Slate Digital VMS ML-1A Modeling Microphone

Meet Virtual Microphone System 2

The world’s best modeling microphone got a major upgrade.

An industry-shaker when it was first released, the original ML-1 microphone offered the ability to flawlessly emulate the color and tone of over 25 handpicked vintage microphones, covering everything from modern studio staples to classic ribbon mics. Now, the brand-new ML-1A and newly designed Virtual Microphone System plugin takes that same functionality and makes it even more powerful.

The ML-1A

The ML-1A is a large-diaphragm condenser microphone that’s best suited for capturing everything from vocals to live instruments to drum kits and every other use case in between. The ML-1A packs all its punch into a sleeker, smaller shell than that of its predecessor, with a dark grey metallic body and a redesigned grille.

Beyond the noteworthy aesthetic differences, the main feature change on the ML-1A is the new three-position 0 dB/ -10 dB / -20 dB pad switch. Up to 145dB SPL can be captured with the -20dB pad engaged. The ML-1A also has lower self-noise to provide the user with an even cleaner recording experience.

Virtual Microphone System

The virtual mic model user experience has also been significantly improved, with all the mic models now housed together in one self-contained plugin.

Compared to the microphone modules in VMR for the ML-1 mic, the new VMS plugin provides the following additional features:

• Microphone Model Morphing for blending the characteristics of two microphone models to create an entirely new behavior

• New "Proximity" slider which applies the characteristic low-frequency boost that naturally occurs when placing the microphone closer to the sound source

• Low-frequency roll-off selector to remove undesirable rumble in certain circumstances

• Mono-to-stereo widener to spread vocals across the stereo spectrum, useful for adding contrast to background vocals

And if that wasn’t enough, the ML-1A comes with bundled with the brand-new Radio France Signature mic pack. To help celebrate our company’s French roots, we modeled 10 incredible microphones from the inventory at the legendary Radio France network HQ. From studio staples to an ‘indestructible’ mic and the biggest ribbon mic ever made, the mics in this pack are designed to make the human voice sound great.

Included with your mic:

Radio France Signature Mic Pack *NEW*

• RF-X25: Open-air sound great for piano, acoustic instruments and voices

• RF-88: Detailed bass response, great for kick drums, vocals, and more

• RF-BB6: Flagship tube mic designed for modern, present vocal sound

• RF-21B: France's go-to mic for reporters and field recording

• RF-149: Outstanding for vocals as well as acoustic instruments

• RF-H64: The soloist’s microphone, well-balanced for speech pickup

• RF-H64 Bonnette: H64 with pop filter for subtle high-end roll-off

• RF Améthyste: Modern, present sound with airy highs and accented lows

• RF-42B Voix: The world’s largest ribbon mic, set to ‘Voice’ mode

• RF-42B Musique: The world’s largest ribbon mic, set to ‘Music’ mode

Classic Tubes 1 + 2

• FG-47

• FG-M7

• FG-800

• FG-251

• FG-800M

• FG-269

• FG-12

• FG-67

Virtual Preamp Collection

• FG-73

• FG-76

Slate Digital ML-1A Features

Ultra-linear, sonically neutral large-diaphragm condenser microphone

Works with Virtual Microphone System plugin to recreate the sound and tone of up to 36 vintage microphones, all available in the Complete Access Bundle subscription

Three-position 0 dB/ -10 dB / -20 dB pad switch; can accommodate up to 145 dB SPL with -20 dB pad engaged

• Lower self-noise (8dB) for cleaner recordings

• Updated design; new color and unique grill shape

• Included licenses: Radio France Signature mic pack, Classic Tubes 1 & 2 mic packs, Virtual Preamp Collection.

Virtual Microphone System Features

Up to 36 virtual microphone models, including 10 new models in the Radio France Signature mic pack, all available in the Complete Access Bundle subscription. All owners receive a three-month trial subscription to the Complete Access Bundle with purchase.

Blend two mic models to create your own unique microphone

• Proximity slider authentically recreates natural low-end boost that comes with closer mic placement

• Low-frequency roll-off selector removes undesirable rumble

• Mono-to-stereo widener to spread vocals across the stereo spectrum

Tech Specs

• Microphone Type: Condenser

• Polar Pattern: Cardioid

• Diaphragm Size: 1-inch

• Frequency Range: 20Hz – 20,000Hz

• Output Impedance: 50 ohms

• Sensitivity: -32.5dB

• Signal to Noise Ratio: 86dB

• Self-Noise: 8 dB

• Connector: XLR

• Software: Virtual Microphone System, Radio France Signature Mic Pack, Classic Tubes 1+2 Mic Pack, Virtual Preamp Collection

• Format: AAX, AU, VST2, VST3

• OS Requirements - Mac: macOS 11 or later

• OS Requirements - PC: Windows 10 or later

• Color: Black and Grey

• Power Source: Phantom

• Dimensions: 200mm x 50mmØ

• Weight: 450g

• Included Accessories: Shock mount, carrying case

PROMOTION UNTIL MAY 1 2025

LEWITT RAY, the first microphone with autofocus for your voice.

Imagine recording vocals was as easy as taking pictures with your phone. RAY is the first microphone to make this a reality. Featuring LEWITT’s new sensor-based technology called AURA, RAY dynamically adapts your levels and tone according to your distance to the microphone. It’s like autofocus but for your voice. Instead of making perfectly sharp pictures, you’re getting perfectly balanced recordings.

With the groundbreaking AURA Technology and ÒMUTE by DistanceÓ feature, RAY completely changes how we interact with a microphone. And with its ÒRecord-ReadyÓ sound, voice recordings for podcasts, streaming, content creation and music production become easier than ever.

Changing the microphone rules with LEWITT’s AURA Technology.

RAY overcomes major limitations that conventional microphones share – to ensure consistent sound quality you need to keep the proper distance and avoid moving around. Usually, when moving close to a mic, your sound becomes loud and boomy, known as the proximity effect. When moving away, your levels drop, and your sound gets thin. For satisfying results, you need to adapt to the microphone. RAY changes these rules with AURA, a sensor-based technology that precisely adapts your level and tone depending on your distance to the microphone.

With AURA on, you don't need to adapt to the microphone anymore, it adapts to you. You can move naturally and focus on your performance while creating flawless recordings. Results are astonishing, especially when recording your voice for podcasts, content, live streaming, and music production.

Even with AURA off, RAY serves as a high-end spec studio microphone that delivers outstanding recording quality as RAY is based on LEWITT’s best-selling LCT 440 PURE.

A new way to mute for streaming and communication

RAY also gives you a dedicated mute button with clear visual feedback, a feature unseen in other XLR microphones, yet the real magic lies in the revolutionary ÒMUTE by DistanceÓ function.

Push a button to easily set a specific distance at which RAY will automatically mute/unmute your signal. Now, you can confidently step away from your desk, knowing your audio will be muted or go live as you approach the microphone. It's a game-changer for your live performance, stream and content alike.

How does it sound?

RAY embodies the signature LEWITT ÒRecord-ReadyÓ sound that artists, creators, and renowned studios have come to adore. This ÒRecord-ReadyÓ sound makes recording easy and gives you a finished sound from the start. The only thing you need to do is press record. No wonder the LEWITT sound is the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat, be it in the studio or on stage.

Analog signal path and high-end studio specs

A 1-inch true condenser capsule is the Ògold standardÓ for detailed vocal recordings. RAY’s gold-sputtered capsule comes with a cardioid polar pattern that records everything in front of the microphone while rejecting sound coming from behind.

With an incredibly low self-noise of just 8 dB(A), and the capability to handle sound pressure levels of up to 131 dBSPL, RAY will ensure your performance is never limited on the technical side.

Besides its outstanding sound quality, RAY uses a completely analog signal path and a gold-plated 3-pin XLR connector to integrate it to your current audio setup. All features are powered via the 48V phantom power coming from your audio interface or preamp.

Compact and camera-friendly design

RAY's compact design perfectly integrates with the included shock mount which reduces low-frequency rumble and structure-borne noise. The camera-friendly pop filter attaches magnetically to the shock mount, ensuring it stays in place. This clever pop filter makes it easier to show your face to the camera, read a script, or view a screen while using the microphone.

RAY opens many possibilities previously unheard of for podcasts, streaming, or performances, and it’s clear that AURA technology is something everyone will want in their microphones in the future.

SSL 18

26-in / 28-out, high-performance USB audio interface

Introducing SSL 18, the first-ever rackmount USB audio interface from Solid State Logic. Developed from our unmatched expertise in analogue and digital design, SSL 18 offers exceptional audio performance with a studio-session-ready feature set, delivered with the signature SSL sound and premium quality that professionals trust. Welcome to a new era in rack mount interface performance.

SSL 18 raises expectations for a 19" USB audio interface in its class. Superior 32-bit next-gen converters, high-performance SSL-designed mic pre’s, advanced digital mixer, Legacy 4K analogue enhancement, and a complete set of digital I/O. Whether you are recording, producing or mixing, SSL 18 enhances production workflow while elevating the performance of your creative space – it’s the ultimate centrepiece for your studio.

Best-In-Class Audio Performance:　​

Next-generation 32-bit/192 kHz converters provide the platform for SSL 18’s analogue design to shine, with unrivalled dynamic range performance of 120 dB across all microphone, line-level and instrument inputs – capture your sources like never before. Experience 125 dB dynamic range on the monitor and line outputs to hear your music with uncompromised fidelity. Need to work on headphones? No problem, with the unbeatable 120 dB dynamic range on offer from the dual-headphone outputs.　

32-bit / 192 kHz / Unrivalled Analogue and Digital Performance

8 x SSL-designed Mic/line inputs:

SSL 18 features eight high-performance SSL-designed mic pre’s, with switchable Mic/Line configuration. Leveraging our renowned engineering expertise, they deliver ultra-low noise recordings and a huge dynamic range, making sure you capture every detail of the performance with stunning accuracy. Their advanced 2-stage circuitry ensures ultra-low distortion while maintaining the natural character of the source – or flip them into Legacy 4K Mode to add real analogue saturation and the iconic 4000 series sound to vocals, drums, and more. Located on the front of the unit, inputs 1 & 2 also offer instrument/Hi-Z inputs to capture DI’d guitars and vintage synths/drum machines.

120 dB Dynamic Range / -130.5 dBu EIN / Legacy 4K Analogue Enhancement

10 x line-outputs:

SSL 18 comes equipped with ten balanced line-level outputs located on the rear of the unit. To ensure optimal signal integrity and maximise headroom, line outputs 1&2 and 3&4 can be configured between +9 and +24 dBu. This ensures seamless compatibility with a wide range of studio monitors and vintage equipment operating at lower levels. Outputs 3 to 10 operate at +24 dBu, perfect for integrating professional outboard equipment. For producers, all outputs are DC-coupled and capable of sending control voltage to synthesizers and modular rigs.

125 dB Dynamic Range / +24 dBu operating levels / Main & Alt Speaker Switching / DC-Coupled Outputs

Dual High-Performance Headphone Outputs:

Custom headphone mixes with two independent headphone outputs, configurable for different types with 'Standard,' 'High Sensitivity,' and 'High Impedance' settings. SSL 18's headphone outputs can also be repurposed as line-level outputs for added flexibility.

120dB Dynamic Range / Dual independent outputs / Configurable headphone modes

4K Legacy analogue enhancement:

The SSL 4000 series consoles (often referred to as ‘4K’) are renowned for imparting a unique ‘mojo’ to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely tuned, sweet-sounding harmonic distortion and a ‘forward’ yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Real Analogue Saturation / Musical High-Frequency Boost / Immortal 4K sound

Complete digital I/O:

A host of digital audio connections means that SSL 18 is ready to expand your I/O count whenever you are, with an additional 16 channels via ADAT and a further two via S/PDIF.　 SSL 18’s dedicated Word clock output provides rock-solid clocking for integrating external digital devices into your system

16 Channels of ADAT I/O + 2 Channels S/PDIF I/O / Word clock output

Monitor Controller + Talkback w/Listen Mic Compressor:

SSL 18 features a full monitor controller section with built-in talkback input. Line outputs 1&2 and 3&4 offer alternative speaker switching with Alt, Talk and Cut accessible via the monitor controls located on the front panel. Alternatively, customise the monitor controls via SSL 360 and tailor them to your workflow. Switch the talkback input into LINE mode and re-process audio through the classic Listen Mic Compressor, perfect for crushing drums, parallel vocals, and more.

Configurable monitoring section / Alt monitor switching / Talkback input with Mic or Line mode + Legendary LMC analogue compressor

SSL 18 mixer, powered by SSL 360:

The SSL 18 mixer offers comprehensive management of all inputs and outputs, as well as detailed, scalable input metering in the 360 Software. Create and manage the control room monitor mix. Configure a further four monitor mixes for performers. In addition, a flexible Mirror Routing system allows you to route any input or aux master directly to an output – perfect for feeding personal monitoring systems, external metering and outboard FX. Create different templates for tracking, mixing and more, then save them as a profile in the SSL 18 mixer.

SSL Production Pack:

SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered SSL 18 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1400).

CA Complete Access 6 Month Trial Included with SSL 18

As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit.

Key features:

26-in/28-out USB-C audio interface for Mac and Windows.　

• 8 microphone/line-level inputs.　

• 4K analogue enhancement, Polarity Invert, High-Pass Filters and 48V Phantom Power per channel.　

• Configurable analogue insert points for　inputs 1 and 2, great for tracking with analogue gear

• Inputs 1 and 2 are switchable to instrument-level.

• Line inputs bypass preamp – perfect for integrating external preamps.　

• 10 balanced line outputs.　

• Alternative speaker switching.

• +9 dBu /+24 dBu output level configuration options for pairs 1&2 and 3&4 to best match your monitors.　

• DC-coupled outputs are capable of sending control voltages to synthesisers and modular rigs.　

• 2 independent, powerful headphone outputs with dedicated level controls.　　

• 3 mode options to suit different headphone impedances – Standard, High Sensitivity, High Impedance.　

• Create custom headphone mixes.　

• Re-purpose as line outputs.　

• Dedicated Talkback input with Listen Mic Compressor (LMC).　

• Talkback input can also be used in LINE mode for the creative processing of stems through the LMC when producing and mixing.

• +24 dBu operating level for inputs and outputs – perfect for integrating professional outboard gear as hardware inserts.　

• 16 channels of ADAT I/O at 44.1/48 kHz, 8 channels at 96 kHz.　

• 2 channels of S/PDIF (coaxial or optical).　

• MIDI I/O on 3.5 mm TRS jacks.　

• Flexible clocking options – internal (clock signal available on Word clock output), or clock from incoming ADAT or S/PDIF.　

• Next-generation 32-bit/192 kHz converters.　Class-leading audio performance in every area:

• Best-in-class low-noise microphone preamps with outstanding –130.5 dBu EIN and 67 dB gain range for working with any microphone.

• Best-in-class 120 dB dynamic range across all inputs & headphone outputs.

• Best-in-class 125 dB dynamic range on monitor and line outputs.

• SSL 18 Low-Latency Mixer powered by SSL 360.　

• Comprehensive management of all inputs and outputs onto the SSL 18 low-latency mixer.　

• Create the control room mix, plus an additional 4 custom monitor mixes with ease – HP A (stereo), HP B (stereo), LINE 3-4 (stereo or dual mono).

• Flexible Mirror Routing system to route any input or aux master directly to an output – perfect for feeding personal monitoring systems, external metering and outboard FX.　　

• Customise the monitoring section front panel buttons to suit your workflow.　

• Save/Load SSL 18 Mixer profiles for various workflows – e.g. create tracking templates, mixing templates etc.

• Stereo Loopback with selectable loopback source.　

• SSL Production Pack Software included – worth over $1400.　

ALPHA 8

High-performance 8 x 8 AD/DA converter with Analogue, ADAT, S/PDIF and USB I/O

The ultimate audio interface expander

Building on the acclaimed Alpha Link range, ALPHA 8 is an 8-in/8-out professional-grade analogue to digital, digital to analogue converter, perfect for expanding your audio interface via ADAT and S/PDIF. Alternatively, you can configure ALPHA 8 to address all analogue and digital I/O simultaneously via USB, giving you an 18-in/18-out audio interface. Featuring class-leading conversion, flexible routing, and impeccable audio performance, ALPHA 8 unlocks the full potential of your setup.

The compromise is over

Using next-generation 32-bit/192 kHz converters, ALPHA 8 brings SSL-grade audio performance to your studio. With huge dynamic range, stunningly low THD+N and crosstalk, and exceptionally low noise floor, ALPHA 8 delivers line-level heaven for your analogue outboard processing, samplers, synths and drum machines. The compromise is over – capture your sound with the quality it deserves.

Input Dynamic Range: 120 dB, Output Dynamic Range: 123 dB

Input THD+N: -110 dB, Output THD+N –108 dB

Analogue agility and digital dominance

ALPHA 8 is capable of many different routing configurations to suit your specific needs, making sure you can get the most out of all the digital and analogue I/O it offers. Whether you need a simple bidirectional Analogue <> ADAT/SPDIF converter, an aggregate 18-in/18-out USB audio interface, or a mixture of the two, ALPHA 8 provides flexible routing options for its analogue and digital I/O.

The great connector

The operating level of each analogue input and output can be individually adjusted to +9, +18, +20 or +24 dBu operating levels, ensuring optimal signal integrity and maximising headroom for devices connected to ALPHA 8. Whether it’s 19" rack gear, analogue mixers, 500-series modules, or monitor controllers, ALPHA 8 ensures every connection to your equipment is fully optimised.

On the digital side, Word Clock in and out, ADAT, and S/PDIF clocking options ensure ALPHA 8 provides outstanding digital audio handling, guaranteeing jitter-free, rock-solid integration in your studio environment whilst elevating the performance of your creative space.

SSL 18 + ALPHA 8

While ALPHA 8 is the ultimate audio interface expander for producers and engineers looking to bring SSL sound and quality to their existing set-up, ALPHA 8 is also the perfect companion to SSL 18. Instantly expand SSL 18’s I/O via ADAT adding 8 channels (1 x ALPHA 8) or 16 channels (2 x ALPHA 8s). Perfect for effortlessly integrating additional analogue outboard processing, analogue mixers and more.

Expand your workflow

ALPHA 8’s flexible analogue and digital routing unlocks a multitude of workflow possibilities. Create hardware insert paths for 500 Series modules, outboard EQs, compressors, or hardware FX. Use the S/PDIF I/O for integrating external metering or amp simulators. Alternatively, make Alpha 8 your primary interface, seamlessly connecting analogue and digital devices to your DAW via USB-C. For electronic music producers, ALPHA 8’s outputs are capable of outputting Control Voltage to control synthesisers, modular rigs and CV-enabled FX pedals.

SSL Production Pack:

SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered ALPHA 8 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1100).

CA Complete Access 6 Month Trial Included with ALPHA 8 　

As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit.

Key Features:

• The ultimate audio interface expander and the perfect partner for SSL 18.

• High performance, next-generation 32-bit / 192 kHz conversion.

• Class-leading dynamic range, THD+N and crosstalk audio performance.

• 8 balanced line inputs and outputs.

• Up to 8 channels of analogue to ADAT and ADAT to analogue conversion.

• Configurable operating levels for each input and output to best match your external equipment: +24/+20/+18/+9 dBu.

• DC-coupled outputs are perfect for sending control voltages to synthesisers and modular rigs.

• 10 digital inputs and outputs (8 channels of ADAT, 2 channels of S/PDIF).

• Up to 2 channels of analogue to S/PDIF and S/PDIF to analogue conversion.

• Up to 2 channels of S/PDIF to ADAT and ADAT to S/PDIF conversion.

• S/PDIF available on coaxial or optical connectors.

• Flexible conversion configuration.

• The physical outputs can be fed with a mixture of analogue, digital and USB audio signals, providing a great level of flexibility.

• 18-in / 18-out USB audio interface.

• Use ALPHA 8 as an aggregate USB audio interface

• Record and playback to all 8 analogue and 10 digital I/O via USB.

• High-current front panel headphone confidence check – audition any individual input or output (or stereo pair).

• Choose from 3 different settings to optimise for your headphones – Standard, High Impedance, High Sensitivity.

• Dedicated front panel input and output meters.

• Word Clock in and out & input termination switch.

• Clock internally, or from incoming ADAT, S/PDIF or Word Clock

• SSL Production Pack Software included – worth over $1400.　

High-performance 32Classic Channel strip 　

A recording legend in 19" format

The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow.

Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS.

Comprehensive input section:

The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session.

Harrison mic pre - the sound of legends:

A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material.

Characterful LP/HP Filters:

As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle.

32Classic EQ:

The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit.

Integrated mixbus and hybrid workflow features:

Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility.

Insert point:

32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit.

Channel Outputs:

The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device.

32Classic MS sidecar:

Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application.

Key features:

Flexible Input Section

• Dedicated Mic and Line XLR inputs on the rear panel.
• Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel.

Transformer Coupled Preamp

• The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer.

32 Classic Equalizer

• Harrison 4 band parametric EQ with proportional Q from 32Classic Console.
• Legendary Harrison Low Pass and High Pass filters.

Mixer Section

• Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units.

Insert Point

• Each 32Classic MS unit includes a balanced Insert Point.

Specification:

Mic pre:

Minimum Gain – 20 dB

Maximum Gain – 70 dB

Input Impedance – 5.8K

Input Impedance Pad In – 1.3K

Maximum Input Level No Pad - +4 dBu

Maximum Input Level With Pad - +24 dBu

THD 50 dB Gain - < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Ein < -129 dBu

Line level input:

Input Impedance – 10K

Line Trim - +/- 9.5 dB

Maximum Input Level - +24 dBu

THD +4dBu Line Input To Stereo Mix Output < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Line level outputs:

Maximum Output Level - +24 dBu

Output Impedance – 30 Ohms

Your journey to perfect sound starts here.

Experience Sound Perfection – Ollo Audio X1 Headphones

Are you searching for headphones that deliver outstanding audio quality and world-class comfort? Look no further than the Ollo Audio X1. Designed with a perfect blend of elegance and durability, these headphones offer an unparalleled listening experience for both audiophiles and audio professionals.

Why Choose Ollo Audio X1?

🎵 Crystal-clear sound: Enjoy a balanced and natural soundstage that captures every nuance and detail – ideal for music production and critical listening.

👂 Supreme comfort: Ergonomically designed ear cushions and an adjustable headband ensure all-day comfort.

🌍 Sustainably crafted: Hand-built with high-quality, eco-friendly materials for years of reliable use.

🎧 Open-back design: Provides an airy, authentic audio experience for immersive listening.

Perfect for:

Music producers and sound engineers seeking precision in every tone.

Audiophiles looking for natural and balanced sound reproduction.

Gaming and film enthusiasts wanting a realistic, engaging audio environment.

GO.8 is an automatic switcher of backup audio, video and MIDI. It can automatically switch between two sound systems with 8 channels each, two video sources and two MIDI devices. GO.8 is perfect for concerts and theater performances where sound and image must work.

How it works:

Automatic switching: GO.8 detects if the main system stops working and then automatically switches to the backup system. The switching is done using a 1 kHz audio signal via channel 8. If the signal is missing, the unit switches to the backup.

Manual switching: You can also switch manually with a button on the front.

Multiple units linked together: If more channels are needed, several GO.8 units can be linked together to handle 16, 24 or 32 tracks.

Connections and use:

Audio inputs: Two groups with 8 inputs each. You can use either 6.35 mm TRS connectors or 25-pin D-Sub connectors.

Audio outputs: XLR outputs on the front (for microphone level) and D-Sub outputs on the back (for line level).

Video and MIDI: Two video channels and two MIDI channels that can switch automatically with the audio.

4K video support: Supports resolutions up to 3840x2160 (4K) at 30 Hz.

SMPTE Time Code: GO.8 can read time codes from channel 7 to synchronize audio and video in real time.

Dual power supply: Two power sources can be connected to avoid interruptions in the event of a power failure.

Compatible with B.Beat devices: All outputs on B.Beat devices can be used without having to reserve any for the GO.8.

2017 Shotgun Microphone

Designed to excel at the challenging requirements of the broadcast industry, the 2017 is a reliable shotgun microphone, featuring durable construction and exceptional ease of use, combined with extraordinary acoustical properties. The 2017 performs both in fixed positions, on camera systems and on booms.

Supercardioid @1 kHz

Max. SPL, THD 10% = 148 dB SPL peak

Nominated for the ”Best Audio Interface” category in the

Sound On Sound Awards 2025

Receive a FREE LCT 240 Pro White bundle with every purchased package!  Min QTY = 4. First come, first served: Orders will be processed in the order they are received.

LEWITT CONNECT 2, the most user-friendly audio interface.

CONNECT 2 is the most user-friendly audio interface, as it gives you everything you need to make your voice and instrument sound sensational with just a few clicks. The touch-based user interface feels great and offers intuitive controls with clear visual feedback, including mute functions for all ins and outs. Autosetup finds the perfect settings for you with the help of the integrated Clipguard, Denoiser, Compressor and three iconic preamp sounds. Give your setup a personal touch with individual LED colors and use the Custom button for workflow shortcuts. The unique combination of great usability, powerful features, and incredible specs makes CONNECT 2 the most-user friendly audio interface.

A touch-based user interface with mute for every channel.

CONNECT 2 has an intuitive user interface that offers touch-based capacitive controls for smooth level adjustments and precise visual metering. With the touch wheel in the center, you can control the microphone and instrument input, headphones, and monitor levels. Each input and output can be muted directly on the device. The Autogain feature delivers perfect gain settings after a quick soundcheck. You can adjust the input/playback signal at any ratio for zero-latency monitoring. The Custom button lets you assign one of many workflow shortcuts like quickly switching from a recording to a monitoring scenario or bringing up the CONTROL CENTER with a single push.

Sensational sound with just a few clicks.

CONNECT 2 delivers pristine sound quality and offers powerful yet easy-to-use tools that help you get sensational sound with just a few clicks. It has 72 dB of gain to work with every microphone without a signal booster. Run Autosetup and CONNECT 2 will guide you through a process to find your perfect settings and sound. To refine your sound, CONNECT 2 offers three iconic preamp sounds – Clear for perfect clarity, Warm for a vintage vibe, and Vivid for extra articulation. The Clipguard protects your signal from distorting, the Denoiser analyses your signal and gets rid of background noise, while the Compressor adds power and punch to your voice, just like your favorite record. What they all have in common is the combination of simplicity and sensational sound – one click is enough. This set of sound-shaping tools is fantastic for music, podcast, and streaming applications. As they run directly on the powerful signal processor (DSP) of CONNECT 2, you'll experience zero latency.

Sony MDR-M1 supports high-resolution audio and ultra-wideband playback ranging from 5Hz to 80kHz thanks to its specially designed driver unit that combines soft and hard materials to accurately reproduce low and high frequencies, offering a stunningly accurate and balanced sound performance.


Additionally, the tuned port (Beat Response Control) enhances low-frequency response, ensuring tight bass and accurate rhythm by quickly reproducing sudden sound changes.



The closed acoustic design provides high sound isolation, eliminating ambient noise and leakage, making these headphones perfect for studio recording and on-the-go mixing.



Engineered for comfort and stability, the MDR-M1 ear pads feature thick, low-resilience padding for an airtight fit, while the lightweight design ensures comfort during long sessions.



Headphones include two detachable cables, ideal for convenient use in a studio environment, and a 6.3mm plug adapter to ensure compatibility with a wide range of audio equipment.

Specifications:

Type: Closed dynamic

Driver Unit: 40 mm (1.58 in)

Power Handling Capacity: 1,500 mW (IEC *1)

Impedance: 50 Ω at 1kHz

Sensitivity: 102 dB/mW

Frequency Response: 5 Hz - 80,000 Hz (JEITA)

Mass: 216 g (without cable)

Included Items: Headphones cable (approx. 1.2m/2.5 m, Stereo mini plug); Plug adaptor (Stereo standard plug - Stereo mini plug); Warranty card; Reference Guide

Watch introductory video below

https://www.youtube.com/watch?v=1J6jLibDjrE

B.Beat

The perfect device to optimize and simplify live performances of bands that use stereo or multitrack sequences, even with video and images. With B.Beat on stage you no longer need computers, tablets, audio/video cards, cables, mixers: B.Beat manages the sequences and leaves the pleasure of playing, without worries.

B.Beat supports Mp3, Wav, Stems, MTA1 and audio projects with up to 16 mono or 8 stereo tracks. It also reads videos and JPGs in sync with the music. It comes with a digital mixer with 6 outputs for separate tracks. It has two inputs to receive, for example, a return from the mixer, and with 4 potentiometers the musician can independently balance the headphone listening. B.Beat detects the Click track and plays it both on the dedicated output and on the headphones.

The Backing Tracks repertoire, Playlists and Shows are created with the included App that runs on PC Windows or MacOS. With the same App you can setup Audio outputs, you can get a Click track and much more. Projects can include Music, Video/images, Midi tracks (especially for control change, program change and Sys Ex), Sheet music, Lyrics and chords (for Tablet or Smartphone with Prompter App).

B.Beat connects via Wireless to Smart devices to read lyrics, music scores and other useful information during a live performance. B.Beat reads memory sticks for fast transfer of Mp3 Stereo Backing Tracks, with or without Click. It has an internal memory from 32Gb to 128 Gb. B.Beat has a power supply but can work for several hours with a power bank with these features: 10000mAh/2.4A about 6 hours.

DATA SHEET

Compatible audio formats during import

(they will be converted in internal format)

● WAV 44.1 kHz, 48 kHz, 96 kHz 16/24 bit 

● MP3 fixed bit rate [64 - 320] kbps

● MP3 VBR

● OGG fixed bit rate [64 - 320] kbps

● AAC

● STEMS

● MTA M-Live

Internal Video format

H-264 HD / Full HD (1280 x 720 / 1920 x 1080)

Compatible Video format during import

(the only video part will be converted)

● MP4 

● MOV

● AVI

Compatible image formats

●JPG

●PNG

Internal audio digital processing

●8 channels D/A 24 Bit Sigma/Delta 48 kHz. 

●Typical S/N = 112 dB

Display

●2.4” OLED, 128x64, Monochrome

Output Audio

●6 Audio output Jack 6.5 mm mono, balanced

Headphone out

●1 Stereo output Jack 6.5 mm

Input Audio

●2 input Line mono L/R, Only-Left/Stereo

Internal Storage

● 32 GB to 128 GB Internal storage

Network interface

●Ethernet RJ45 10/100/1000 Mbps

MIDI Port

●Mini Jack 3.5 mm Cable Type-B Pedal

●Switch Pedal N/O o N/C

Power supply

●USB-C 5.1VDC, 3A, consumption 1700mA. 

●Autonomy with a PowerBank 10000mAh / 2.4A battery about 6 hours

Elevated performance for your collaborative productions

There are very few companies in the history of music and audio production that have been more influential, helped create more hit records and developed more technology that changed the production game than Solid State Logic. With the SSL 2+ MKII, you’re not just getting an audio interface; you’re investing in a piece of SSL’s knowledge, heritage, and complete understanding of what matters in music production.  

The original SSL 2+ interface raised the bar by delivering a level of performance never seen before in its class. SSL 2+ MK II builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions.  

Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2+ MK II provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals. Fuel your creativity with SSL 2+ MKII.  

Key features:o Interface

- 2-in/4-out USB-C audio interface.

- Next-Gen 32-bit 192 kHz converters.

- 2 x SSL microphone preamps w/ Dedicated High Pass Filter, Line-input, and 48V phantom power.

- 2 x Auto-detect instrument (DI) inputs.

- 2 x Independent professional headphone outputs.

- Legacy 4K Analogue Enhancement Circuit.

- 4 x Professional balanced TRS outputs.

- DC-coupled outputs are suitable for sending CV (control voltages) to synths.

- Stereo loopback feature.

- SSL Production Pack software bundle worth over $1100

- Robust design, using quality components.

- USB 2.0 bus-powered, portable interface for Mac/PC.

Specifications:

System Requirements and Specs
Mac OS 10.11 and above | Class-Compliant, Plug-and-play, Windows 10, Windows 11 Install included ASIO/WDM driver

Connectivity
USB 2.0 Type C Connector (Box includes Type C to C and Type C to A)

Mic Preamps
-130.5 dBu EIN
Gain range 64 dB
Dynamic range 116.5 dB

Instrument Inputs
Dynamic Range: 116 dB
Max Instrument Input Level: +15 dBu

Line Inputs
Dynamic Range: 117 dB
Max Line Input Level: +24 dBu

Balanced Outputs 
Dynamic Range: 120 dB 
Max Output Level: +14.5 dBu

Headphone Outputs
Dynamic Range: 119.5 dB
Max Output: +13 dBu

Elevated performance to fuel your creativity

The original SSL 2 interface raised the bar by delivering a level of performance never seen before in its class. SSL 2 MK II builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions.

Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2 MK II provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals. Fuel your creativity with SSL 2 MKII.

Key Features:USB-C Audio Interface

- 2-in/2-out USB-C audio interface.

- Next-Gen 32-bit 192 kHz converters.

- 2 x SSL microphone preamps w/ Dedicated High Pass Filter, Line-input, and 48V phantom power.

- 2 x Auto-detect instrument (DI) inputs.

- 2 x Professional high-current headphone outputs (same mix).

- Legacy 4K Analogue Enhancement Circuit.

- Professional balanced monitor outputs.

- DC-coupled outputs are suitable for sending CV (control voltages) to synths.

- Stereo loopback feature.

- SSL Production Pack software bundle worth over $1100

- Robust design, using quality components.

- USB 2.0 bus-powered, portable interface for Mac/PC.

Specifications:

System Requirements and Specs
Mac OS 10.11 and above (Class-Compliant), Windows 10, Windows 11 - Install included SSL ASIO/WDM driver

Connectivity
USB 2.0 Type C Connector (Box includes Type C to C and Type C to A)

Mic Preamps
-130.5 dBu EIN
Gain range 64 dB
Dynamic range 116.5 dB

Instrument Inputs
Dynamic Range: 116 dB
Max Instrument Input Level: +15 dBu

Line Inputs
Dynamic Range: 117 dB
Max Line Input Level: +24 dBu

Balanced Outputs 
Dynamic Range: 120 dB 
Max Output Level: +14.5 dBu

Headphone Outputs
Dynamic Range: 119.5 dB
Max Output: +13 dBu

Watch introductory video below

https://www.youtube.com/watch?v=JqpKsd7cMwE

PLAYS BACKING TRACKS IN ANY FORMAT, INCLUDES BUILT-IN DIGITAL MIXER WITH EFFECTS AND HARMONIZER, FEATURES A DIGITAL RECORDER WITH SOUND CARD FOR PC/MAC AND MUCH MORE.

DIVO is a high-performance workstation dedicated to solo performers, or small bands. 

It is a compact device that includes all the functions necessary for a live performance with the support of Backing Tracks, both Midi and Audio.

With DIVO you don’t need a mixer, you don’t need effects and most importantly you do not need a computer because it can play any backing track. It also has a powerful expander for playing with a master keyboard.

-Internal storage 128 Gb

-Stores more than 100.000 files

-Digital Mixer, 2 mic in, 1 Line Audio in, Aux Out

-Sound card, 2 out – 2 in

-Compatible with MTA 8 tracks

SHIPPING EARLY JUNE 2024

The Nuance Select is a studio monitor controller designed so you can hear every single detail through your speakers, with a distortion profile so low that it cannot be measured by most audio testing equipment. 

• Silently switch between two sets of monitors & a subwoofer
• Dual stereo input sources with an assignable Aux output
• Two independent headphone amplifiers with source selection
• Ultra low distortion for complete transparency

The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

The Harrison tone

The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material.

Tools for tracking

The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack.

Legendary Harrison filters

A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz.

Key features:

• The sound of Harrison.

• Jensen JT-MB-CPCA transformer-coupled mic-pre.

• +20 to +70 dB of gain.

• Front-mounted combo XLR with ¼" jack connector.

• 48V phantom power switch.

• Polarity reverse switch.

• HiZ impedance switch.

• Input overload LED.

• Compatible with 500 Series format chassis.

Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

MR3eq design

The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character.

3-band parametric with HPF

This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2^nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　

Key features:

• The Harrison sound.

• Perfect for both precision EQ’ing and broad musical strokes.

• Three-band parametric EQ with +/- 10 dB boost/cut range.

• High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2^nd order bell.

• Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2^nd order bell.

• Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q.

• Separate High Pass Filter with characterful 2 dB resonant peak.

• Separate ‘In’ switches for EQ and HPF sections.

• Input overload LED

• Compatible with 500 Series format chassis.

The story behind Harrison and compression

In the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format.

Legacy in analog

Harrison production tools have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

Comp design

The Comp 500 Series module is based on a classic ‘feed-forward’ design, using a THAT 2180 VCA chip for outstanding analog performance. The compressor’s Attack is program-dependent, adapting to the input signal and offering an optimal Attack time depending on the source material. The Release time is continuously variable. These parameters can turn the Comp module from a transparent leveler to a highly saturated, vibe compressor, adding character and excitement to a wide range of sources.

Harrison's secret sauce – put it on everything

The Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything.

Key features:

• The Harrison sound.

• Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp.

• Classic feed-froward design.

• THAT 2180 VCA chip for outstanding analog performance.

• Program-dependant ‘Attack’ time.

• Continually variable Release time from ‘Fast’ to ‘Slow’.

• Input overload LED.

• Compatible with 500 Series format chassis.

DPA 2012 - Great close miking on any instrument on the live stage

The 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage.

Durable, reinforced construction

Excellent transient response

Uniform cardioid directionality

Outstanding SPL handling

Natural and precise sound reproduction

The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range.

Durable, reinforced construction

The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Unmatched transient response

The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.

Uniform cardioid directionality

The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.

Outstanding SPL handling

The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.

Natural and precise sound reproduction

Like all other DPA microphones, the 2012 delivers pure, transparent sound quality.

Key applications

Snare drum

Hi-hats

Electric guitar cabinets

​Piano

Percussion

Conga, bongos

Acoustic guitar

Horns

Specifications

Directional pattern: Cardioid

Principle of operation: Pressure gradient

Cartridge type: Pre-polarized condenser

Frequency response: 20 Hz - 20 kHz

Effective frequency range, ±2 dB, at 30 cm: 40 Hz to 20 kHz

Sensitivity, nominal, ±2 dB at 1 kHz: 8 mV/Pa; -42 dB re. 1 V/Pa

Equivalent noise level, A-weighted: Typ. 20 dB(A) re 20 µPa (max. 22 dB(A))

Distortion, THD < 1%: 148 dB SPL (151 dB SPL peak)

Dynamic range: Typ. 131 dB

Max. SPL, THD 10%: 153 dB SPL (156 dB SPL peak)

Switchable attenuator, filters etc.-

Rated output impedance: 60 Ω

Minimum load impedance: 2 kΩ

Cable drive capability: 100 m

Output balance principle: Impedance balancing with Active Drive

Common mode rejection ratio (CMRR)> 60 dB

Power supply (for full performance): P48 (Phantom Power)

Current consumption: 0.7 mA

Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase

Color: Matte black

Weight: 83 g

Microphone diameter: 19 mm

Capsule diameter: 17 mm

Microphone length: 94 mm

Maximum output voltage, RMS: 8.7 V (21 dBu)

Polarity+V at pin 2 for positive sound pressure

Temperature range: -40°C to 45°C

Relative humidity (RH): Up to 90%

Sensitivity selection tolerance (at 1 kHz): ±1.5 dB

Overhead mics for ambient pick up on the live stage

The 2015 Compact Wide Cardioid Microphone is for ambient pick up of a drum kit or other instrument groups.

Features:

Durable, reinforced construction

Uniform wide cardioid directionality

Spacious sound due to a wide cardioid pick-up pattern

Natural and precise sound reproduction

Compact design for unobtrusive placement on stage

In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit. Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.

Durable, reinforced construction

The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Uniform cardioid directionality

The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.

Spacious, wide cardioid pick-up pattern

The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.

Natural and precise sound reproduction

Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.

Compact design for unobtrusive placement on stage

Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

Key applications

Overheads on drums

Grand piano, away or close to the strings

Horn groups

Vibraphones

Xylophones

Large marimbas

Other large instruments