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EXTC STEREO
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RAD-R800 1437 00

Guitar Effects Interface - Shipping end of march

The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.

  • Connect stereo guitar pedals to balanced recording gear
  • Front panel 1/4″ inputs and outputs for pedals
  • Send & Receive controls to optimize gain staging
  • Utilize your pedal collection in new & unique ways

A secret weapon for mixing engineers

The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection.

Video: https://youtu.be/FblFozXqDC4

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Bundle Ehrlund M & SSL 2
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EHRSSL2

Campaign until 31 march 2021.

Check out the video with Sophie Hanson from the links.
Only available in Finland and Sweden

 

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SSL UF8 Advanced DAW Controller
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SSL-726490X1

Solid State Logic UF8 Advanced DAW Controller

Accelerated creativity with intelligent studio production ergonomics

UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation

Not all controllers are equal:

UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.

Advanced workflow:

UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity.

Configurability:

Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking.

360° Control:

SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity.

Features:

• High-quality 100 mm touch sensitive faders

• High-resolution colour displays

• All metal enclosure, finished with a brushed, anodised top plate

• 8 Endless Rotary Encoders

• Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys

• Intelligent Multi-Purpose CHANNEL Encoder

• Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision

• Integrates With All Major DAWs with workflow ready templates

Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One

• Hi-Speed USB connectivity

• Switch Control between 3 Simultaneously connected DAWs

• Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-ins

 

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Micro Station BT
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PRE-MICROSTATION BT

Micro Station BT


The Bluetooth-enabled PreSonus Micro Station BT adds wireless connectivity to your studio monitors, which makes streaming reference tracks from your smart device a piece of cake. This sleek unit also includes balanced TRS inputs for your pro-level gear, along with a stereo TRS input for your consumer devices. The Micro Station BT is easy to set up — simply connect your studio monitors to its full-range balanced TRS outputs and your powered sub to its balanced TRS or unbalanced RCA output. At Sweetwater, we've found the Micro Station to perform admirably as a desktop-style monitor controller, thanks to its large Volume knob, Mute button, and Sub Bypass button. You also get a stereo TRS output for headphone listening, streaming, or recording. The Micro Station BT is a well-designed solution for piping audio from a Bluetooth-capable device to your studio speakers — no wires necessary.

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Revelator USB Mic with DSP
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PRE-REVELATOR

Get that radio sound.

The secret to that “radio sound” is simple: the right talent and the right microphone with just the right amount of EQ and compression. Now, that perfect combination of sound is available in Revelator, an elegant, easy-to-use USB microphone… the only thing missing is your voice. Whether you’re looking for a microphone for vlogging, podcasting, or a simple recording solution for voice-overs or your home studio, Revelator is designed to deliver polished, professional-sounding results with ease.

Mix and match.
Let’s face it: conferencing in Zoom calls, recording gameplay, or showcasing the audio in a YouTube video while you’re adding witty commentary is a juggling act. Third-party apps are cumbersome, and figuring out external cabling? Well, that’s even worse. Revelator takes all those headaches away with two stereo loopback streams. Having two stereo streams means you can mix and record the audio from two different applications on your computer along with your voice—all at the same time. Best of all, you can manage the output level in each application independently...or if you need a little more control, open up Universal Control and mix away.

A complete broadcast studio.
Revelator comes with a complete suite of professional software to take your recordings to the next level. Studio One Artist makes it easy to polish your recordings with its lightning-fast drag-and-drop workflow and templates to make configuring your session quick and easy. Add bumpers to your podcasts, take multiple voice-over takes, and much more—all with the power and ease-of-use that has made Studio One one of the most popular recording applications in the world. With Revelator and Studio One Artist, you have everything you need to get professional results whether you’re just getting started or working on that Gold Play Button.

Get three mics in one.
Microphones are designed to pick up sound in a specific pattern. Revelator provides three different patterns in one USB microphone to provide maximum flexibility. Use the Cardioid pattern for voice-overs or performances where only one voice should be captured. This pattern rejects sound coming in from the room to record only your voice. Doing a podcast interview with two people? Change to the Figure 8 pattern and position Revelator between you. Now one side will pick up the interviewer, and the other will pick up the guest. Doing a round table discussion or recording multiple instruments? Switch to the Omnidirectional pattern to pick up sound all the way around the microphone. Whatever your application, Revelator will adapt to fit your needs.

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CDL12P ABS Constant Directivity Loudspeaker
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PRE-CDL12P

The CDL that fits your venue AND your budget

The CDL12 loudspeakers impressed ears around the world when we introduced them, thanks in no small part to their unique, patent-pending driver design that fills venues with consistent, articulate speech and music reproduction without sacrificing consistent SPL. Now that same constant directivity performance is available in the new CDL12P, a lighter weight design ideal for touring bands and mobile DJs who want the same scalability and sonic performance in portable design.

What’s so great about constant directivity?

Like the CDL12, CDL12P is the result of years of research and development, combining the best attributes of point source and line array technology into a unique patent-pending design. Based on the Constant-Directivity Two-Way Loudspeaker System design presented at the 143rd AES Convention in New York by Hugh Sarvis and Don Keele, the CDL12P radiates a highly focused pattern with consistent SPL throughout the frequency response range, both on- and off-axis. The result is clear, articulate speech intelligibility and natural music reproduction.

A unique look with a unique result.

Each CDL12P consists of eight 2-inch drivers aligned in a segmented circular-arc high-frequency array centered in front of a 12-inch woofer. The output of the low-frequency driver travels from the same acoustic axis as the high-frequency array, so the dispersion pattern always radiates directly from the center of the CDL12P. This is true whether the CDL12P is used individually on a tripod speaker stand or as part of an acoustically-coupled vertical array with up to six enclosures. Because both the highs and lows emanate from the same point, they arrive at listeners’ ears at the exact same time—meaning the CDL12P powered loudspeakers don’t create any smearing in their crossover frequencies, ensuring better intelligibility throughout the frequency response range.

Symmetrical dispersion matters.

Traditional line array loudspeakers typically place a high-frequency horn on one side of the enclosure and a woofer on the other. To obtain a symmetrical image with those loudspeakers, you'd have to flip one over—something they aren't designed to do in the first place—and you'd still have phase issues. With the CDL12P, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue. Regardless of how many CDL12Ps you stack, you're working with a shared acoustic axis—and non-turbulent sound propagating throughout the room.

Scalable vertical coverage.

The CDL12P’s hybrid point source/line array design delivers focused sound with consistent SPL coverage both on- or off-axis, making it an excellent choice for mobile and installed applications. Rigging CDL12P enclosures is made easier thanks to integrated pin-loaded rigging hardware. A dual-angle pole mount is provided, supporting the use of one or two enclosures when pole mounted on a tripod stand, or atop the companion CDL18s subwoofer, allowing the system to adapt to varying audience sizes. The CDL12P’s integrated PDA-1000 500W x 500W Class D power amplifier features onboard DSP presets to facilitate and simplify arrayed configurations

Now hear this.

The patent-pending Constant Directivity design of the PreSonus CDL12P delivers exceptional performance and versatile configuration options in a visually stunning, compact form factor. Superior phase coherence and controlled dispersion result in an articulate, natural listening experience, making the CDL12P an outstanding choice for both portable PA and installed sound applications. The result of years of research and development, the CDL12P combines the directivity of a point-source design with the scalable coverage of a line array to create a unique loudspeaker that provides the flexibility demanded by modern sound reproduction applications. Hear it now at your authorized PreSonus dealer.

Six-year warranty lets you rest easy.

Quality runs deep in our company culture, and we strive to build feature rich, the best sounding, and most reliable products available anywhere. We’re confident you’ll love the PreSonus CDL12P. By choosing PreSonus, you’re assured of robust, trouble-free performance—for six years. In the unlikely event you do experience an issue, you can count on us to make it right. This is our commitment to you.

Technical Specifications

Acoustic Performance

Configuration Active             2-way

Frequency Response (-3 dB) 48 Hz – 18 kHz

Nominal Coverage (-6 dB)    120° (H) x 15° (V) per enclosure

Maximum Peak SPL             130 dB

Crossover Frequency           420 Hz

Transducer

LF Transducer                    12” (2.5” voice coil)

HF Transducer                   8 x 2” (1” Voice Coil)

Amplifier

Type                                 Class D

Total Power Output            2000W Peak, 1000W Program (500W RMS)

LF Power                           1000W Peak, 500W Program (250W RMS)

HF Power                          1000W Peak, 500W Program (250W RMS)

Cooling                             Free air convection

Rated THD                        <0.05% (20 Hz - 20 kHz)

Dynamic Range                 119 dB (A-weighted)

Bandwidth                        20 Hz - 20 kHz

Mains Connection              Locking AC In and Out

Connections and Controls

Input Channels                 1 Line

Input Connector Types      1 XLR

Line Input Impedance       40 kΩ

Maximum Input               +4 dBu

Output Connector            Direct Line Out (XLR)

Controls 

Preset Select (Number of Arrayed Boxes)

HPF On/Off

PreSonus Subwoofer Configuration Preset (None, CDL18s, ULT18, AIR18s)

Indicators Signal, -3 dB, Limiter, Clip

Enclosure

Material                          15mm Polypropylene

Grille                              Powder-coated steel

Dimensions (HxWxD)      473 mm x 529 mm x 444.5 mm

Unit Weight                    28.6 kg

Safety

Amplifier Protection        Over-current, DC, over/under-voltage, over-temperature,

                                    high frequency

Transducer Protection     Limiter

Power

AC Power Input             90-260V~, 50-60 Hz

AC Power Consumption (1/8 Power) 4.2 Amps

Suspension Mounting

Rigging Points              Integrated Rigging (10:1 load)

Mounting                    Dual-position pole mount (0° and 7.5°) 35 mm

Optional Accessories

Rigging CDL12P Rigging Grid, CDL Rigging Extension Bar, CDL12P Rigging Sling

Other    CDL12-Tote Tote Bag

 

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Eris Sub 8 Front-Firing Subwoofer
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PRE-ERIS SUB 8

The Eris Sub8 is the first subwoofer to join the lauded and best-selling Eris studio monitor line. We called it Eris because it’s been designed from the ground up to be part of the family; it compliments the voicing and frequency response of the modern Eris classics. Of course, they’ll play nice with other monitors, too, but if you’ve got a pair of Eris in your home or studio already, the Eris Sub8 is the single best subwoofer you can get to put a little boom in your room.

 

Maximize your frequency response and accuracy.

The surprisingly loud 100-Watt Eris Sub8 drops down to a molar-rattling 30Hz—a full 50Hz below the Eris 3.5s. This allows you to both rock harder and produce better mixes, as you’ll be hearing an accurate representation of your work. For EDM and hip-hop producers in particular, a sub is a must-have. The Eris Sub8 lets you naturally extend the reach of your Eris E3.5 or E4.5 monitors in a manner appropriate to smaller rooms; exactly where these monitors excel.

 

Total control and connectivity.

Thanks to robust configuration and I/O, you’ll be able to tailor your Eris Sub8 configuration exactly to your mixing and listening needs. You can connect your existing monitors via ¼” TRS or RCA, set the input level to your liking, and even invert the polarity. Most importantly, you get a High Pass Filter and a Low Pass Crossover control that ensures your Eris Sub8 starts working at the precise low-frequency point where your main monitors stop working. This makes sure you avoid the flubbery, smudged, low-end mess that one hears in redundant, duplicate, redundant bass reproduction that occurs without a crossover.

 

Hear the Eris Sub8 at your favorite PreSonus® dealer.

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DPA 4097 CORE Interview Kit
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DPA-KIT-4097-DC-INK

The 4097 CORE Interview Kit makes it easy to deliver great sound in challenging situations. It contains a 4097 CORE Shotgun Microphone, which shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

 

Free-standing solution

Mount the microphone on a tripod via the cold shoe mount and use it as a stationary interview mic on a table.

Transmitter-direct solution

Mount the microphone directly on the transmitter and place it on a podium or table. This is a quick and easy mic solution with a very small presence.

Voice-over recording

For on-the-go voice-over work, there are a number of DPA accessories that quickly turn the mic into the perfect tool for your situation.

 

The 4097 CORE Interview Kit includes:

4097 CORE Micro Shotgun Microphone (4097-DC-G-B00-010)

MicroDot Cable 2.2 mm (.09 in), 1.8 m (5.9 ft) (CM2218B00)

Plate for transmitter

Velcro strap 330 mm (13 in)

Cold Shoe Mount with standard 1/4 in thread (CS4099)

Rycote Windjammer (Rycote 055427, DPA 4099 Mini Windjammer)

Telescope Boom (Manfrotto MPCOMPACT-BK)

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AVB-D16
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PRE-AVBD16

StudioLive Series III… now with Dante

Onboard AVB-networking and the AVB-D16 make it possible to add Dante functionality to your StudioLive Series III mixer without the unnecessary hassle of an internal option card. Simply connect one or more AVB-D16 AVB-to-Dante bridges to your existing StudioLive Series III AVB network to add 16 channels of Dante I/O with each bridge. AVB-D16 makes the vision of plug-and-play functionality between audio networks a reality!

One endpoint, two networks

Whether you’re looking at your Dante network setup from Audinate’s Dante Control software or managing your StudioLive Series III AVB ecosystem from UC Surface or a StudioLive Series III console touchscreen, the AVB-D16 presents itself as a simple 16x16 network device. This lets you easily patch up to 16 audio sources on your StudioLive Series III mixers or NSB-series stage boxes to any available input on your Dante network and receive 16 channels of audio from your Dante network to route to your StudioLive Series III mixers, EarMix 16M personal monitor mixers, or the outputs on your NSB-series stage boxes, creating a truly cohesive networking experience between the two protocols.

One endpoint, two sample rates

With built-in Asynchronous Sample Rate Conversion, the AVB-D16 provides precision clock isolation between the AVB and Dante networks. This ensures pristine, clear audio with no dropouts or artifacts. It also allows you to run different sample rates on the AVB and Dante networks. So even if you're operating a Dante network at 96kHz, you can still connect streams between your StudioLive Series III AVB network operating at 48kHz with total confidence that the audio will be clean and error free.

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PD-70 Dynamic Mic for broadcasting
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PRE-PD70

WHEN YOUR VOICE NEEDS TO BE HEARD (NEW)

The PreSonus PD-70 is a Dynamic Microphone purpose built for many broadcasting different broadcasting situations. With top-quality performance specifications and a hard mount construction and windscreen, this microphone will stand the test of time in any studio or on the road. Capable of working with any audio interface equipped with a preamp, the PD-70 will work as a perfect tool for your broadcasting set up.

• Perfect for recording vocals for podcasts, radio and more

• Frequency response range provides phenomenal clarity throughout

• Works with any audio interface with a microphone preamp

• Top-quality performance specifications

• Integrated hard mount and windscreen

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DM-7 Seven-piece Drum Mics
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PRE-DM-7

The PreSonus DM-7 drum mic set gives you everything you need to authentically capture your drum kit. DM-7; drum microphone set for studio and live applications; 1x BD-1 cardioid dynamic microphone for kick drums and bass amps; 4x ST-4 cardioid dynamic microphone with adjustable clip holder for e.g. toms, snare or guitar amps; 2x OH-2 small-diaphragm condenser microphone with cardioid polar pattern incl. clips and foam windscreen; complete microphone set; hard-shell carrying case included.

 

 

 

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iOstation 24 C audio interface w.Faderport
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PRE-IOSTATION 24 C

Audio Production | Desktop Control

Superior front-end for superior results.
Audiophile-grade digital converters and transparent preamps create a superior recording and
listening experience. The ioStation 24c audio interface features two of PreSonus®’ acclaimed
XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows,
shared smooth highs, and a rich overall sound—you’ll hear every breath, transient, and detail
in your recordings. High-quality converters provide 115 dB of dynamic range to capture
complex musical harmonics smoothly and naturally. The result is clear, consistent audio that
makes mixing easier and creating a polished sound faster.

Work smarter.
We've incorporated elements from the award-winning FaderPort®-series controllers into the ioStation 24c. Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio One® Artist will let you mix at lightning speed.

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Atom SQ
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PRE-ATOM SQ

Hybrid MIDI Keyboard / Pad Performance and Production Controller

Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ was designed as

a versatile and expressive MIDI pad controller

for contemporary music production. Its unique design is optimized for both classic TR-style 16-step beat sequencing and drumpattern editing in Studio One or playing instruments and launching clips in Ableton

Live—yet its staggered and RGB-lit pad configuration is instantly familiar to anyone who’s played a controller keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator makes the ATOM SQ the most expressive controller you’ll ever use. In fact, it’s the best PreSonus Studio One MIDI controller available.

 

ATOM SQ is also unique Ableton Live controller, designed for production and live performance. You can launch clips and

 

scenes during a performance, select devices and edit parameters, navigate tracks and scenes, control each track’s volume, panning, and send levels—plus

do all your drum programming in Ableton from the ATOM SQ! Ableton Live

Lite is included, so you can get to creating right away. It comes with all of Live’s essential

workflows, instruments and effects—everything you need to record songs, create hands-on with your controller,

take music made in your apps further and so much more.

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Adam T8V active speaker
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ADA-T8V

ADAM AUDIO T8V

The T8V is an affordable, professional 2-way powered studio monitor with an 8˝ woofer and ADAM Audio’s latest addition to the T Series. Designed around the same technology, features and build quality as its smaller siblings, the T8V provides best-in-class characteristics and sound performance.

The T8V impresses with a multitude of features that bring real benefits to the user: The U-ART tweeter’s 4:1 velocity transfer ratio, in combination with the new Class D amplifiers’ high dynamic range, yield respective max. peak SPL of 118 dB per pair. The tweeter, which extends up to 25 kHz, works as a team with the HPS Waveguide. This allows an optimal radiation of the high frequencies, which means the advantage of a more controlled, larger usable sweet spot during monitoring. With a bass extension down to 33 Hz, the T8V is especially suitable for users who produce bass-heavy music.

The T8V is the perfect studio speaker for those who have always wanted to work with an 8“ monitor from ADAM Audio, but where budgets have been insufficient. The 5-year warranty gives users additional security and the certainty of having purchased a quality product.

 

* U-ART 1.9” Accelerated Ribbon Tweeter with HPS Waveguide

* Polypropylene 8” woofer and rear-firing bass-reflex port

* Cumulated Amp. Power RMS: 90 W

* Frequency Response: 33 Hz - 25 kHz

* Max. SPL Per Pair at 1 m: ≥118 dB

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Eris E8 XT
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PRE-E8 XT

Our best-selling studio monitors just got better. (NEW ERIS E8 XT)

 

With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

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Quantum 2626 Thunderbolt 3 audio interface
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PRE-QUANTUM 2626

Presonus Quantum 2626

 

Timeless audio

Every design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking—coupled with our ultra-transparent, pure analog XMAX preamps—result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms*).

 

General Features

  • 26x26 Thunderbolt 3 ultra-low-latency audio interface
  • <1 ms roundtrip latency*; record direct to DAW with your favorite plug-ins engaged
  • 24-Bit/192kHz Operation with high-quality 115 dB A/D/A converters
  • Studio One Artist and Studio Magic plug-in bundle included

Flexible Connectivity

  • Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
  • 8 pristine XMAX preamps
  • 2 Instrument Inputs
  • 8 balanced line inputs
  • Dual headphone outputs with independent level control
  • Balanced stereo main outputs with independent level control
  • 8 DC Coupled balanced line outputs
  • 2 preamp direct outputs with returns to insert outboard gear
  • Main Output Level Control
  • Balanced Stereo Main Output (TRS)
  • Eight Balanced Line Outputs (TRS (outs 1 & 2 share a DAC with the main output))
  • Two Preamp Outputs (channels 1 & 2)
  • Two Line Returns (channels 1 & 2)
  • ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
  • Stereo S/PDIF coaxial input and output

Digitalia

  • Thunderbolt 3 high-speed bus
  • 24-bit resolution and up to 192 kHz sampling rate
  • BNC word clock input and output with low-jitter clocking
  • MIDI I/O

Physical

  • Road-rugged construction with all-metal chassis and metal knobs
  • 1U rack-mountable
  • 12 VDC external power supply (included)
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DPA 4097 CORE Choir Mic
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DPA-4097-DC-F-B01-120

4097 CORE Supercardioid Choir Mic

  • A choir mic for any situation
  • Unobtrusive, yet elegant design
  • Supercardioid pick up pattern
  • Uniform off-axis response
  • Reaches up to 253.3 cm
  • Three integrated shock mounts ensure stability
  • Rapidly stabilizing active boom pole
  • Wireless capabilities ensure a flexible solution

Designed as a choir mic, predominately for use in House of Worship communities, the d:sign™ 4097 CORE Supercardioid Choir Mic will suit anyone looking for an unobtrusive, versatile and great sounding choir mic, such as live broadcast shows with choir or ensemble vocal performances.

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