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HARRISON AUDIO

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Harrison Mix Strip 32C
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HAR-723720X1

High-performance 32Classic Channel strip  

A recording legend in 19" format

The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow.

Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS.

Comprehensive input section:

The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session.

Harrison mic pre - the sound of legends:

A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material.

Characterful LP/HP Filters:

As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle.

32Classic EQ:

The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit.

Integrated mixbus and hybrid workflow features:

Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility.

Insert point:

32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit.

Channel Outputs:

The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device.

32Classic MS sidecar:

Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application.

Key features:

Flexible Input Section

  • Dedicated Mic and Line XLR inputs on the rear panel.
  • Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel.

Transformer Coupled Preamp

  • The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer.

32 Classic Equalizer

  • Harrison 4 band parametric EQ with proportional Q from 32Classic Console.
  • Legendary Harrison Low Pass and High Pass filters.

Mixer Section

  • Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units.

Insert Point

  • Each 32Classic MS unit includes a balanced Insert Point.

Specification:

Mic pre:

Minimum Gain – 20 dB

Maximum Gain – 70 dB

Input Impedance – 5.8K

Input Impedance Pad In – 1.3K

Maximum Input Level No Pad - +4 dBu

Maximum Input Level With Pad - +24 dBu

THD 50 dB Gain - < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Ein < -129 dBu

Line level input:

Input Impedance – 10K

Line Trim - +/- 9.5 dB

Maximum Input Level - +24 dBu

THD +4dBu Line Input To Stereo Mix Output < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Line level outputs:

Maximum Output Level - +24 dBu

Output Impedance – 30 Ohms

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Harrison 500-series 32C Preamp
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HAR-723501X1

The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

The Harrison tone

The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material.

Tools for tracking

The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack.

Legendary Harrison filters

A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz.

Key features:

  • The sound of Harrison.

 

  • Jensen JT-MB-CPCA transformer-coupled mic-pre.

 

  • +20 to +70 dB of gain.

 

  • Front-mounted combo XLR with ¼" jack connector.

 

  • 48V phantom power switch.

 

  • Polarity reverse switch.

 

  • HiZ impedance switch.

 

  • Input overload LED.

 

  • Compatible with 500 Series format chassis.

 

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Harrison 500-series Compressor
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HAR-723502X1

The story behind Harrison and compression

In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format.

Legacy in analog

Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

Comp design

The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources.

Harrison's secret sauce – put it on everything

The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything.

 

Key features:

  • The Harrison sound.

 

  • Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp.

 

  • Classic feed-froward design.

 

  • THAT 2180 VCA chip for outstanding analog performance.

 

  • Program-dependant ‘Attack’ time.

 

  • Continually variable Release time from ‘Fast’ to ‘Slow’.

 

  • Input overload LED.

 

  • Compatible with 500 Series format chassis.

 

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Harrison 500-series MR3 EQ
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HAR-723503X1

Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

MR3eq design

The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character.

3-band parametric with HPF

This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios. 

Key features:

  • The Harrison sound.

 

  • Perfect for both precision EQ’ing and broad musical strokes.

 

    • Three-band parametric EQ with +/- 10 dB boost/cut range.
  • High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2nd order bell.

 

  • Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2nd order bell.

 

  • Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q.

 

  • Separate High Pass Filter with characterful 2 dB resonant peak.

 

  • Separate ‘In’ switches for EQ and HPF sections.

 

  • Input overload LED

 

  • Compatible with 500 Series format chassis.

 

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