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SSL Connex USB Microphone
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SSL-729770X1

SSL Connex is an advanced USB microphone from Solid State Logic.

SSL Connex has four mic capsules, one facing out from each side of the pyramid shape to form a quad microphone array. Tailored audio processing modes are available for different applications, e.g., making calls in all major video conferencing applications as an individual or in a round table setting, podcasting, or recording vocals or instruments. The mic array is automatically mixed down for use in traditional video conferencing settings. The discreet mic capsule signals are also available for creating immersive recordings.

SSL Connex can be used on any flat surface or mounted to a mic stand or camera tripod and, coupled with the two metre USB cable provided, allows for flexible placement in almost any scenario. The front-mounted stereo headphone output is perfect for attending video calls, monitoring recordings or simply used to enjoy being immersed in one’s favourite music reproduced through SSL Connex’s studio quality audio converters.

The audio processing in SSL Connex is derived from the same DNA and heritage as the SSL’s large format mixing consoles; the technological centrepieces for countless hit records produced in recording studios throughout the world for over 40 years. SSL Connex encapsulates all of SSL’s engineering expertise in studio quality mic preamp, EQ and compressor circuit design in a unique form factor to produce a USB microphone like no other!

Key features:

  • Advanced USB microphone with high quality quad microphone array for conferencing, content creation and recording.
  • Studio quality processing using SSL EQ and dynamics algorithms.
  • Four pre-set user modes:
    • -Solo (directional; e.g. for conference calls, podcasting, streaming)
    • -Group (e.g. round table discussions)
    • -Vocal (e.g. recording singing, narration, rapping)
    • -Music (e.g. recording loud sources)
  • Automatic smart mixer to make sure everyone’s heard.
  • High power 3.5 mm headphone output for crystal clear audio
  • Microphone Loopback option for ambient monitoring
  • Touch controls to adjust headphone level and mute the mic
  • ‘Cough Switch’ and ‘Push To Talk’ features for temporarily muting/unmuting the mic
  • Backlit RGB illuminated Solid State Logic logo indicates mic mute and user mode
  • 1⁄4” thread in base with mic stand thread adapter for flexible mounting
  • 2 m USB Type C to C cable and USB Type C to Type A adapter included
  • USB powered
  • Compatible with Windows and Mac OS
  • Works with Laptop or tablet
CAMPAIGN
Lewitt LCT 440 PURE - VIDA EDITION
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LEW-LCT440PURE-VIDA

With revenue generated from the sales of the LCT 440 PURE – VIDA EDITION, LEWITT will acquire 30.000m² of rainforest in support of the "Rainforest of the Austrians" NGO, founded in 1991 by the internationally-acclaimed Austrian classical violinist Michael Schnitzler to preserve nature and biodiversity in Costa Rica. More information about this project can be found via the following link.

LEWITT’s pledge to this initiative continues the decades-long tradition of Austrian musicians’ support for the project, which has previously come in the form of song royalties, benefit concerts, and appeals for donations to protect the environment.

NEW
SSL2 Recording Pack
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SSL-729702X1B

SSL 2 Recording Pack.

This bundle contain an SSL 2 Audio interface, Studio headphones, Large diaphragm condenser microphone for recording and microphone cable in one pack. Upgrade your recordings to next level with SSL Recording Bundle.

SHP-20 Headphones Specifications:

  • Operating Principle: Closed
  • Fashion: Supra-aural
  • Transducer Type: Dynamic
  • Driver: 50mm
  • Impedance: 32
  • Sensitivity: 98 3dB
  • Frequency Response: 15Hz-25kHz
  • Max. Power: 1200mW
  • Rating Power: 300mW
  • Cable: 3m (straight)
  • Plug: 3.5mm + 6.3mm

SMC-80 Microphone Sprecifications:

  • Element: 25mm condenser capsule
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Sensitivity: -36dB±2dB (0dB=1V/Pa at 1kHz)
  • Output Impedance: 200±30% (at 1kHz)
  • Load Impedance: ≥1000Ω
  • Self Noise: 16dB A
  • Max. Input SPL: 136dB (at 1kHz≤1% T.H.D)
  • S/N Ratio: 78dB
  • Phantom Power Requirement: 48V DC Phantom Power
  • Weight:340g
  • Dimensions:55x38x165mm
NEW
SSL2+ Recording Pack
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SSL-729704X1B

SSL 2+ Recording Pack.

This bundle contain an SSL 2+ Audio interface, Studio headphones, Large diaphragm condenser microphone for recording and microphone cable in one pack. Upgrade your recordings to next level with SSL Recording Bundle.

SHP-20 Headphones Specifications:

  • Operating Principle: Closed
  • Fashion: Supra-aural
  • Transducer Type: Dynamic
  • Driver: 50mm
  • Impedance: 32
  • Sensitivity: 98 3dB
  • Frequency Response: 15Hz-25kHz
  • Max. Power: 1200mW
  • Rating Power: 300mW
  • Cable: 3m (straight)
  • Plug: 3.5mm + 6.3mm

SMC-80 Microphone Sprecifications:

  • Element: 25mm condenser capsule
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Sensitivity: -36dB±2dB (0dB=1V/Pa at 1kHz)
  • Output Impedance: 200±30% (at 1kHz)
  • Load Impedance: ≥1000Ω
  • Self Noise: 16dB A
  • Max. Input SPL: 136dB (at 1kHz≤1% T.H.D)
  • S/N Ratio: 78dB
  • Phantom Power Requirement: 48V DC Phantom Power
  • Weight:340g
  • Dimensions:55x38x165mm
NEW
SSL PureDrive Quad
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SSL-729744X1

PURE DRIVE Pre's harnesses the renowned microphone preamp technology from Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes them available in 2U rackmount unit.

PURE DRIVE QUAD takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE QUAD offers four mic preamp input impedance options. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a sweepable High Pass Filter. PURE DRIVE QUAD stands as one of the most capable and feature-rich outboard microphone preamplifiers available.

3 Flavours, 1 Mic Pre

No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE QUAD, allowing impeccable ‘matching’ between all channels. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.

Each of PURE DRIVE QUAD’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive.

Advanced Connectivity

PURE DRIVE QUAD’s advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I/O offers microphone preamps with exceptional performance and flexibility. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card.

PURE DRIVE QUAD features four rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE QUAD’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.

PURE DRIVE QUAD’s versatile digital connectivity features an integrated USB soundcard providing four channels of audio into your DAW up to 32-Bit/192 kHz. Two AES/EBU output pairs, and ADAT out, offering four channels at 24-bit/48 kHz, or cascade two PURE DRIVE QUADs via its convenient ADAT LINK IN connection and access up to eight channels. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking

NEW
SSL PureDrive Octo
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SSL-729745X1

PURE DRIVE OCTO harnesses the renowned SuperAnalogue PureDrive™ microphone preamp technology originally featured in Solid State Logic's ORIGIN console, introduces a new DRIVE mode and connectivity, and makes it available in an 8-channel 2U rackmount unit.

 

SSL's contemporary-classic recording console, ORIGIN, introduced the PureDrive™ microphone preamplifier. This innovative preamp retains the clarity and punch of previous SSL designs while offering the added versatility of switching its character to a warm, harmonically rich, and driven tone that varies with gain. ORIGIN, along with the PureDrive™ microphone preamp, has made its mark in the world's premier studios. Whether it's capturing the delicate nuances of a piano concerto in PURE mode or imparting warmth on a drum recording when set to DRIVE, the PureDrive™ microphone preamp has become an essential tool in some of the most prestigious studios and recording facilities due to its flexibility and superb sonic signature.

 

PURE DRIVE OCTO continues the legacy into rack format, delivering eight microphone preamps with ORIGIN’s renowned PURE and DRIVE modes, but takes it further, adding a new ‘Asymmetric’ DRIVE, advanced digital connectivity, and an onboard USB interface. PURE DRIVE OCTO offers four mic preamp input impedance options, enabling engineers to explore various tonal possibilities or match the mic pre's impedance closely to the microphone. Additionally, each mic pre includes independent +48V phantom power, polarity inversion, and a High Pass Filter. PURE DRIVE OCTO stands as one of the most capable and feature-rich outboard microphone preamplifiers available, introducing a host of new sonic possibilities and workflows for the discerning producer and recording engineer.

3 DRIVE Flavours, 1 Mic Pre

PURE DRIVE OCTO is a testament to SSL's commitment to progressive analogue circuit design. No electro-mechanical components (potentiometers, mechanical switches, relays etc) are used in the critical audio signal path of PURE DRIVE OCTO, increasing product longevity, and allowing impeccable ‘matching’ between all channels – not just a stereo pair. The use of digitally controlled analogue circuits, controlled by detented pots and electronic switches simplifies recall and precision of settings.

Each of PURE DRIVE OCTO’s mic pre’s can be independently switched between three distinct DRIVE modes: Clean, Classic Drive, and Asymmetric Drive.

Clean mode delivers the highly regarded, ultra-low noise floor, linear SSL preamp that is recognised for its ability to faithfully capture the sound of the source with exceptional clarity and detail.

Classic Drive is the symmetrical mode that generates predominantly odd harmonics; the same drive sound found on the ORIGIN console.

Asymmetric Drive offers up a new colouration option, specifically designed for the PURE DRIVE range, making the even harmonic content dominant and providing more pronounced thickness, colouration and softening of transients.

Advanced Connectivity

PURE DRIVE OCTO's advanced connectivity opens a world of recording possibilities. Its comprehensive selection of analogue and digital I/O offers microphone preamps with exceptional performance and flexibility, whether you're tracking a band in a world-class studio or adding warmth to stems in a production scenario. It's also ideal for project studios and on-location sessions where quality cannot be compromised, thanks to its integrated USB sound card.

PURE DRIVE OCTO features eight rear-mounted combo XLR inputs, four front-panel Hi-Z/DI instrument inputs with automatic input detection, and three sets of D-sub connectors for line-level inputs, as well as insert send and insert return. PURE DRIVE OCTO’s insert returns/ADC inputs operate up to full +24 dBu line-level, for interfacing with other professional equipment.

PURE DRIVE OCTO's versatile digital connectivity features an integrated USB soundcard providing eight channels of audio into your DAW up to 32-Bit/192 kHz. Four AES/EBU output pairs, and ADAT out, offering eight channels at 24-bit/48 kHz, or up to four channels at 24-bit/192 kHz via SMUX. The AES and ADAT outputs can even be individually repurposed to be fed from the onboard USB soundcard as outputs from your DAW. Finally, there's an auto-ranging word clock input and output for robust digital clocking.

Specs:

      • 8 channel high-performance PureDrive™ mic preamps 
  • +48V phantom power, polarity invert and 3rd order hi-pass filter

 

      • Stepped Gain control up to +65 dB Gain 
      • 31-step Trim control, with precise 1 dB increments – overdrive the signal with the Gain control and then reduce to a suitable level using Trim. 
      • 3 modes for each preamp – Clean, Classic Drive and Asymmetric Drive 
      • Mic/Line Input Switching 
      • Mic via XLR  
      • Line via choice of TRS Jack or dedicated D-Sub connectivity 
      • 4 x front panel Hi-Z/DI Instrument unbalanced inputs with automatic input detection 
      • 4 mic preamp input impedance options – explore new tonal possibilities from your dynamic and ribbon microphones 
      • Balanced analogue outputs/insert sends for external processing 
      • +24 dBu professional line level insert returns/ADC inputs 
  • Analogue to digital connectivity via ADAT, AES and USB

 

      • Ability to switch ADAT and AES connections to source audio from DAW outputs (USB) instead of the A/D converter 
      • USB soundcard mode 
      • OCTO – 8 in / 24 out (@44.1/48 kHz) 
  •  8 x analogue / 8 AES + 16 ADAT outs 

 

      • Stepped pots and digitally controlled analogue electronics for precision, stereo matching and ease of recall 
      • Up to 192 kHz and 32-bit conversion, professional I/O levels (+24 dBu = 0 dBFS). 
      • Selectable Auto-Sleep mode 
      • Auto-ranging Wordclock In and Out 
NEW
CDL12P ABS Constant Directivity Loudspeaker
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PRE-CDL12P

The CDL that fits your venue AND your budget

The CDL12 loudspeakers impressed ears around the world when we introduced them, thanks in no small part to their unique, patent-pending driver design that fills venues with consistent, articulate speech and music reproduction without sacrificing consistent SPL. Now that same constant directivity performance is available in the new CDL12P, a lighter weight design ideal for touring bands and mobile DJs who want the same scalability and sonic performance in portable design.

What’s so great about constant directivity?

Like the CDL12, CDL12P is the result of years of research and development, combining the best attributes of point source and line array technology into a unique patent-pending design. Based on the Constant-Directivity Two-Way Loudspeaker System design presented at the 143rd AES Convention in New York by Hugh Sarvis and Don Keele, the CDL12P radiates a highly focused pattern with consistent SPL throughout the frequency response range, both on- and off-axis. The result is clear, articulate speech intelligibility and natural music reproduction.

A unique look with a unique result.

Each CDL12P consists of eight 2-inch drivers aligned in a segmented circular-arc high-frequency array centered in front of a 12-inch woofer. The output of the low-frequency driver travels from the same acoustic axis as the high-frequency array, so the dispersion pattern always radiates directly from the center of the CDL12P. This is true whether the CDL12P is used individually on a tripod speaker stand or as part of an acoustically-coupled vertical array with up to six enclosures. Because both the highs and lows emanate from the same point, they arrive at listeners’ ears at the exact same time—meaning the CDL12P powered loudspeakers don’t create any smearing in their crossover frequencies, ensuring better intelligibility throughout the frequency response range.

Symmetrical dispersion matters.

Traditional line array loudspeakers typically place a high-frequency horn on one side of the enclosure and a woofer on the other. To obtain a symmetrical image with those loudspeakers, you'd have to flip one over—something they aren't designed to do in the first place—and you'd still have phase issues. With the CDL12P, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue. Regardless of how many CDL12Ps you stack, you're working with a shared acoustic axis—and non-turbulent sound propagating throughout the room.

Scalable vertical coverage.

The CDL12P’s hybrid point source/line array design delivers focused sound with consistent SPL coverage both on- or off-axis, making it an excellent choice for mobile and installed applications. Rigging CDL12P enclosures is made easier thanks to integrated pin-loaded rigging hardware. A dual-angle pole mount is provided, supporting the use of one or two enclosures when pole mounted on a tripod stand, or atop the companion CDL18s subwoofer, allowing the system to adapt to varying audience sizes. The CDL12P’s integrated PDA-1000 500W x 500W Class D power amplifier features onboard DSP presets to facilitate and simplify arrayed configurations

Now hear this.

The patent-pending Constant Directivity design of the PreSonus CDL12P delivers exceptional performance and versatile configuration options in a visually stunning, compact form factor. Superior phase coherence and controlled dispersion result in an articulate, natural listening experience, making the CDL12P an outstanding choice for both portable PA and installed sound applications. The result of years of research and development, the CDL12P combines the directivity of a point-source design with the scalable coverage of a line array to create a unique loudspeaker that provides the flexibility demanded by modern sound reproduction applications. Hear it now at your authorized PreSonus dealer.

Six-year warranty lets you rest easy.

Quality runs deep in our company culture, and we strive to build feature rich, the best sounding, and most reliable products available anywhere. We’re confident you’ll love the PreSonus CDL12P. By choosing PreSonus, you’re assured of robust, trouble-free performance—for six years. In the unlikely event you do experience an issue, you can count on us to make it right. This is our commitment to you.

Technical Specifications

Acoustic Performance

Configuration Active             2-way

Frequency Response (-3 dB) 48 Hz – 18 kHz

Nominal Coverage (-6 dB)    120° (H) x 15° (V) per enclosure

Maximum Peak SPL             130 dB

Crossover Frequency           420 Hz

Transducer

LF Transducer                    12” (2.5” voice coil)

HF Transducer                   8 x 2” (1” Voice Coil)

Amplifier

Type                                 Class D

Total Power Output            2000W Peak, 1000W Program (500W RMS)

LF Power                           1000W Peak, 500W Program (250W RMS)

HF Power                          1000W Peak, 500W Program (250W RMS)

Cooling                             Free air convection

Rated THD                        <0.05% (20 Hz - 20 kHz)

Dynamic Range                 119 dB (A-weighted)

Bandwidth                        20 Hz - 20 kHz

Mains Connection              Locking AC In and Out

Connections and Controls

Input Channels                 1 Line

Input Connector Types      1 XLR

Line Input Impedance       40 kΩ

Maximum Input               +4 dBu

Output Connector            Direct Line Out (XLR)

Controls 

Preset Select (Number of Arrayed Boxes)

HPF On/Off

PreSonus Subwoofer Configuration Preset (None, CDL18s, ULT18, AIR18s)

Indicators Signal, -3 dB, Limiter, Clip

Enclosure

Material                          15mm Polypropylene

Grille                              Powder-coated steel

Dimensions (HxWxD)      473 mm x 529 mm x 444.5 mm

Unit Weight                    28.6 kg

Safety

Amplifier Protection        Over-current, DC, over/under-voltage, over-temperature,

                                    high frequency

Transducer Protection     Limiter

Power

AC Power Input             90-260V~, 50-60 Hz

AC Power Consumption (1/8 Power) 4.2 Amps

Suspension Mounting

Rigging Points              Integrated Rigging (10:1 load)

Mounting                    Dual-position pole mount (0° and 7.5°) 35 mm

Optional Accessories

Rigging CDL12P Rigging Grid, CDL Rigging Extension Bar, CDL12P Rigging Sling

Other    CDL12-Tote Tote Bag

 

CAMPAIGN
LEWITT LCT 240 PRO BLACK PROMOTION
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XXX-LCT240PROBLACK

This product is only available until 8 January 2024

No backorders willl be shipped out after 8 January 2024

If you need more after 8 January choose item code:

LEW-LCT240PROBLACK

CAMPAIGN
LEWITT LCT 240 PRO BK BUNDLE PROMOTION
hot deal 3.jpeg
XXX-LCT240PROBLACKVP

This product is only available until 8 January 2024

No backorders willl be shipped out after 8 January 2024

If you need more after 8 January choose item code:

LEW-LCT240PROBLACKVP

CAMPAIGN
LEWITT LCT 240 PRO WHITE PROMOTION
hot deal 3.jpeg
XXX-LCT240PROWHITE

This product is only available until 8 January 2024

No backorders willl be shipped out after 8 January 2024

If you need more after 8 January choose item code:

LEW-LCT240PROWHITE

CAMPAIGN
LEWITT LCT 240 PRO WH BUNDLE PROMOTION
hot deal 3.jpeg
XXX-LCT240PROWHITEVP

This product is only available until 8 January 2024

No backorders willl be shipped out after 8 January 2024

If you need more after 8 January choose item code:

LEW-LCT240PROWHITEVP

CAMPAIGN
SSL2 Recording Pack
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SSL-729702X1B

SSL 2 Recording Pack.

This bundle contain an SSL 2 Audio interface, Studio headphones, Large diaphragm condenser microphone for recording and microphone cable in one pack. Upgrade your recordings to next level with SSL Recording Bundle.

SHP-20 Headphones Specifications:

  • Operating Principle: Closed
  • Fashion: Supra-aural
  • Transducer Type: Dynamic
  • Driver: 50mm
  • Impedance: 32
  • Sensitivity: 98 3dB
  • Frequency Response: 15Hz-25kHz
  • Max. Power: 1200mW
  • Rating Power: 300mW
  • Cable: 3m (straight)
  • Plug: 3.5mm + 6.3mm

SMC-80 Microphone Sprecifications:

  • Element: 25mm condenser capsule
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Sensitivity: -36dB±2dB (0dB=1V/Pa at 1kHz)
  • Output Impedance: 200±30% (at 1kHz)
  • Load Impedance: ≥1000Ω
  • Self Noise: 16dB A
  • Max. Input SPL: 136dB (at 1kHz≤1% T.H.D)
  • S/N Ratio: 78dB
  • Phantom Power Requirement: 48V DC Phantom Power
  • Weight:340g
  • Dimensions:55x38x165mm
NEW
SSL2+ Recording Pack
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SSL-729704X1B

SSL 2+ Recording Pack.

This bundle contain an SSL 2+ Audio interface, Studio headphones, Large diaphragm condenser microphone for recording and microphone cable in one pack. Upgrade your recordings to next level with SSL Recording Bundle.

SHP-20 Headphones Specifications:

  • Operating Principle: Closed
  • Fashion: Supra-aural
  • Transducer Type: Dynamic
  • Driver: 50mm
  • Impedance: 32
  • Sensitivity: 98 3dB
  • Frequency Response: 15Hz-25kHz
  • Max. Power: 1200mW
  • Rating Power: 300mW
  • Cable: 3m (straight)
  • Plug: 3.5mm + 6.3mm

SMC-80 Microphone Sprecifications:

  • Element: 25mm condenser capsule
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Sensitivity: -36dB±2dB (0dB=1V/Pa at 1kHz)
  • Output Impedance: 200±30% (at 1kHz)
  • Load Impedance: ≥1000Ω
  • Self Noise: 16dB A
  • Max. Input SPL: 136dB (at 1kHz≤1% T.H.D)
  • S/N Ratio: 78dB
  • Phantom Power Requirement: 48V DC Phantom Power
  • Weight:340g
  • Dimensions:55x38x165mm
NEW
Lewitt Pure Tube - Studio
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LEW-PURE TUBE

PURE TUBE is perfectly optimized for vocal recordings. Incl shock mount, transport case and pop filter

  • 1x PURE TUBE microphone
  • 1x PURE TUBE power supply unit
  • 1x Fully adjustable shock mount
  • 1x Highly effective magnetic pop filter
  • 1x 7-pin XLR cable
  • 1x Transport bag
  • 1x Mil-spec transport case

PURE TUBE was holistically designed to allow you to deliver your best vocal performance and spark your creativity.

Its gold-sputtered 1-inch true condenser capsule is powered by a revolutionary circuit to add warmth, depth, and intimacy to your voice, technically unmatched by other microphone classics. To ensure that clarity is retained, a transformer-based filter balances the proximity effect, and musically rounds out the sonic image perfectly for vocal recordings.

The fully adjustable shock mount absorbs structure-borne noise efficiently, and the acoustically transparent pop shield puts an end to plosives. It magnetically attaches directly to the shock mount, so wobbly gooseneck pop filters are a thing of the past. Absolutely every design detail shows that the PURE TUBE was designed for professional vocal recording.

Unique signal path for highest signal integrity and ultra-low noise performance.

PURE TUBE uses an entirely new circuit to create its timeless sound quality. The unique signal path is completely free from semiconductors and capacitors, so you hear all the character of the hand-selected tube with an ultra-low noise floor. PURE TUBE’s ultra-low noise level of 7 dB (A) will never negatively affect your signal, even with heavy post-processing used for contemporary music production.

This combination of innovative circuitry, high-quality components, and hand-selected ECC82/12AU7 tubes makes the PURE TUBE a high-performance microphone that is difficult to compare to conventional studio microphones, whether FET or tube.

Finally, 100 years after the first tube microphone was invented, there is a tube microphone without technical tradeoffs compared to FET or other tube microphones. With its outstanding sound quality and specifications, PURE TUBE will serve all those looking for a premium upgrade in their sound.

10-year warranty

Buying a $1000+ microphone is a giant leap for many looking to elevate their craft, and LEWITT offers a 10-year warranty (and industry-leading customer service) to ensure peace of mind.

Feature summary

  • Studio microphone with timeless premium sound

 

  • Optimized for professional vocal recordings

 

  • Cardioid polar pattern

 

  • Signal path free from capacitors and semiconductors

 

  • Hand-selected 12AU7/ECC82 tube

 

  • Ultra-low noise performance of 7 dB (A)

 

  • Transformer-based filter to musically balance the proximity effect

 

  • Compact, energy-saving PSU works worldwide

 

  • Including magnetic pop filter, shock mount, 7-pin XLR cable, transport bag, mil-spec transport case

 

  • 10-year LEWITT warranty

 

 

Specifications

Sensitivity: 28.2 mV/Pa, -31 dBV/Pa

Self-noise: 7 dB (A) 

Max SPL: 132 dBSPL

Dynamic range: 125 dB 

Polar pattern: Cardioid

Supply voltage: External power supply

Microphone enclosure: Zinc die cast

Microphone dimensions: 196 x 65 x 45mm, 7.7 x 2.6 x 1.8 in

Microphone net weight: 692 g, 24.41 oz

Box contents

  • 1x PURE TUBE microphone
  • 1x PURE TUBE power supply unit
  • 1x Fully adjustable shock mount
  • 1x Highly effective magnetic pop filter
  • 1x 7-pin XLR cable
  • 1x Transport bag
  • 1x Mil-spec transport case

 

NEW
Lewitt Pure Tube - Essent
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LEW-PURETUBE-ES

PURE TUBE is perfectly optimized for vocal recordings.

Box contents

  • 1x PURE TUBE microphone
  • 1x PURE TUBE power supply unit
  • 1x 7-pin XLR cable
  • 1x Transport bag

PURE TUBE was holistically designed to allow you to deliver your best vocal performance and spark your creativity.

Its gold-sputtered 1-inch true condenser capsule is powered by a revolutionary circuit to add warmth, depth, and intimacy to your voice, technically unmatched by other microphone classics. To ensure that clarity is retained, a transformer-based filter balances the proximity effect, and musically rounds out the sonic image perfectly for vocal recordings.

Absolutely every design detail shows that the PURE TUBE was designed for professional vocal recording.

Unique signal path for highest signal integrity and ultra-low noise performance.

PURE TUBE uses an entirely new circuit to create its timeless sound quality. The unique signal path is completely free from semiconductors and capacitors, so you hear all the character of the hand-selected tube with an ultra-low noise floor. PURE TUBE’s ultra-low noise level of 7 dB (A) will never negatively affect your signal, even with heavy post-processing used for contemporary music production.

This combination of innovative circuitry, high-quality components, and hand-selected ECC82/12AU7 tubes makes the PURE TUBE a high-performance microphone that is difficult to compare to conventional studio microphones, whether FET or tube.

Finally, 100 years after the first tube microphone was invented, there is a tube microphone without technical tradeoffs compared to FET or other tube microphones. With its outstanding sound quality and specifications, PURE TUBE will serve all those looking for a premium upgrade in their sound.

10-year warranty

Buying a $1000+ microphone is a giant leap for many looking to elevate their craft, and LEWITT offers a 10-year warranty (and industry-leading customer service) to ensure peace of mind.

Feature summary

  • Studio microphone with timeless, premium sound
  • Optimized for professional vocal recordings
  • Cardioid polar pattern
  • Signal path free from capacitors and semiconductors
  • Hand-selected 12AU7/ECC82 tube
  • Ultra-low noise performance of 7 dB (A)
  • Transformer-based filter to musically balance the proximity effect
  • Compact, energy-saving PSU works worldwide
  • Including microphone mount, 7-pin XLR cable, transport bag
  • Optional accessories: shock mount, pop filter
  • 10-year LEWITT warranty

Specifications

Sensitivity: 28.2 mV/Pa, -31 dBV/Pa

Self-noise: 7 dB (A) 

Max SPL: 132 dBSPL

Dynamic range: 125 dB 

Polar pattern: Cardioid

Supply voltage: External power supply

Microphone enclosure: Zinc die cast

Microphone dimensions: 196 x 65 x 45mm, 7.7 x 2.6 x 1.8 in

Microphone net weight: 692 g, 24.41 oz

Box contents

  • 1x PURE TUBE microphone
  • 1x PURE TUBE power supply unit
  • 1x 7-pin XLR cable
  • 1x Transport bag

 

NEW
SONY MDR-MV1 Open Headphones 5 Hz - 80 kHz
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SON-MDR-MV1

Studio monitor sound for mixing and mastering
High spatial sound space reproducibility possible with carefully tuned open-back acoustic structure can support Mixing and Mastering of Spatial Sound as well as Stereo Sound with High-Resolution capability. Well-balanced and uncolored frequency response from low to super-high range (5Hz – 80 kHz) , High- Resolution and clear sound realizes to express the details of various sound sources exactly as it is.

Excellent wearing comfort
Excellent wearing comfort support creators works. Light weight, soft and stable fitting realizes the superior comfort for long time working or listening to create music contents

Spatial sound creation in the headphones
Accurate each sound object positions and movements in the 360-degree sound space enables “Spatial Sound Creation in the headphones”, that is as close as possible to a speaker-based production environment.
Learn more about 360RA production https://www.sony.net/Products/create360RA/

Stereo sound creation with High- Resolution capability
By reproducing sound sources neutrally with High-Resolution capability, each sound element can be monitored accurately. It also improves the quality of work during mixing and mastering by making it easier to capture localization, spaciousness, and detailed changes in sound processing.

Carefully tuned Open-back acoustic structure
The open-back acoustic structure can get natural surrounding sound like speaker reproduction environment. The structure also does not generate inherent reflected sound in the housing; therefore, it is optimal for spatial sound signal processing, which reproduces the reverberant characteristics of virtual spaces.

Newly developed HD driver units
Newly developed HD driver units optimized for open-back acoustic structure realizes rich low frequency range reproductivity even in the open housing and super high frequency range at a same time (5Hz– 80kHz)This is achieved through the curved corrugation diaphragm shape and Tri-duct structure.

Detachable cables for professional use
The cable plug uses a 6.3 stereo standard plug widely used in production scenes. By using the bundled plug adapter, it is also possible to connect to devices with 3.5 stereo mini jacks. The connection part to the main unit is detachable with a screw system, allowing for secure connection and cable replacement

NEW
DPA Drum Microphone Kit
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DPA-DDK4000

What’s in the box?

The DDK4000 Drum Microphone Kit contains the following mics and accessories.

Microphones:

1 x 2012 Cardioid Microphone
2 x 2015 Wide Cardioid Microphone (Stereo Pair)
1 x 4055 Kick Drum Microphone
3 x 4099 Core Instrument Microphone, Extreme SPL

Accessories:

3 x MicroDot Cable (CM2218B00)
3 x Drum Microphone Clip (DC4099)
3 x Adapter for MicroDot to 3-pin XLR (DAD6001)

NEW
DPA 2012 Compact cardioid mic
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DPA-2012

DPA 2012 - Great close miking on any instrument on the live stage

The 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage.

Durable, reinforced construction

Excellent transient response

Uniform cardioid directionality

Outstanding SPL handling

Natural and precise sound reproduction

The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range.

Durable, reinforced construction

The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Unmatched transient response

The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.

Uniform cardioid directionality

The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.

Outstanding SPL handling

The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.

Natural and precise sound reproduction

Like all other DPA microphones, the 2012 delivers pure, transparent sound quality.

Key applications

Snare drum

Hi-hats

Electric guitar cabinets

​Piano

Percussion

Conga, bongos

Acoustic guitar

Horns

Specifications

Directional pattern: Cardioid

Principle of operation: Pressure gradient

Cartridge type: Pre-polarized condenser

Frequency response: 20 Hz - 20 kHz

Effective frequency range, ±2 dB, at 30 cm: 40 Hz to 20 kHz

Sensitivity, nominal, ±2 dB at 1 kHz: 8 mV/Pa; -42 dB re. 1 V/Pa

Equivalent noise level, A-weighted: Typ. 20 dB(A) re 20 µPa (max. 22 dB(A))

Distortion, THD < 1%: 148 dB SPL (151 dB SPL peak)

Dynamic range: Typ. 131 dB

Max. SPL, THD 10%: 153 dB SPL (156 dB SPL peak)

Switchable attenuator, filters etc.-

Rated output impedance: 60 Ω

Minimum load impedance: 2 kΩ

Cable drive capability: 100 m

Output balance principle: Impedance balancing with Active Drive

Common mode rejection ratio (CMRR)> 60 dB

Power supply (for full performance): P48 (Phantom Power)

Current consumption: 0.7 mA

Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase

Color: Matte black

Weight: 83 g

Microphone diameter: 19 mm

Capsule diameter: 17 mm

Microphone length: 94 mm

Maximum output voltage, RMS: 8.7 V (21 dBu)

Polarity+V at pin 2 for positive sound pressure

Temperature range: -40°C to 45°C

Relative humidity (RH): Up to 90%

Sensitivity selection tolerance (at 1 kHz): ±1.5 dB

NEW
DPA 2015 Compact wide cardioid mic
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DPA-2015

Overhead mics for ambient pick up on the live stage

The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups.

Features:

Durable, reinforced construction

Uniform wide cardioid directionality

Spacious sound due to a wide cardioid pick-up pattern

Natural and precise sound reproduction

Compact design for unobtrusive placement on stage

In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit. Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.

Durable, reinforced construction

The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Uniform cardioid directionality

The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.

Spacious, wide cardioid pick-up pattern

The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.

Natural and precise sound reproduction

Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.

Compact design for unobtrusive placement on stage

Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

Key applications

Overheads on drums

Grand piano, away or close to the strings

Horn groups

Vibraphones

Xylophones

Large marimbas

Other large instruments

Ehrlund NANO Studio Microphone
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EHR-NANO

Nano takes Ehrlund's technology and qualities, such as the well-known phase accuracy, midrange and frequency range, to an attractive mid-price segment.

The microphone, which is designed and built in Siljanäs in Sweden, carries the DNA of Ehrlund Microphones' well-known studio microphone EHR-M and is equipped with a patented triangular-shaped large-diaphragm capsule, which is a hallmark of the company's products. Nano also has Ehrlund's patented amplifier and power circuits built-in.

• Large-diaphragm condenser microphone
• Patented triangular membrane
• Patented internal amplifier and power circuits
• Optimized for studio environments
• Transparent and natural sound
• Very low noise level
• Built-in phase and frequency linear amplifiers
• Wide coverage area, linear frequency response even at a distance or off-axis
• Natural reproduction of fast transients
• True reproduction of the sound source, negligible coloring of the sound
• Frequency range extends from infrasonic bass to ultrasonic treble (7 Hz – 87,000 Hz) • Low power consumption, ~2.0 mA
• No EQ pre-adjustment is needed, Ehrlund's microphones are made for a straight frequency response
• Handles all impedances without changing frequency response or phase

NEW
SSL 12 USB Audio Interface
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SSL-729705X1

Class-leading performance, in the studio and on the road 

The Solid State Logic SSL 12 is the perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device. SSL 12 is capable of being both a studio centrepiece and a portable production hub to take with you on the road. Four SSL-designed mic pre-amps with uncompromising low-noise and high gain performance, Legacy 4K analogue enhancement for adding that signature SSL colour, class-leading dynamic range from premium-quality converters, comprehensive monitoring section, ADAT expandability, talkback mic, flexible headphone outputs and an intuitive console-style software mixer. SSL 12 just set a new bar for what you can expect from a unit that is entirely USB-powered.  

Big studio features, small desktop footprint 

SSL 12 is loaded with an extraordinary amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.

Key Features:

 

• 4 x SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device

• Per-Channel Legacy 4K switches - analogue colour enhancement for any input source, inspired by the 4000-series console

• 2 Hi-Z instrument inputs for guitars, bass or vintage instruments

• 2 professional-grade headphone outputs, with switchable modes of operation that cater for high impedance or high sensitivity headphones. Or re-purpose each headphone output as an additional balanced/unbalanced line-level outputs instead.

• 32-bit / 192 kHz AD/DA Converters - capture and hear all the detail of your creations

• ADAT IN - expand the input channel count with up to 8 channels of digital audio

• Built In Talkback Mic that can be routed to Headphone A, B and Line 3-4 outputs

• 4 x dedicated balanced outputs and precision Monitor Level, with stunning dynamic range

o Use Outputs 3-4 to connect an alternative monitor set or as additional line-level outputs to connect to studio outboard equipment, with +24 dBu operating levels.

• SSL 12 mixer: Powerful digital mixer hosted in SSL 360° - Quickly create low-latency cue mixes. 

• DC-coupled outputs for controlling CV input instruments & FX

• 3 user-assignable front panel switches - assign various monitoring functions and talkback open/close

• MIDI I/O

• SSL Production Pack Software Bundle (over $1000 worth of software and sounds); includes 3-months free subscription to SSL Complete, plus an exclusive collection of 3rd party DAWs, virtual instruments and plug-ins.

• USB bus-powered audio interface for Mac/Windows - power is provided by USB 3.0, audio via the USB 2.0 protocol

Headphones S5X 1.0 by OLLO Audio (Open)
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OLL-S5X

S5X

Binaural Monitoring tuned for immersive mixing. Designed and optimized for binaural mix translation between headphones and speaker setup and vice versa. Includes a Carry on puch.

  • 5-Year warranty
  • Made from sustainable materials
  • Hand made in EU

S5X Technical details

Frequency range


15 Hz - 22 kHz sweep 1/3 oct p-p range (+/-1) 14.5 dBSPL


20 Hz - 20 kHz sweep 1/3 oct p-p range (+/-1) 12 dBSPL

Sensitivity

@ 0 dBu RMS 1 kHz produces (+/-1) 108 dBSPL


@ -23 dBu RMS 0.5-2kHz pink produces (+/-1) 85 dBSPL

Earpads

in/out diameter / depth
+/- 2.5mm 57.5mm / 95mm / 20mm


Clamping

pressure N/cm²
@14.3cm breadth ~0.127 N/cm²


Impedance

+/- 5% 50 Ohm


Weight

414g

NEW
Sony C-80 Microphone
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SON-C-80

The NEW Sony C-80 Studio Condenser Microphone was designed to deliver professional-quality vocal recordings with a powerful and rich midrange. The mic’s dual-capsule design is claimed to help to reduce the proximity effect and provide a consistent-sounding response. The two-part metallic construction is based on the C-800G and C-100 models and prevents acoustic vibrations, helping to keep inherent noise and unwanted sonic artifacts out of your recordings. The large-diaphragm condenser element yields a true frequency response of 20 Hz to 20 kHz, with a dynamic range of more than 125.5 dB. The C-80 capsule offers a -10 dB pad and can handle SPLs up to 138 dB. In addition, the cardioid polar pattern focuses audio capture at the area around the mic, reducing unwanted sound from the rear and sides. A high-pass filter is also on board to help reduce low-end rumbles and other unwanted low-end frequencies, while a suspension shockmount is included to isolate the mic from vibrations and handling noise. A carrying case is also supplied for storage and transport.

NEW
DPA 4055  Kick-drum microphone
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DPA-4055

What makes the 4055 stand out from the competition is that it delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. Its low frequency response and dynamics are superb and result in a tight, natural, well-defined sound - the best low-end with detailed mids and highs.

The 4055 is one of the only kick drum mics that is not sonically pre-tailored to fit a traditional sound in a specific genre. Its performance allows a professional sound designer to create the exact sound s/he is listening for - regardless of the music genre. Want more attack? Slide the 4055 into the bass drum and point it directly at the beater. For a super-low-end sound, place the 4055 at the hole, just on the outside of the front head. Here, the level of sub and lows are represented the most.

Not only does the position inside or outside the kick drum give you different sounds but working with the angles of the microphone just outside the hole will deliver nuances of the drum sound. No matter what sound preference you have, the 4055 captures the true sound of a kick drum, whether it is used in classic, jazz, rock or any other genre.

The 4055 is placed in a large, robust housing and there is wind damping foam just in front of the capsule, behind the grille. A specially-designed shock mount also suspends the capsule inside the housing to avoid vibrations from the stage. The shock mount together with the extra wind damping ensures that the 4055 captures only the source.

The 4055 is easy to position, both inside and outside the drum. Its unique asymmetric design makes it quite easy to place the mic through the drum hole without ripping the front resonator skin.

REPLACEMENT PARTS

- Grid DUA0720B

- Microphone holder UA0961

- Zip case KE4055

5-year limited warranty

NEW

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