, AAX). Digital download license key delivered electronically; valid for 3 installs

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SoundID Reference for Speakers & Headphones (DOWNLOAD)
SNW-SW5SD

SoundID Reference software for speakers and headphones. Includes the SoundID Reference app for Windows and Mac, Measure module for speaker measurement, as well as the DAW plug-in (AU, VST, AAX). Digital download license key delivered electronically; valid for 3 installs

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Micro Station BT
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PRE-MICROSTATION BT

Micro Station BT


The Bluetooth-enabled PreSonus Micro Station BT adds wireless connectivity to your studio monitors, which makes streaming reference tracks from your smart device a piece of cake. This sleek unit also includes balanced TRS inputs for your pro-level gear, along with a stereo TRS input for your consumer devices. The Micro Station BT is easy to set up — simply connect your studio monitors to its full-range balanced TRS outputs and your powered sub to its balanced TRS or unbalanced RCA output. At Sweetwater, we've found the Micro Station to perform admirably as a desktop-style monitor controller, thanks to its large Volume knob, Mute button, and Sub Bypass button. You also get a stereo TRS output for headphone listening, streaming, or recording. The Micro Station BT is a well-designed solution for piping audio from a Bluetooth-capable device to your studio speakers — no wires necessary.

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Revelator USB Mic with DSP
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PRE-REVELATOR

Get that radio sound.

The secret to that “radio sound” is simple: the right talent and the right microphone with just the right amount of EQ and compression. Now, that perfect combination of sound is available in Revelator, an elegant, easy-to-use USB microphone… the only thing missing is your voice. Whether you’re looking for a microphone for vlogging, podcasting, or a simple recording solution for voice-overs or your home studio, Revelator is designed to deliver polished, professional-sounding results with ease.

Mix and match.
Let’s face it: conferencing in Zoom calls, recording gameplay, or showcasing the audio in a YouTube video while you’re adding witty commentary is a juggling act. Third-party apps are cumbersome, and figuring out external cabling? Well, that’s even worse. Revelator takes all those headaches away with two stereo loopback streams. Having two stereo streams means you can mix and record the audio from two different applications on your computer along with your voice—all at the same time. Best of all, you can manage the output level in each application independently...or if you need a little more control, open up Universal Control and mix away.

A complete broadcast studio.
Revelator comes with a complete suite of professional software to take your recordings to the next level. Studio One Artist makes it easy to polish your recordings with its lightning-fast drag-and-drop workflow and templates to make configuring your session quick and easy. Add bumpers to your podcasts, take multiple voice-over takes, and much more—all with the power and ease-of-use that has made Studio One one of the most popular recording applications in the world. With Revelator and Studio One Artist, you have everything you need to get professional results whether you’re just getting started or working on that Gold Play Button.

Get three mics in one.
Microphones are designed to pick up sound in a specific pattern. Revelator provides three different patterns in one USB microphone to provide maximum flexibility. Use the Cardioid pattern for voice-overs or performances where only one voice should be captured. This pattern rejects sound coming in from the room to record only your voice. Doing a podcast interview with two people? Change to the Figure 8 pattern and position Revelator between you. Now one side will pick up the interviewer, and the other will pick up the guest. Doing a round table discussion or recording multiple instruments? Switch to the Omnidirectional pattern to pick up sound all the way around the microphone. Whatever your application, Revelator will adapt to fit your needs.

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Eris Sub 8 Front-Firing Subwoofer
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PRE-ERIS SUB 8

The Eris Sub8 is the first subwoofer to join the lauded and best-selling Eris studio monitor line. We called it Eris because it’s been designed from the ground up to be part of the family; it compliments the voicing and frequency response of the modern Eris classics. Of course, they’ll play nice with other monitors, too, but if you’ve got a pair of Eris in your home or studio already, the Eris Sub8 is the single best subwoofer you can get to put a little boom in your room.

 

Maximize your frequency response and accuracy.

The surprisingly loud 100-Watt Eris Sub8 drops down to a molar-rattling 30Hz—a full 50Hz below the Eris 3.5s. This allows you to both rock harder and produce better mixes, as you’ll be hearing an accurate representation of your work. For EDM and hip-hop producers in particular, a sub is a must-have. The Eris Sub8 lets you naturally extend the reach of your Eris E3.5 or E4.5 monitors in a manner appropriate to smaller rooms; exactly where these monitors excel.

 

Total control and connectivity.

Thanks to robust configuration and I/O, you’ll be able to tailor your Eris Sub8 configuration exactly to your mixing and listening needs. You can connect your existing monitors via ¼” TRS or RCA, set the input level to your liking, and even invert the polarity. Most importantly, you get a High Pass Filter and a Low Pass Crossover control that ensures your Eris Sub8 starts working at the precise low-frequency point where your main monitors stop working. This makes sure you avoid the flubbery, smudged, low-end mess that one hears in redundant, duplicate, redundant bass reproduction that occurs without a crossover.

 

Hear the Eris Sub8 at your favorite PreSonus® dealer.

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CDL12P ABS Constant Directivity Loudspeaker
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PRE-CDL12P

The CDL that fits your venue AND your budget

The CDL12 loudspeakers impressed ears around the world when we introduced them, thanks in no small part to their unique, patent-pending driver design that fills venues with consistent, articulate speech and music reproduction without sacrificing consistent SPL. Now that same constant directivity performance is available in the new CDL12P, a lighter weight design ideal for touring bands and mobile DJs who want the same scalability and sonic performance in portable design.

What’s so great about constant directivity?

Like the CDL12, CDL12P is the result of years of research and development, combining the best attributes of point source and line array technology into a unique patent-pending design. Based on the Constant-Directivity Two-Way Loudspeaker System design presented at the 143rd AES Convention in New York by Hugh Sarvis and Don Keele, the CDL12P radiates a highly focused pattern with consistent SPL throughout the frequency response range, both on- and off-axis. The result is clear, articulate speech intelligibility and natural music reproduction.

A unique look with a unique result.

Each CDL12P consists of eight 2-inch drivers aligned in a segmented circular-arc high-frequency array centered in front of a 12-inch woofer. The output of the low-frequency driver travels from the same acoustic axis as the high-frequency array, so the dispersion pattern always radiates directly from the center of the CDL12P. This is true whether the CDL12P is used individually on a tripod speaker stand or as part of an acoustically-coupled vertical array with up to six enclosures. Because both the highs and lows emanate from the same point, they arrive at listeners’ ears at the exact same time—meaning the CDL12P powered loudspeakers don’t create any smearing in their crossover frequencies, ensuring better intelligibility throughout the frequency response range.

Symmetrical dispersion matters.

Traditional line array loudspeakers typically place a high-frequency horn on one side of the enclosure and a woofer on the other. To obtain a symmetrical image with those loudspeakers, you'd have to flip one over—something they aren't designed to do in the first place—and you'd still have phase issues. With the CDL12P, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue. Regardless of how many CDL12Ps you stack, you're working with a shared acoustic axis—and non-turbulent sound propagating throughout the room.

Scalable vertical coverage.

The CDL12P’s hybrid point source/line array design delivers focused sound with consistent SPL coverage both on- or off-axis, making it an excellent choice for mobile and installed applications. Rigging CDL12P enclosures is made easier thanks to integrated pin-loaded rigging hardware. A dual-angle pole mount is provided, supporting the use of one or two enclosures when pole mounted on a tripod stand, or atop the companion CDL18s subwoofer, allowing the system to adapt to varying audience sizes. The CDL12P’s integrated PDA-1000 500W x 500W Class D power amplifier features onboard DSP presets to facilitate and simplify arrayed configurations

Now hear this.

The patent-pending Constant Directivity design of the PreSonus CDL12P delivers exceptional performance and versatile configuration options in a visually stunning, compact form factor. Superior phase coherence and controlled dispersion result in an articulate, natural listening experience, making the CDL12P an outstanding choice for both portable PA and installed sound applications. The result of years of research and development, the CDL12P combines the directivity of a point-source design with the scalable coverage of a line array to create a unique loudspeaker that provides the flexibility demanded by modern sound reproduction applications. Hear it now at your authorized PreSonus dealer.

Six-year warranty lets you rest easy.

Quality runs deep in our company culture, and we strive to build feature rich, the best sounding, and most reliable products available anywhere. We’re confident you’ll love the PreSonus CDL12P. By choosing PreSonus, you’re assured of robust, trouble-free performance—for six years. In the unlikely event you do experience an issue, you can count on us to make it right. This is our commitment to you.

Technical Specifications

Acoustic Performance

Configuration Active             2-way

Frequency Response (-3 dB) 48 Hz – 18 kHz

Nominal Coverage (-6 dB)    120° (H) x 15° (V) per enclosure

Maximum Peak SPL             130 dB

Crossover Frequency           420 Hz

Transducer

LF Transducer                    12” (2.5” voice coil)

HF Transducer                   8 x 2” (1” Voice Coil)

Amplifier

Type                                 Class D

Total Power Output            2000W Peak, 1000W Program (500W RMS)

LF Power                           1000W Peak, 500W Program (250W RMS)

HF Power                          1000W Peak, 500W Program (250W RMS)

Cooling                             Free air convection

Rated THD                        <0.05% (20 Hz - 20 kHz)

Dynamic Range                 119 dB (A-weighted)

Bandwidth                        20 Hz - 20 kHz

Mains Connection              Locking AC In and Out

Connections and Controls

Input Channels                 1 Line

Input Connector Types      1 XLR

Line Input Impedance       40 kΩ

Maximum Input               +4 dBu

Output Connector            Direct Line Out (XLR)

Controls 

Preset Select (Number of Arrayed Boxes)

HPF On/Off

PreSonus Subwoofer Configuration Preset (None, CDL18s, ULT18, AIR18s)

Indicators Signal, -3 dB, Limiter, Clip

Enclosure

Material                          15mm Polypropylene

Grille                              Powder-coated steel

Dimensions (HxWxD)      473 mm x 529 mm x 444.5 mm

Unit Weight                    28.6 kg

Safety

Amplifier Protection        Over-current, DC, over/under-voltage, over-temperature,

                                    high frequency

Transducer Protection     Limiter

Power

AC Power Input             90-260V~, 50-60 Hz

AC Power Consumption (1/8 Power) 4.2 Amps

Suspension Mounting

Rigging Points              Integrated Rigging (10:1 load)

Mounting                    Dual-position pole mount (0° and 7.5°) 35 mm

Optional Accessories

Rigging CDL12P Rigging Grid, CDL Rigging Extension Bar, CDL12P Rigging Sling

Other    CDL12-Tote Tote Bag

 

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DPA 4097 CORE Interview Kit
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DPA-KIT-4097-DC-INK

The 4097 CORE Interview Kit makes it easy to deliver great sound in challenging situations. It contains a 4097 CORE Shotgun Microphone, which shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

 

Free-standing solution

Mount the microphone on a tripod via the cold shoe mount and use it as a stationary interview mic on a table.

Transmitter-direct solution

Mount the microphone directly on the transmitter and place it on a podium or table. This is a quick and easy mic solution with a very small presence.

Voice-over recording

For on-the-go voice-over work, there are a number of DPA accessories that quickly turn the mic into the perfect tool for your situation.

 

The 4097 CORE Interview Kit includes:

4097 CORE Micro Shotgun Microphone (4097-DC-G-B00-010)

MicroDot Cable 2.2 mm (.09 in), 1.8 m (5.9 ft) (CM2218B00)

Plate for transmitter

Velcro strap 330 mm (13 in)

Cold Shoe Mount with standard 1/4 in thread (CS4099)

Rycote Windjammer (Rycote 055427, DPA 4099 Mini Windjammer)

Telescope Boom (Manfrotto MPCOMPACT-BK)

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AVB-D16
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PRE-AVBD16

StudioLive Series III… now with Dante

Onboard AVB-networking and the AVB-D16 make it possible to add Dante functionality to your StudioLive Series III mixer without the unnecessary hassle of an internal option card. Simply connect one or more AVB-D16 AVB-to-Dante bridges to your existing StudioLive Series III AVB network to add 16 channels of Dante I/O with each bridge. AVB-D16 makes the vision of plug-and-play functionality between audio networks a reality!

One endpoint, two networks

Whether you’re looking at your Dante network setup from Audinate’s Dante Control software or managing your StudioLive Series III AVB ecosystem from UC Surface or a StudioLive Series III console touchscreen, the AVB-D16 presents itself as a simple 16x16 network device. This lets you easily patch up to 16 audio sources on your StudioLive Series III mixers or NSB-series stage boxes to any available input on your Dante network and receive 16 channels of audio from your Dante network to route to your StudioLive Series III mixers, EarMix 16M personal monitor mixers, or the outputs on your NSB-series stage boxes, creating a truly cohesive networking experience between the two protocols.

One endpoint, two sample rates

With built-in Asynchronous Sample Rate Conversion, the AVB-D16 provides precision clock isolation between the AVB and Dante networks. This ensures pristine, clear audio with no dropouts or artifacts. It also allows you to run different sample rates on the AVB and Dante networks. So even if you're operating a Dante network at 96kHz, you can still connect streams between your StudioLive Series III AVB network operating at 48kHz with total confidence that the audio will be clean and error free.

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PD-70 Dynamic Mic for broadcasting
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PRE-PD70

WHEN YOUR VOICE NEEDS TO BE HEARD (NEW)

The PreSonus PD-70 is a Dynamic Microphone purpose built for many broadcasting different broadcasting situations. With top-quality performance specifications and a hard mount construction and windscreen, this microphone will stand the test of time in any studio or on the road. Capable of working with any audio interface equipped with a preamp, the PD-70 will work as a perfect tool for your broadcasting set up.

• Perfect for recording vocals for podcasts, radio and more

• Frequency response range provides phenomenal clarity throughout

• Works with any audio interface with a microphone preamp

• Top-quality performance specifications

• Integrated hard mount and windscreen

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DM-7 Seven-piece Drum Mics
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PRE-DM-7

The PreSonus DM-7 drum mic set gives you everything you need to authentically capture your drum kit. DM-7; drum microphone set for studio and live applications; 1x BD-1 cardioid dynamic microphone for kick drums and bass amps; 4x ST-4 cardioid dynamic microphone with adjustable clip holder for e.g. toms, snare or guitar amps; 2x OH-2 small-diaphragm condenser microphone with cardioid polar pattern incl. clips and foam windscreen; complete microphone set; hard-shell carrying case included.

 

 

 

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Atom SQ
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PRE-ATOM SQ

Hybrid MIDI Keyboard / Pad Performance and Production Controller

Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ was designed as

a versatile and expressive MIDI pad controller

for contemporary music production. Its unique design is optimized for both classic TR-style 16-step beat sequencing and drumpattern editing in Studio One or playing instruments and launching clips in Ableton

Live—yet its staggered and RGB-lit pad configuration is instantly familiar to anyone who’s played a controller keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator makes the ATOM SQ the most expressive controller you’ll ever use. In fact, it’s the best PreSonus Studio One MIDI controller available.

 

ATOM SQ is also unique Ableton Live controller, designed for production and live performance. You can launch clips and

 

scenes during a performance, select devices and edit parameters, navigate tracks and scenes, control each track’s volume, panning, and send levels—plus

do all your drum programming in Ableton from the ATOM SQ! Ableton Live

Lite is included, so you can get to creating right away. It comes with all of Live’s essential

workflows, instruments and effects—everything you need to record songs, create hands-on with your controller,

take music made in your apps further and so much more.

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