Voco-Loco Mk2 opens the door to entirely new sonic possibilities by letting you run microphones through your favorite guitar pedals. Vocals, horns, strings, or any mic’d instrument can be shaped, textured, and transformed in real time using a standard ¼" effects loop, with independent send and return controls to keep your signal clean and controlled.

A tone shift tames overly bright pedals, a blend control lets you mix natural sound with effects, and a locking XLR mic input ensures a secure, worry-free connection on stage.

The balanced output feeds the PA with confidence, while built-in 48V phantom power and flexible 9–18V pedalboard compatibility make Voco-Loco Mk2 equally at home on a pedalboard or in the studio—turning familiar pedals into a powerful tool for expressive, unconventional performances.

• Studio quality mic preamp
• Effects send & receive for pedals
• Wet dry mix control to blend effects
• Optimized signal path
• Compatible with 9V-18V power supplies

https://www.radialeng.com/product/voco-loco-mk2

EMBARGO UNTIL 26 FEBRUARY 2026

The MTP 5 Live Vocal Microphone combines everything you love, in one single mic!

• Exceptional sound quality
• Enhanced durability
• High feedback resistance

MTP 5 Live Vocal Microphone　uses a tailored dynamic capsule for exceptional stage sound. It delivers outstanding clarity to cut through the mix without the sibilance that many competitor microphones have.　

• Exceptional sound with outstanding clarity.
• Enhanced durability and cupping-safe design
• High feedback resistance and sound isolatio

MTP 5 is perfect for:

Professional performances on stage

Vocals, speech, and other situations where a dynamic microphone shines, like broadcasting, podcasting, and even instrument recording.

Artists:

Today, LEWITT microphones are part of live and studio performances of top-tier artists like Lisa (Blackpink), Stevie Wonder, Kehlani, Justin Bieber, Bad Bunny, Duran Duran, Robbie Williams, Lil Yachty, BTS, Dave Mustaine, Sabrina Carpenter, and many more.

EMBARGO UNTIL 26 FEBRUARY 2026

The MTP 5S Live Vocal Microphone (with switch) combines everything you love, in one single mic!

• Exceptional sound quality
• Enhanced durability
• High feedback resistance

MTP 5S Live Vocal Microphone uses a tailored dynamic capsule for exceptional stage sound.
It delivers outstanding clarity to cut through the mix without the sibilance that many competitor microphones have.　

MTP 5 is perfect for:

Professional performances on stage
Vocals, speech, and other situations where a dynamic microphone shines, like broadcasting, podcasting, and even instrument recording.

Artists:

Today, LEWITT microphones are part of live and studio performances of top-tier artists like Lisa (Blackpink), Stevie Wonder, Kehlani, Justin Bieber, Bad Bunny, Duran Duran, Robbie Williams, Lil Yachty, BTS, Dave Mustaine, Sabrina Carpenter, and many more.

3-band EQ on every channel

The M-Live B.Beat Plus is a compact, laptop-free performance playback hub designed to run backing tracks (stems/multitrack), MIDI cues, and synchronized video/images in a live show, with hands-on control from the unit itself.

What it does (core workflow)

* Plays multitrack/backing tracks (including stems) and can run video/images in sync with the timeline of the song.

* Sends lyrics/chords (and stage content like scores) wirelessly to tablets/phones (via Wi-Fi; typically using the M-Pen ecosystem depending on your setup).

* Built around a stage-friendly mixer concept: 6 separate outputs, 2 inputs, and a headphone output (including click routing), so you can feed FOH with separated stems and keep your own monitoring/click workflow.

“Plus” features (what’s new / expanded)

* Markers + loop management (create loops/jump points for flexible live arrangements).

* Advanced video management (e.g., crossfades/fade in/out; more control of playback presentation).

* Transpose (pitch shifting for backing tracks).

* Stem Remover (remove/isolate elements like vocals/drums/bass for rehearsal/arrangement changes).

* Per-track audio tools such as 3-band EQ on each track plus advanced routing.

* Direct guitar modeller management (support for common platforms; used for program/preset/scene changes via show control).

Key specs (high level)

* Storage: 256 GB internal.

* Audio playback formats: WAV/MP3/OGG/AAC + stems; supports M-Live multitrack (up to 16 mono or 8 stereo tracks via MTA).

* Video/image formats: MP4/MOV/AVI + JPG/PNG; HDMI up to 1920×1080.

* I/O & control: 6 balanced outputs, 2 inputs, headphone out, pedal start/stop, MIDI out, Ethernet, USB-A for external media.

* Power: USB-C (can be run from a suitable power supply or a power bank).

* Software workflow: multitrack prep/management via B.Beat Manager (Windows/Mac).

MBC is a foot-controlled pedalboard designed to provide practical, immediate hands-free control of M-Live devices during live performances. It features a compact, robust, stage-ready design that allows performers to manage essential playback and navigation functions without touching the main unit.

The MBC pedalboard allows you to browse playlists, select songs, start and stop playback, and set or control loop points when supported by the connected device.

The unit is equipped with four footswitches. Each footswitch supports two functions, with a primary action activated by a short press and a secondary action activated by a long press. Clear printed icons on the pedalboard indicate both functions, making operation intuitive even in low-light or live stage conditions.

Connectivity includes a USB-C input for direct connection to compatible M-Live devices, two USB-A outputs for accessories such as the M-Pen or other USB peripherals, and an optional 12-volt external power input for independent power supply if required.

The MBC is built with a compact, low-profile and sturdy enclosure suitable for regular stage use. Its size allows easy placement on the floor without occupying excessive space in a live setup.

Approximate physical specifications are a weight of around 0.8–0.9 kg and dimensions of approximately 37 × 32 × 13 cm.

MBC is compatible with M-Live devices such as the B.Beat series and other supported units running the appropriate firmware. Loop functions require compatible firmware support on the connected device.

The Radial HotShot MD gives music directors easy and discreet control over their microphone outputs to enable seamless transitions between singing, cueing the band, and coordinating with techs and engineers—all without disrupting the audience experience. Engineered with Radial’s signature road-ready construction and noise-free switching, the HotShot MD streamlines communication, boosts efficiency, and enables bandleaders to focus on delivering flawless performances.

A noise-free solution for momentarily rerouting a dynamic microphone on stage, the HotShot MD allows signal to pass through Output-A when no footswitches are depressed, so your vocal mic feeds the PA system normally. If either the B or C footswitches are engaged singly, Output-A will be muted, and signal will be diverted to Output-B or Output-C, depending on which footswitch is depressed. This allows you to instantly reroute your mic to speak with band members or technicians as needed without the audience hearing a thing. Both footswitches can also be engaged simultaneously, so you can communicate with all parties at once. The moment you release either footswitch, your vocal mic automatically redirects back to the PA system so the performance can continue.

Features

• Lead – Redirects mic signal to cue the band discreetly
• Direct – Provides Noise-free switching and pristine signal path for communication with techs, band members, or both
• Perfect – clean, quick, and quiet communication in a passive format requiring no external power

Highline Stereo Web Copy

The Radial Highline Stereo is the ultimate line isolator for stereo amp simulators and pedalboards. Equipped with dual Jensen transformers, the Highline Stereo delivers clean, balanced signals with maximum clarity and retains the full output of your gear. Designed with Radial’s rugged build quality, it’s a dependable choice for live or studio use. Dual XLR and Thru outputs handle stereo setups, while XLR Sum and Thru Sum functions provide seamless mono compatibility without compromising your tone.

Curious about the difference between a Direct Box (JDI) and Isolator (Highline)? A direct box utilizes a 12:1 transformer for level conversion and isolation, taking instrument-level signals from guitars and basses and converts them to mic-level to feed the PA. In comparison, an isolator utilizes a 1:1 transformer to provide isolation at unity gain. Isolators like the Highline will take line-level outputs from guitar amp sims and feeds the PA with no drop in signal level.

R800 1539 00

https://youtu.be/qOdnmKBAIN8

https://www.instagram.com/p/DICArHRIQb_/

https://www.instagram.com/p/DG9gbqvSle1/

Radial Highline mono

The Radial Highline is a premium line isolator designed specifically for amp simulators and pedalboards. Featuring a Jensen transformer, the Highline retains the full output of your gear while delivering clean, balanced signals free from hum and interference. With Radial’s renowned build quality, the Highline is built for long-term reliability on stage or in the studio. A 1⁄4" Thru jack provides flexible connectivity for stage amps or stereo sources, and the sum function allows effortless mono blending for streamlined setups.

Curious about the difference between a Direct Box (JDI) and Isolator (Highline)?  A direct box utilizes a 12:1 transformer for level conversion and isolation, taking instrument-level signals from guitars and basses and converts them to mic-level to feed the PA.  In comparison, an isolator utilizes a 1:1 transformer to provide isolation at unity gain. Isolators like the Highline will take line-level  outputs from guitar amp sims and feeds the PA with no drop in signal level.

https://youtu.be/qOdnmKBAIN8

https://www.instagram.com/p/DICArHRIQb_/

https://www.instagram.com/p/DG9gbqvSle1/

https://www.instagram.com/p/DG1yC-otm62/

Radial Power-1 (220–240V)
• Clean power without compromise!
• Power and protect your rig with Radial Engineering’s Power1

The Radial Power-1 (220–240V) is a professional-grade rackmount power conditioner designed to protect audio systems from noise, surges, and voltage spikes. Built for both studio and live environments, it combines rugged reliability with clean power delivery, featuring Radial's signature build quality and industry-trusted components. Now available in a 220–240V version, it’s the perfect fit for international markets that demand performance and protection in one rack space.

https://www.facebook.com/reel/1243699937704176

https://www.radialeng.com/product/power-1-220-240v

About the TrainTrack Plus

• Radial’s TrainTrack Plus pedalboard mounting brackets are a simple, effective tool for affixing Radial J-Class devices – such as the JDI, Highline Stereo, and other Radial devices with the same dimensions – to the underside of a pedalboard for a more streamlined setup.
• TrainTrack Plus brackets ship with all the necessary hardware to securely mount your Radial product on either side of a pedalboard, utilizing the screw holes already present in the Radial device, allowing for easy removal for standalone use.
• Although designed for use with Pedaltrain® pedalboards (Classic JR and larger), TrainTrack Plus solid metal brackets can also be mounted on certain modular pedalboard models.
• For full installation instructions on Pedaltrain® and modular pedalboards, please refer to Radial’s TrainTrack and TrainTrack Plus Installation Guide.
• View the updated compatibility list below to ensure your Radial device and pedalboard are compatible with TrainTrack Plus.

Also see TrainTrack Nr:R800 9383 00

https://www.radialeng.com/product-downloads#traintrack-plus

TranTrack Plus works with:

• J48 Stereo
• JDI
• JDI Stereo
• J33
• J48
• JDX 48
• JPC
• ProAV2
• ProD2
• BT-Pro V2
• JS2
• JS3
• LX-2
• LX-3
• Pro-ISO
• ProMS2
• Twin-Iso
• Highline Stereo
• J+4
• J-Iso
• SGI Stereo
• JCR
• Relay Xo

About TrainTrack

TrainTrack Plus is a larger pedalboard mounting solution designed for Radial’s full-size DI pedals, including models like the JDI and ProD2. Sized to fit Radial’s larger enclosures, TrainTrack Plus allows musicians to securely mount their DI pedals to a pedalboard while keeping cabling organized and accessible. It is well suited for more complex pedalboard setups that require additional space and stability. 

Also see TrainTrack Plus Nr:R800 9382 00

TrainTrack works with:

• Pro48
• ProDI
• ProRMP
• Studio-reamper
• SGI 15v
• SGI
• Highline
• McBoost

　Why SGI Stereo Stands Out (For Guitar Rigs)

• Built for Stereo Guitar Setups.
• No Digital Conversion
• Analog Audio Over Cat5
• Transformer-Isolated to Eliminate Hum
• Dedicated Send & Receive Units
• Tour-Ready Construction

SGI Stereo is a stereo instrument interface designed to send unbalanced instrument signals over long distances without loss. It performs the same core function as the standard SGI, but adds stereo inputs and outputs and transmits the audio as an analog signal over a single Ethernet cable between the two units. Built with Jensen transformers for superior sound quality, SGI Stereo is ideal for stereo rigs, pedalboards, and remote amp setups where preserving tone and dynamics over distance is critical

.

https://www.radialeng.com/product/sgi-stereo

SSL UMD192

High-Capacity Digital Audio Interface

The most powerful MADI & Dante digital audio interface available

Solid State Logic is proud to introduce the UMD192, a powerful and portable USB audio interface designed to meet the demands of professional live sound, broadcast, and high-spec studio environments. With seamless integration across MADI, Dante, and USB, the UMD192 offers flexible routing, high channel counts, and uncompromising performance for recording, playback, and format bridging.　Providing 192 channels at both 96 and 48 kHz, or 128 channels at 192 kHz in a compact and portable ½RU form factor.　　

The Perfect Bridge Between USB, MADI and Dante　

Built for versatility, the UMD192 supports bidirectional audio between any two formats – MADI, Dante or USB – with the third format able to receive a split feed. This makes it ideal for bridging multiple MADI-connected devices into a Dante network, or for high-channel-count recording and playback via USB 3.0.

On the network side, UMD192 delivers fully interoperable Dante AoIP with AES67 and ST 2110 (with DDM) support and ultra-low Dante latency down to 0.25 ms. UMD192 provides flexible clocking options from either MADI or Dante, covering sample rates from 44.1 to 192 kHz. With six MADI BNC pairs, the UMD192 can also be configured in redundant mode, enabling three dual-redundant MADI connections for mission-critical broadcast and live workflows.

The All-in-One Solution for Live, Broadcast and Studio

While the UMD192 is a natural fit for live sound environments, its versatility makes it equally valuable across a wide range of professional audio scenarios. From broadcast music recording and mixing—especially when paired with SSL System T—to high-channel-count studio sessions, the UMD192 delivers seamless integration and robust performance.

It’s an ideal computer interface for Harrison 32Classic systems with Dante, and a perfect match for SSL Oracle or ORIGIN installations with Dante or MADI conversion. The UMD192 is a powerful solution for non-SSL console users in live sound, broadcast, studio and postproduction settings. Offering exceptional connectivity, format bridging and operational flexibility in a compact, portable form factor.　

With unmatched flexibility and robust connectivity, the UMD192 is the perfect companion for engineers working across live sound, broadcast, postproduction, and studio environments. Whether used as a high-capacity interface or a format bridge, the UMD192 keeps workflows streamlined and future-ready.　

Intuitive Front Panel Control

The UMD192 front panel delivers clear, high‑visibility indicators with real‑time feedback on signal flow, sample‑rate sync, power status, and network connectivity, keeping you in control, even under pressure. UMD192’s front panel controls are locked by default to protect your predefined configuration and prevent accidental changes to settings. Press and hold the padlock button to temporarily unlock the other controls and change modes.

• Lockout – Press and hold to unlock other front panel controls. Press and hold until the red lock symbol in the centre of the circle in the indicator panel turns off

• Mode – Press to cycle through the signal flow modes – Available when front panel is unlocked.

• Clock source – Press to toggle between Dante and MADI as clock source – Available when front panel is unlocked.

• MADI Redundancy – Press to toggle between MADI Redundancy on or off. Redundant mode applies to all MADI ports. – Available when front panel is unlocked.

Flexible Power & Redundancy

The UMD192 supports multiple power sources – AC mains, Power over Ethernet (PoE) and USB – offering flexible deployment options and allowing engineers and operators to build power redundancy into their setup. Any of these power sources can be used individually, and PoE can be combined with an external PSU to provide a redundant supply.

Compatible with Mac and Windows

UMD192 is a class-compliant digital audio interface that operates natively with macOS Core Audio, with no additional drivers required. Just connect the unit, select SSL as your audio device in System Settings, and you’re ready to work. This ensures guest engineers can connect a Mac and begin work immediately—no additional software installation is required.

On Windows systems, UMD192 requires the SSL ASIO driver, available from the Solid State Logic Support portal. These ASIO drivers are multi-client, enabling multiple ASIO applications to access the interface simultaneously.

Features

• 192 channels at 48/44.1 kHz, 192 channels at 96/88.2 kHz, and 128 channels at 192/176.4 kHz　

• USB 3.0 class-compliant interface　

• Mac OS compatible; Windows support via SSL drive　

• 6x MADI BNC pairs with redundant mode for 3x dual-redundant MADI connection　

• Fully interoperable Dante AoIP with AES67 and ST 2110 (with DDM) suppor　

• Ultra-low Dante latency—as low as 0.25m　

• Flexible clocking from MADI or Dant　

• Ruggedised Ethernet ports (2x Primary, 2x Secondary) with Link & Activity LEDs　

• Clear front-panel indicators for signal flow, sample rate matching, power status, and connectivity　

• Intuitive front-panel controls, with a lockout feature to prevent accidental changes during operation.　

• Multiple power options: AC, PoE, or USB—with redundancy support　

• Lightweight and portable design for desktop, console-side, or rack-mounted use (rack kit available)　

• Included cables: USB-C to C, USB-A to C adapter, IEC power cable　

Slate Digital – VMS ML-2A

Introducing the ML‑2A Modeling Microphone from Slate Digital, the evolution of our award‑winning Virtual Microphone System (VMS) that puts the sound of the finest vintage and modern mics at your fingertips.

The world’s top producers build mic collections over decades, at the cost of tens of thousands of dollars, because each vintage, rare, or high-end microphone is a unique voice; its tonal qualities, frequency response, and harmonic character shape the emotion and impact of a performance.

VMS ML‑2A delivers a factory-matched pair of professional-quality, small-diaphragm cardioid condenser microphones that can do it all—on any instrument, in mono or stereo. They come paired with the comprehensive VMS library, featuring accurately modeled vintage and modern high-end microphones, giving you access to those iconic tones right in your studio. The ML‑2A is the perfect companion to the vocal-optimized ML‑1A.

The Ultimate Modeling Mic

Powered by the Slate Digital Virtual Microphone System plug-in, the ML-2A gives you access to the ultimate mic locker, right in your DAW. Instantly audition vintage, rare, even obscure mic models: from essential workhorses like the S-57 and S-421, to smooth ribbons like the S-121, legendary small-diaphragm condensers such as the S-451 and S-222, and even large-diaphragm classics like the S-414 and the revered tube S-67.

Built with precision hardware and premium components, the ML-2A goes beyond the original ML-2 to deliver enhanced detail, greater dynamic range, and added versatility. Designed for demanding recording environments, it handles high-SPL sources with ease and provides extra control through a bass roll-off switch and a -20dB pad. Supplied as a factory-matched pair with an included mounting bar, the ML-2A is a practical choice for capturing stereo recordings in both studio and on-location setups.

With zero-latency processing, you can monitor through mic models while tracking and still have the flexibility to change them later as your mix comes together. The future of mic modeling is here—and it’s better than ever.

Limitless Possibilities

Step into a world of sonic freedom with 27 microphone models. Both industry standards and creative options are included inside the Virtual Microphone System plug-in. Instantly audition and compare different microphones in your mix or blend the characteristics of two models to create a completely unique sound tailored to your recordings. Add color and vintage saturation with the Virtual Preamps Collection for a complete virtual front-end recording experience.

Slate Digital’s ever-growing microphone collection gives you unmatched flexibility in any recording session. From kick drums, snares, and toms to guitar and bass cabs, horns, and even vocals, the ML-2A covers it all. This level of versatility, once exclusive to world-class studios, is now within reach. As Slate Digital develops new mic models for VMS, they will automatically be added to your mic locker, just download the update and start using the new flavors in your productions, instantly.

Key Features:

Pro Quality – The ML‑2A’s pro‑grade hardware combines a gold‑sputtered small‑diaphragm cardioid capsule with low‑noise electronics to deliver clean, detailed capture, a flat, extended frequency response, stable cardioid imaging, and rugged construction - optimized to get the most from the industry‑leading Virtual Microphone System software.

The Leader in Mic Modeling – Since launching the original ML-1 in 2015, Slate Digital has led the way in mic modeling technology, providing more microphone models to users than any other. With the new ML-1A and ML-2A microphones in your studio, you have access to over 60 microphone models in total…and the collection continues to grow every year with new models added through simple software updates.

Expanded Headroom – No source is too loud, thanks to the -20dB pad switch. Whether you’re working with softer sounds or extremely loud sources, the ML-2A can handle up to an incredible 156dB SPL, ensuring clean, distortion-free recordings even in the most demanding environments.

Ultra-Low Self-Noise – Achieve pristine clarity with a remarkable 16dB self-noise rating. Capture every nuance with minimal interference, giving you the highest-quality recordings possible, whether you’re in the studio or on location. ML-2A also includes a low-frequency roll-off switch at 80Hz 6dB/octave for eliminating low-end rumble directly at the source.

It’s a Match – With its updated design, the ML-2A combines modern aesthetics with legendary sound. Delivered as factory-selected matched pairs with corresponding serial numbers, you can capture stunning stereo recordings with ease, complete with the included stereo mounting bar.

Unlock Complete Access – The ML-2A doesn’t just deliver exceptional sound; it also includes a three-month Complete Access Bundle subscription, giving you instant access to over 150 software plug-ins from Slate Digital, Solid State Logic, and Harrison Audio, along with Slate Digital Virtu assisted mastering, the Slate Sounds sample library, and more. Everything you need to make perfect mixes of your recordings.

The OLLO Audio R1 is a closed-back studio headphone designed for recording and mixing professionals. It eliminates clicks, unwanted feedback and sound leaks that ruin takes. With the R1, every recording remains clean, precise and perfectly controlled - from the first to the last mix.

Thanks to its U-shaped frequency response, the R1 subtly accentuates bass and treble for a lively, inspiring sound. This sound profile promotes the artist's groove and energy, guaranteeing more natural, expressive performances in the studio.

LONG-LASTING COMFORT FOR STUDIO SESSIONS

The R1 has been designed for long hours in the studio. Its soft circumaural cushions completely envelop the ears, while its pivoting and tilting earcups adapt to all morphologies. The self-adjusting headband ensures a light, even fit, for lasting comfort even during extended sessions.

ROBUST DESIGN AND PREMIUM MATERIALS

The OLLO Audio R1 combines elegant design with exceptional robustness. Handcrafted from American walnut,stainless steel,aluminum, leatherette and silicone, it stands up to intensive use in the studio and on stage. Each component has been chosen for its durability and acoustic quality.

EASY TO REPAIR AND BUILT TO LAST

Designed with durability in mind, the R1 is entirely user-repairable. Every part can be replaced at home, using simple everyday tools. An eco-responsible approach that extends product life and reduces electronic waste, without compromising performance.

OLLO AUDIO R1 HIGHLIGHTS

Perfect isolation: closed design to prevent sound leakage.

Dynamic, inspiring sound: U-shaped curve favors bass and treble.

Superior comfort: soft ear pads and self-adjusting headband.

High-quality manufacturing: noble materials and hand assembly.

Durability: replaceable parts and 5-year warranty.

Sony MDR-M1 supports high-resolution audio and ultra-wideband playback ranging from 5Hz to 80kHz thanks to its specially designed driver unit that combines soft and hard materials to accurately reproduce low and high frequencies, offering a stunningly accurate and balanced sound performance.


Additionally, the tuned port (Beat Response Control) enhances low-frequency response, ensuring tight bass and accurate rhythm by quickly reproducing sudden sound changes.



The closed acoustic design provides high sound isolation, eliminating ambient noise and leakage, making these headphones perfect for studio recording and on-the-go mixing.



Engineered for comfort and stability, the MDR-M1 ear pads feature thick, low-resilience padding for an airtight fit, while the lightweight design ensures comfort during long sessions.



Headphones include two detachable cables, ideal for convenient use in a studio environment, and a 6.3mm plug adapter to ensure compatibility with a wide range of audio equipment.

Specifications:

Type: Closed dynamic

Driver Unit: 40 mm (1.58 in)

Power Handling Capacity: 1,500 mW (IEC *1)

Impedance: 50 Ω at 1kHz

Sensitivity: 102 dB/mW

Frequency Response: 5 Hz - 80,000 Hz (JEITA)

Mass: 216 g (without cable)

Included Items: Headphones cable (approx. 1.2m/2.5 m, Stereo mini plug); Plug adaptor (Stereo standard plug - Stereo mini plug); Warranty card; Reference Guide

The SLI-KB88 is a well-padded, semi-hard gig bag designed to protect your 88-key stage piano and make transport smooth and hassle-free.

Use the four D-rings to strap your keyboard stand onto the bag, and store your sustain pedal and cables in the two front sleeve pockets. With included cushions for optimal fit and a plush interior lining, your piano travels safely and comfortably.

Fits models like Yamaha CK88, MODX8/MOX8, CP-4, CP-5, CP-33, CP-50, CP-88, P-155, P-255, P-515, RD-88, Roland FA-08, RD-800/RD-2000 and many more.

Features:

Internal dimensions: 1420 x 405 x 175 mm

Six padded cushions in various sizes for optimized fit

25 mm high-density foam + 4 mm protective board

Four D-rings to strap the stand onto the bag

Two large front sleeve pockets

Reinforced stress points

High-quality wheels

Exclusive plush interior lining

Made of waterproof, flameproof, and tearproof high-grade polyester

Black chrome zippers by Slickbag

Color: Gray

Solid State Logic Super 9000.

Superior Punch and Clarity, Unparalleled SuperAnalogue™ Performance

Super 9000 is Solid State Logic’s all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU.

The 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R&B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio.

Prestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits.

SuperAnalogue^TM. Design

SuperAnalogue^TM technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include:

• Super-wide audio bandwidth.

• Ruler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz.

• Ultra-low transient intermodulation distortion.

• No electrolytic capacitors in the audio path.

• Extremely low noise and harmonic distortion.

• Exceptionally low phase shift across the audible spectrum.

The result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern "SSL sound" and are why SuperAnalogue™ consoles remain the professional’s choice for music production.

Dual Mic Amp – SuperAnalogue^TM or VHD^TM

Choose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources.

Variable Harmonic Drive (VHD):

Variable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings.

Full Dynamics Processing

The Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ.

Pink (292) and Black (242) EQ Circuits & High and Low Pass Filters　

Choose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. The Super 9000 EQ section also features two buttons labelled ‘E Bell/G÷3’ and ‘Gx3/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. As expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB/oct) and low-pass (12dB/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control.

Flexible Processing & Routing 　

Super 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair.

Input Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation/distortion processing at the mix stage, without having to manually re-patch.　

Key Features　

• Dual Mic Pre – Choose between SuperAnalogue™ (9000) & VHD™ (Duality) w/　+48V, Polarity invert, and Pad.

• 2 Impedance options for the mic pre: 1.3 kÙ and 11 kÙ.　

• Dedicated LINE Input with "Input Flip".

• Quintessential 9000/Duality Dynamics section.　

• High-Performance THAT 2181A VCA compressor section.　

• Peak/Hard Knee or Soft Knee modes.　

• FAST attack on/off.　

• Classic Gate/Expander section.　

• Fast attack on/off.　

• Hold control.

• 4-band SSL EQ with switchable modes.　

• Fully parametric mid-bands.　

• Switchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 242 circuits.　

• High and Low Pass filters.　

• 18 dB per octave HPF & 12 dB per octave LPF.　

• Insert point for connecting external devices into the signal path.　

• Extensive ‘to sidechain’ functionality.　

• Filters to Dynamics sidechain.　

• EQ to Dynamics sidechain.　

• Flexible process-order routing.　　

• Filters to input, Dynamics post-EQ, and Insert to output.　

• Line Output Trim.

• Switchable Input and Output metering.　

• External sidechain (key) input.　

• Dynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS/TRS jack cable (not included).　

Solid State Logic

Revival 4000 Signature Analogue Channel Strip　

Introducing the Revival 4000—a signature analogue channel strip that encapsulates the sonic excellence and standout features of the legendary 4000 Series in a compact 1U format. Equipped with the classic E Series JT-115K-E Jensen transformer-balanced mic preamp, B Series De-Esser, the discrete Class A VCA Dynamics section from the E Series, and the iconic four-band parametric E Series EQ—complete with high-pass/low-pass filters and switchable Brown/Black knob EQ.Offering flexible routing, a balanced insert point, and sidechain linking, the Revival 4000 is the foundational legacy channel strip, bringing SSL’s analogue heritage into any modern studio.Key Features:Classic Jensen Transformer Equipped SSL 4000 E Mic PreampFeaturing a JT-115K-E Jensen transformer-balanced preamp, the Revival 4000 delivers richness and pristine clarity to your recordings. This circuit incorporates the very same Jensen component found in the original E Series channel strips.

4000 B-Series De-Esser　

Revival 4000’s De-Esser is lifted from the original compressor/limiter design of the iconic 4000 B console, delivering 10:1 ratio and a 7 kHz sidechain filter. This configuration enables broadband compression that’s precisely triggered by sibilance, making it ideal for taming harsh vocals, drums, or other aggressive sources. Its musicality is further elevated by a circuit design that mirrors that of the legendary SSL Bus Compressor, adding a familiar clarity and character to any signal.

Ultimate 4000 E Series Dynamics Section 　

The iconic dynamics section that defined the sound of the 1980s—fully featured and faithfully recreated. The compressor/gate design stays true to the original E Series channel strip, meticulously replicating the circuitry and components that gave it its legendary character. It includes a true RMS sidechain detector and an all-discrete gain reduction stage, identical to the discrete Class A VCA chip used in the original console.

Flexible controls allow you to bypass the soft-knee curve, activate a fast attack mode, and choose between logarithmic or linear release curves. Together, these features offer a wide palette of tonal shaping options, capturing the distinctive voicings that helped craft countless classic records on a variety of E Series consoles.

Classic 4-Band SSL EQ

The celebrated 4-band parametric EQ that helped shape modern music. Revival 4000 features two iconic EQ options: the classic 4000 E Brown Knob (02) and the legendary Black Knob (242).

The Brown Knob EQ includes two fully parametric mid bands with SSL’s signature symmetrical design, ensuring consistent musical intervals around the centre frequency, no matter the gain or frequency settings. The high and low bands are 6 dB/octave shelving filters, with an option to switch to a fixed-Q bell response. This EQ became a staple of early '80s recordings and mixes.

Developed in 1983 the ‘242’ EQ circuit in collaboration with the legendary George Martin for the first SSL console installed at AIR Studios. Known as the Black Knob EQ, it introduced wider cut and boost ranges (±18 dB vs. ±15 dB), a refined control response, and a steeper 18 dB/octave high-pass filter—offering tighter low-end control and greater tonal flexibility.

Flexible Processing & Routing

Revival 4000 includes a dedicated balanced insert point, allowing you to seamlessly integrate external outboard gear into the signal path. It also features a dedicated external sidechain (key) input, flexible processing order, and sidechain linking, ideal for pairing two units as a stereo setup.

Specification:

• Classic SSL 4000 E Jensen transformer-balanced mic preamp.
• Musical one-knob 4000 B De-Esser section.
• +48V, Polarity invert, Pad and Line Input.
• Ultimate 4000 E Series Dynamics section:
• Discrete Class A VCA compressor section.
• Soft or Hard Knee modes.
• Fast attack on/off.
• Logarithmic or Linear Release modes.
• Classic Gate/Expander section:
• With Fast attack on/off.　
• Classic 4-band SSL EQ:
• Fully parametric mid-bands.
• Switchable Brown Knob ‘02’ and Black Knob ‘242’ EQ Circuits.
• High and Low Pass Filters:
• Brown 02 mode – 12 dB per octave HPF & LPF.
• Black 242 mode – 18 dB per octave HPF & 12 dB per octave LPF.
• Balanced Insert point for connecting external devices into the signal path
• Extensive ‘to sidechain’ functionality:
• Filters to Dynamics sidechain.
• EQ to Dynamics sidechain.
• Flexible process-order routing:　　　
• Filters to input, Dynamics and De-Ess post-EQ options, Insert to output.
• Line Output Trim.
• Switchable input/output metering.
• External sidechain (key) input.
• Dynamics sidechain link – allows 2 x Revival 4000s compressors to work as a stereo pair.

Harrison D510mx Analog Summing Mixer

Build your custom 500 Series analog mixer

Pair the D510r with the optional D510mx mixer module to transform your system into a powerful 10x2 analog summing mixer. Designed to integrate into two slots of the Harrison D510r 500 Series rack, the D510mx gives you the flexibility to create stereo mixdowns from any of the eight remaining 500 Series module slots, alongside the two analog inputs to slots 9 and 10. With level and pan controls on each channel, plus dual independent headphone outputs with ‘blend,’ get the renowned weight and ‘3D’ depth that Harrison analog summing brings to productions while enhancing your headphone monitoring capabilities.

When used in combination with the D510dante audio interface card, the dual headphone outputs can create monitor mixes from either the direct analog output or from any connected device on the Dante network.

With an almost infinite number of configurations, the Harrison D510 rack paired with the D510mx mixer module can create an extremely powerful (and portable) eight-channel tracking system housed in only 3U – we said it was flexible!

D510mx Specifications:

D510mx Inputs

• Minimum Gain: <= -81 dB
• Noise A-Weighted @ Min Gain: < -87 dBu
• Unity 0 dB
• THD+N, 1kHz 10 dBu @ Mid Gain: < 0.003%
• Noise A-Weighted @ No Gain: < -87 dBu
• Maximum Gain: 11.5 dB
• THD+N, 1kHz 0dBu @ Max Gain: < 0.003%
• Noise A-Weighted @ Maximum Gain: < -85 dBu
• Maximum Input Level: +24 dBu
• Frequency Response: 20 Hz – 20 KHz +/- 0.25 dB
• Pan – 3dB Pan Law

D510dante Inputs (when optional D510dane interface is installed)

• Maximum Input Level: +24 dBu
• Frequency Response: 20 Hz – 20 KHz +/- 0.25 dB

Main Outputs

• Maximum Output Level - +24 dBu
• Minimum Gain: <= -85 dB
• Noise A-Weighted @ Min Gain: < -97 dBu
• Unity 0 dB
• THD+N, 1kHz 10 dBu @ Mid Gain: < 0.003%
• Noise A-Weighted @ No Gain: < -87 dBu
• Maximum Gain: 9.5 dB
• THD+N, 1kHz 10 dBu @ Max Gain: < 0.003%
• Noise A-Weighted @ Maximum Gain: < -78 dBu

Headphone Outputs

• Maximum Output Level - +21 dBu
• Minimum Gain: <= -78 dB
• Noise A-Weighted @ Min Gain: < -87 dBu
• Maximum Gain: 0 dB
• THD+N, 1kHz 20 dBu @ Max Gain: < 0.004%
• Noise A-Weighted @ Maximum Gain: < -82 dBu

Signal Metering

• 3x tri-colour LED signal presence
• Green: >= -14 dBu, + 4 dBu
• Orange: >= +4 dBu, +18 dBu
• Red: >= + 18 dBu

Connectors

• TRS Stereo Headphone Output (2)

Harrison D510r Ultra-flexible Harrison 500 Series System

The Harrison D510r is an ultra-flexible ten-slot 500 Series rack system with an expandable analog summing mixer, Dante AoIP interface, or USB interface options. Built on a legacy that shaped the sound of legends like Michael Jackson, Led Zeppelin, and Steely Dan, Harrison continues to push the boundaries of music and audio production. Whether in the studio, on stage, or the big screen, Harrison’s design philosophy remains focused on delivering the sonic excellence and flexibility that modern artists, producers, and engineers need.

High-performance tracking rig with analog summing

Bring the depth and three-dimensional soundstage of Harrison’s analog summing to your studio or live sound console with the D510r rack and optional D510mx mixer card. Add eight 32Cpre+ 500 Series mic pre-modules and build the ultimate portable Harrison tracking rig or combine with EQ and Dynamics modules and create a custom eight-channel Harrison mixer, all in only 3U. Whether it’s a high-performance summing mixer for adding analog warmth to digital stems, summing together discrete outs from a drum machine and sampler, or accessing console-grade recoding performance in a portable tracking rig – the possibilities are endless and can grow with your production requirements one module at a time.

The only 500 series system with AoIP interface

The Harrison D510r is the only 500 Series rack to feature an optional Dante interface for easy integration into live sound production and studio facilities that use the Dante AoIP protocol. When paired with the Dante interface the Harrison D510 system transforms into a multifaceted 500 Series system, seamlessly integrating analog mic pre’s, dynamics, and EQ processing, or any 500 Series modules into your hybrid workflow.

Built to perform

The D510r is built to endure the demands of both touring and studio environments. Its rugged steel enclosure fits seamlessly into a standard 19" rack, ensuring durability on the road and reliability in the studio. With a built-in power supply that delivers 30% more power per module than the standard 500 Series specification, the D510r provides exceptional stability and ample headroom—allowing you to get the most out of your 500 Series modules.

D510r specifications:

• Dimensions:

  Length (L): Standard (19") = 48.26 cm

• Power Input: 50/60Hz / 80-246VAC / 1.8 -0.55A
• Power Per Slot: 170ma
• Weight: 10.4 LBS (4.72kg)
• Optional D510mx analog summing mixer card, D510dante interface card, and USB+ADAT interface card (currently under development).

Slate Digital VMS ML-1A Modeling Microphone

Meet Virtual Microphone System 2

The world’s best modeling microphone got a major upgrade.

An industry-shaker when it was first released, the original ML-1 microphone offered the ability to flawlessly emulate the color and tone of over 25 handpicked vintage microphones, covering everything from modern studio staples to classic ribbon mics. Now, the brand-new ML-1A and newly designed Virtual Microphone System plugin takes that same functionality and makes it even more powerful.

The ML-1A

The ML-1A is a large-diaphragm condenser microphone that’s best suited for capturing everything from vocals to live instruments to drum kits and every other use case in between. The ML-1A packs all its punch into a sleeker, smaller shell than that of its predecessor, with a dark grey metallic body and a redesigned grille.

Beyond the noteworthy aesthetic differences, the main feature change on the ML-1A is the new three-position 0 dB/ -10 dB / -20 dB pad switch. Up to 145dB SPL can be captured with the -20dB pad engaged. The ML-1A also has lower self-noise to provide the user with an even cleaner recording experience.

Virtual Microphone System

The virtual mic model user experience has also been significantly improved, with all the mic models now housed together in one self-contained plugin.

Compared to the microphone modules in VMR for the ML-1 mic, the new VMS plugin provides the following additional features:

• Microphone Model Morphing for blending the characteristics of two microphone models to create an entirely new behavior

• New "Proximity" slider which applies the characteristic low-frequency boost that naturally occurs when placing the microphone closer to the sound source

• Low-frequency roll-off selector to remove undesirable rumble in certain circumstances

• Mono-to-stereo widener to spread vocals across the stereo spectrum, useful for adding contrast to background vocals

And if that wasn’t enough, the ML-1A comes with bundled with the brand-new Radio France Signature mic pack. To help celebrate our company’s French roots, we modeled 10 incredible microphones from the inventory at the legendary Radio France network HQ. From studio staples to an ‘indestructible’ mic and the biggest ribbon mic ever made, the mics in this pack are designed to make the human voice sound great.

Included with your mic:

Radio France Signature Mic Pack *NEW*

• RF-X25: Open-air sound great for piano, acoustic instruments and voices

• RF-88: Detailed bass response, great for kick drums, vocals, and more

• RF-BB6: Flagship tube mic designed for modern, present vocal sound

• RF-21B: France's go-to mic for reporters and field recording

• RF-149: Outstanding for vocals as well as acoustic instruments

• RF-H64: The soloist’s microphone, well-balanced for speech pickup

• RF-H64 Bonnette: H64 with pop filter for subtle high-end roll-off

• RF Améthyste: Modern, present sound with airy highs and accented lows

• RF-42B Voix: The world’s largest ribbon mic, set to ‘Voice’ mode

• RF-42B Musique: The world’s largest ribbon mic, set to ‘Music’ mode

Classic Tubes 1 + 2

• FG-47

• FG-M7

• FG-800

• FG-251

• FG-800M

• FG-269

• FG-12

• FG-67

Virtual Preamp Collection

• FG-73

• FG-76

Slate Digital ML-1A Features

Ultra-linear, sonically neutral large-diaphragm condenser microphone

Works with Virtual Microphone System plugin to recreate the sound and tone of up to 36 vintage microphones, all available in the Complete Access Bundle subscription

Three-position 0 dB/ -10 dB / -20 dB pad switch; can accommodate up to 145 dB SPL with -20 dB pad engaged

• Lower self-noise (8dB) for cleaner recordings

• Updated design; new color and unique grill shape

• Included licenses: Radio France Signature mic pack, Classic Tubes 1 & 2 mic packs, Virtual Preamp Collection.

Virtual Microphone System Features

Up to 36 virtual microphone models, including 10 new models in the Radio France Signature mic pack, all available in the Complete Access Bundle subscription. All owners receive a three-month trial subscription to the Complete Access Bundle with purchase.

Blend two mic models to create your own unique microphone

• Proximity slider authentically recreates natural low-end boost that comes with closer mic placement

• Low-frequency roll-off selector removes undesirable rumble

• Mono-to-stereo widener to spread vocals across the stereo spectrum

Tech Specs

• Microphone Type: Condenser

• Polar Pattern: Cardioid

• Diaphragm Size: 1-inch

• Frequency Range: 20Hz – 20,000Hz

• Output Impedance: 50 ohms

• Sensitivity: -32.5dB

• Signal to Noise Ratio: 86dB

• Self-Noise: 8 dB

• Connector: XLR

• Software: Virtual Microphone System, Radio France Signature Mic Pack, Classic Tubes 1+2 Mic Pack, Virtual Preamp Collection

• Format: AAX, AU, VST2, VST3

• OS Requirements - Mac: macOS 11 or later

• OS Requirements - PC: Windows 10 or later

• Color: Black and Grey

• Power Source: Phantom

• Dimensions: 200mm x 50mmØ

• Weight: 450g

• Included Accessories: Shock mount, carrying case

SSL 18

26-in / 28-out, high-performance USB audio interface

Introducing SSL 18, the first-ever rackmount USB audio interface from Solid State Logic. Developed from our unmatched expertise in analogue and digital design, SSL 18 offers exceptional audio performance with a studio-session-ready feature set, delivered with the signature SSL sound and premium quality that professionals trust. Welcome to a new era in rack mount interface performance.

SSL 18 raises expectations for a 19" USB audio interface in its class. Superior 32-bit next-gen converters, high-performance SSL-designed mic pre’s, advanced digital mixer, Legacy 4K analogue enhancement, and a complete set of digital I/O. Whether you are recording, producing or mixing, SSL 18 enhances production workflow while elevating the performance of your creative space – it’s the ultimate centrepiece for your studio.

Best-In-Class Audio Performance:　​

Next-generation 32-bit/192 kHz converters provide the platform for SSL 18’s analogue design to shine, with unrivalled dynamic range performance of 120 dB across all microphone, line-level and instrument inputs – capture your sources like never before. Experience 125 dB dynamic range on the monitor and line outputs to hear your music with uncompromised fidelity. Need to work on headphones? No problem, with the unbeatable 120 dB dynamic range on offer from the dual-headphone outputs.　

32-bit / 192 kHz / Unrivalled Analogue and Digital Performance

8 x SSL-designed Mic/line inputs:

SSL 18 features eight high-performance SSL-designed mic pre’s, with switchable Mic/Line configuration. Leveraging our renowned engineering expertise, they deliver ultra-low noise recordings and a huge dynamic range, making sure you capture every detail of the performance with stunning accuracy. Their advanced 2-stage circuitry ensures ultra-low distortion while maintaining the natural character of the source – or flip them into Legacy 4K Mode to add real analogue saturation and the iconic 4000 series sound to vocals, drums, and more. Located on the front of the unit, inputs 1 & 2 also offer instrument/Hi-Z inputs to capture DI’d guitars and vintage synths/drum machines.

120 dB Dynamic Range / -130.5 dBu EIN / Legacy 4K Analogue Enhancement

10 x line-outputs:

SSL 18 comes equipped with ten balanced line-level outputs located on the rear of the unit. To ensure optimal signal integrity and maximise headroom, line outputs 1&2 and 3&4 can be configured between +9 and +24 dBu. This ensures seamless compatibility with a wide range of studio monitors and vintage equipment operating at lower levels. Outputs 3 to 10 operate at +24 dBu, perfect for integrating professional outboard equipment. For producers, all outputs are DC-coupled and capable of sending control voltage to synthesizers and modular rigs.

125 dB Dynamic Range / +24 dBu operating levels / Main & Alt Speaker Switching / DC-Coupled Outputs

Dual High-Performance Headphone Outputs:

Custom headphone mixes with two independent headphone outputs, configurable for different types with 'Standard,' 'High Sensitivity,' and 'High Impedance' settings. SSL 18's headphone outputs can also be repurposed as line-level outputs for added flexibility.

120dB Dynamic Range / Dual independent outputs / Configurable headphone modes

4K Legacy analogue enhancement:

The SSL 4000 series consoles (often referred to as ‘4K’) are renowned for imparting a unique ‘mojo’ to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely tuned, sweet-sounding harmonic distortion and a ‘forward’ yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Real Analogue Saturation / Musical High-Frequency Boost / Immortal 4K sound

Complete digital I/O:

A host of digital audio connections means that SSL 18 is ready to expand your I/O count whenever you are, with an additional 16 channels via ADAT and a further two via S/PDIF.　 SSL 18’s dedicated Word clock output provides rock-solid clocking for integrating external digital devices into your system

16 Channels of ADAT I/O + 2 Channels S/PDIF I/O / Word clock output

Monitor Controller + Talkback w/Listen Mic Compressor:

SSL 18 features a full monitor controller section with built-in talkback input. Line outputs 1&2 and 3&4 offer alternative speaker switching with Alt, Talk and Cut accessible via the monitor controls located on the front panel. Alternatively, customise the monitor controls via SSL 360 and tailor them to your workflow. Switch the talkback input into LINE mode and re-process audio through the classic Listen Mic Compressor, perfect for crushing drums, parallel vocals, and more.

Configurable monitoring section / Alt monitor switching / Talkback input with Mic or Line mode + Legendary LMC analogue compressor

SSL 18 mixer, powered by SSL 360:

The SSL 18 mixer offers comprehensive management of all inputs and outputs, as well as detailed, scalable input metering in the 360 Software. Create and manage the control room monitor mix. Configure a further four monitor mixes for performers. In addition, a flexible Mirror Routing system allows you to route any input or aux master directly to an output – perfect for feeding personal monitoring systems, external metering and outboard FX. Create different templates for tracking, mixing and more, then save them as a profile in the SSL 18 mixer.

SSL Production Pack:

SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered SSL 18 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1400).

CA Complete Access 6 Month Trial Included with SSL 18

As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit.

Key features:

26-in/28-out USB-C audio interface for Mac and Windows.　

• 8 microphone/line-level inputs.　

• 4K analogue enhancement, Polarity Invert, High-Pass Filters and 48V Phantom Power per channel.　

• Configurable analogue insert points for　inputs 1 and 2, great for tracking with analogue gear

• Inputs 1 and 2 are switchable to instrument-level.

• Line inputs bypass preamp – perfect for integrating external preamps.　

• 10 balanced line outputs.　

• Alternative speaker switching.

• +9 dBu /+24 dBu output level configuration options for pairs 1&2 and 3&4 to best match your monitors.　

• DC-coupled outputs are capable of sending control voltages to synthesisers and modular rigs.　

• 2 independent, powerful headphone outputs with dedicated level controls.　　

• 3 mode options to suit different headphone impedances – Standard, High Sensitivity, High Impedance.　

• Create custom headphone mixes.　

• Re-purpose as line outputs.　

• Dedicated Talkback input with Listen Mic Compressor (LMC).　

• Talkback input can also be used in LINE mode for the creative processing of stems through the LMC when producing and mixing.

• +24 dBu operating level for inputs and outputs – perfect for integrating professional outboard gear as hardware inserts.　

• 16 channels of ADAT I/O at 44.1/48 kHz, 8 channels at 96 kHz.　

• 2 channels of S/PDIF (coaxial or optical).　

• MIDI I/O on 3.5 mm TRS jacks.　

• Flexible clocking options – internal (clock signal available on Word clock output), or clock from incoming ADAT or S/PDIF.　

• Next-generation 32-bit/192 kHz converters.　Class-leading audio performance in every area:

• Best-in-class low-noise microphone preamps with outstanding –130.5 dBu EIN and 67 dB gain range for working with any microphone.

• Best-in-class 120 dB dynamic range across all inputs & headphone outputs.

• Best-in-class 125 dB dynamic range on monitor and line outputs.

• SSL 18 Low-Latency Mixer powered by SSL 360.　

• Comprehensive management of all inputs and outputs onto the SSL 18 low-latency mixer.　

• Create the control room mix, plus an additional 4 custom monitor mixes with ease – HP A (stereo), HP B (stereo), LINE 3-4 (stereo or dual mono).

• Flexible Mirror Routing system to route any input or aux master directly to an output – perfect for feeding personal monitoring systems, external metering and outboard FX.　　

• Customise the monitoring section front panel buttons to suit your workflow.　

• Save/Load SSL 18 Mixer profiles for various workflows – e.g. create tracking templates, mixing templates etc.

• Stereo Loopback with selectable loopback source.　

• SSL Production Pack Software included – worth over $1400.　

ALPHA 8

High-performance 8 x 8 AD/DA converter with Analogue, ADAT, S/PDIF and USB I/O

The ultimate audio interface expander

Building on the acclaimed Alpha Link range, ALPHA 8 is an 8-in/8-out professional-grade analogue to digital, digital to analogue converter, perfect for expanding your audio interface via ADAT and S/PDIF. Alternatively, you can configure ALPHA 8 to address all analogue and digital I/O simultaneously via USB, giving you an 18-in/18-out audio interface. Featuring class-leading conversion, flexible routing, and impeccable audio performance, ALPHA 8 unlocks the full potential of your setup.

The compromise is over

Using next-generation 32-bit/192 kHz converters, ALPHA 8 brings SSL-grade audio performance to your studio. With huge dynamic range, stunningly low THD+N and crosstalk, and exceptionally low noise floor, ALPHA 8 delivers line-level heaven for your analogue outboard processing, samplers, synths and drum machines. The compromise is over – capture your sound with the quality it deserves.

Input Dynamic Range: 120 dB, Output Dynamic Range: 123 dB

Input THD+N: -110 dB, Output THD+N –108 dB

Analogue agility and digital dominance

ALPHA 8 is capable of many different routing configurations to suit your specific needs, making sure you can get the most out of all the digital and analogue I/O it offers. Whether you need a simple bidirectional Analogue <> ADAT/SPDIF converter, an aggregate 18-in/18-out USB audio interface, or a mixture of the two, ALPHA 8 provides flexible routing options for its analogue and digital I/O.

The great connector

The operating level of each analogue input and output can be individually adjusted to +9, +18, +20 or +24 dBu operating levels, ensuring optimal signal integrity and maximising headroom for devices connected to ALPHA 8. Whether it’s 19" rack gear, analogue mixers, 500-series modules, or monitor controllers, ALPHA 8 ensures every connection to your equipment is fully optimised.

On the digital side, Word Clock in and out, ADAT, and S/PDIF clocking options ensure ALPHA 8 provides outstanding digital audio handling, guaranteeing jitter-free, rock-solid integration in your studio environment whilst elevating the performance of your creative space.

SSL 18 + ALPHA 8

While ALPHA 8 is the ultimate audio interface expander for producers and engineers looking to bring SSL sound and quality to their existing set-up, ALPHA 8 is also the perfect companion to SSL 18. Instantly expand SSL 18’s I/O via ADAT adding 8 channels (1 x ALPHA 8) or 16 channels (2 x ALPHA 8s). Perfect for effortlessly integrating additional analogue outboard processing, analogue mixers and more.

Expand your workflow

ALPHA 8’s flexible analogue and digital routing unlocks a multitude of workflow possibilities. Create hardware insert paths for 500 Series modules, outboard EQs, compressors, or hardware FX. Use the S/PDIF I/O for integrating external metering or amp simulators. Alternatively, make Alpha 8 your primary interface, seamlessly connecting analogue and digital devices to your DAW via USB-C. For electronic music producers, ALPHA 8’s outputs are capable of outputting Control Voltage to control synthesisers, modular rigs and CV-enabled FX pedals.

SSL Production Pack:

SSL has been helping world-class artists, producers and engineers make great music and audio for decades. They know it’s crucial to have the right tools for the job, so SSL has partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with registered ALPHA 8 audio interfaces. Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, fuel your creativity and bring your productions to life with the SSL Production Pack (worth over $1100).

CA Complete Access 6 Month Trial Included with ALPHA 8 　

As an eligible SSL interface owner, claim 6 months FREE Complete Access subscription. Featuring every plug-in from Solid State Logic, Slate Digital and Harrison Audio, Complete Access gives you all of the software tools you need to make your next hit.

Key Features:

• The ultimate audio interface expander and the perfect partner for SSL 18.

• High performance, next-generation 32-bit / 192 kHz conversion.

• Class-leading dynamic range, THD+N and crosstalk audio performance.

• 8 balanced line inputs and outputs.

• Up to 8 channels of analogue to ADAT and ADAT to analogue conversion.

• Configurable operating levels for each input and output to best match your external equipment: +24/+20/+18/+9 dBu.

• DC-coupled outputs are perfect for sending control voltages to synthesisers and modular rigs.

• 10 digital inputs and outputs (8 channels of ADAT, 2 channels of S/PDIF).

• Up to 2 channels of analogue to S/PDIF and S/PDIF to analogue conversion.

• Up to 2 channels of S/PDIF to ADAT and ADAT to S/PDIF conversion.

• S/PDIF available on coaxial or optical connectors.

• Flexible conversion configuration.

• The physical outputs can be fed with a mixture of analogue, digital and USB audio signals, providing a great level of flexibility.

• 18-in / 18-out USB audio interface.

• Use ALPHA 8 as an aggregate USB audio interface

• Record and playback to all 8 analogue and 10 digital I/O via USB.

• High-current front panel headphone confidence check – audition any individual input or output (or stereo pair).

• Choose from 3 different settings to optimise for your headphones – Standard, High Impedance, High Sensitivity.

• Dedicated front panel input and output meters.

• Word Clock in and out & input termination switch.

• Clock internally, or from incoming ADAT, S/PDIF or Word Clock

• SSL Production Pack Software included – worth over $1400.　

High-performance 32Classic Channel strip 　

A recording legend in 19" format

The 32Classic MS is a high-performance all-analog channel strip that brings the signature Harrison sound and processing tools from our flagship 32Classic recording console to your studio. With additional hybrid workflow features and an integrated stereo mix bus for summing multiple units together, the 32Classic MS delivers the sound of legends whilst adding unique and innovative features to enhance your workflow.

Boasting the same design as the 32Classic console, 32Classic MS features premium Jensen JT-MB-CPCA transformer-coupled microphone preamp, characterful Harrison LP/HP filters with 3 dB resonant peak, and super-smooth 4-band parametric EQ. The original 3232 console was used by artists such artists such as Michael Jackson, Fleetwood Mac, Led Zeppelin, and many others to create some of the most highly regarded and timeless music ever made. Now, for the first time, that unmistakable sound is available in 19" rack format. Add a recording legend to your studio with the 32Classic MS.

Comprehensive input section:

The 32Classic MS includes a versatile input section, featuring dedicated Mic and Line XLR inputs on the rear panel. For added convenience, it also offers a front-panel input with selectable Instrument/Hi-Z and Mic options. The mic input is equipped with essential utilities such as 48V phantom power, a -20 dB pad, phase flip, and a tri-color LED meter. Both the Mic and Line inputs have independent gain controls, ensuring precise adjustments and superior performance across both inputs. Whether you're recording, producing, or mixing, the 32Classic MS provides the connectivity you need to maximize your session.

Harrison mic pre - the sound of legends:

A defining feature of classic Harrison recordings is the high-performance transformer-coupled microphone preamp. True to its heritage, the 32Classic MS mic preamp offers 70 dB of clean gain to deliver and the warm, rich tone that Harrison is famous for. Expect full low-end, open mid-range, and super-smooth natural highs, thanks to the Jensen JT-MB-CPCA transformer. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift creates a remarkably sweet and musical sound, making it ideal for virtually any source material.

Characterful LP/HP Filters:

As featured in the original 3232 and the latest 32Classic console, 32Classic MS’s Low Pass and High Pass filters offer a musical 12 dB/octave slope. The High Pass Filter, ranging from 25 Hz to 3.1 kHz, includes a characterful 3 dB resonant peak, while the Low Pass Filter spans 160 Hz to 20 kHz—ideal for eliminating rumble or smoothing high frequencies. The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle.

32Classic EQ:

The 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19" rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit.

Integrated mixbus and hybrid workflow features:

Build your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility.

Insert point:

32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit.

Channel Outputs:

The 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device.

32Classic MS sidecar:

Enhance your mixing and/or tracking workflow by combining multiple 32Classic MS channels for use as a "sidecar" to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application.

Key features:

Flexible Input Section

• Dedicated Mic and Line XLR inputs on the rear panel.
• Selectable Instrument/Hi-Z and Mic combi-XLR input on the front panel.

Transformer Coupled Preamp

• The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer.

32 Classic Equalizer

• Harrison 4 band parametric EQ with proportional Q from 32Classic Console.
• Legendary Harrison Low Pass and High Pass filters.

Mixer Section

• Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units.

Insert Point

• Each 32Classic MS unit includes a balanced Insert Point.

Specification:

Mic pre:

Minimum Gain – 20 dB

Maximum Gain – 70 dB

Input Impedance – 5.8K

Input Impedance Pad In – 1.3K

Maximum Input Level No Pad - +4 dBu

Maximum Input Level With Pad - +24 dBu

THD 50 dB Gain - < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Ein < -129 dBu

Line level input:

Input Impedance – 10K

Line Trim - +/- 9.5 dB

Maximum Input Level - +24 dBu

THD +4dBu Line Input To Stereo Mix Output < 0.01%

Frequency Response 20 Hz – 20 KHz +/- 0.25 dB

Line level outputs:

Maximum Output Level - +24 dBu

Output Impedance – 30 Ohms

Your journey to perfect sound starts here.

Experience Sound Perfection – Ollo Audio X1 Headphones

Are you searching for headphones that deliver outstanding audio quality and world-class comfort? Look no further than the Ollo Audio X1. Designed with a perfect blend of elegance and durability, these headphones offer an unparalleled listening experience for both audiophiles and audio professionals.

Why Choose Ollo Audio X1?

🎵 Crystal-clear sound: Enjoy a balanced and natural soundstage that captures every nuance and detail – ideal for music production and critical listening.

👂 Supreme comfort: Ergonomically designed ear cushions and an adjustable headband ensure all-day comfort.

🌍 Sustainably crafted: Hand-built with high-quality, eco-friendly materials for years of reliable use.

🎧 Open-back design: Provides an airy, authentic audio experience for immersive listening.

Perfect for:

Music producers and sound engineers seeking precision in every tone.

Audiophiles looking for natural and balanced sound reproduction.

Gaming and film enthusiasts wanting a realistic, engaging audio environment.

The 32Cpre+ takes the high-performance, transformer-coupled microphone preamp from the 32Classic studio console, combines it with the renowned Harrison LP/HP filters, and delivers it in 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixing console and preamp is an American icon reimagined, delivering the tone that helped create some of the most iconic albums of the 70s’ and 80s’. Thanks to the 32Cpre+, that Harrison sound is now available in 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

The Harrison tone

The 32Cpre+ delivers the warm, rich tone that Harrison is renowned for. Full low-end, open mid-range, and super-smooth, natural highs are what to expect from this Jensen JT-MB-CPCA transformer-coupled mic-pre. The gentle roll-off at each end of the frequency spectrum and delicate phase shift created by the 1:1 ratio transformer produces a mic pre that sounds so sweet you’ll use it on any source material.

Tools for tracking

The 32Cpre+ delivers +20 to +70 dB of smooth gain capable of driving a wide range of mic types, including ribbon. In addition to 180 ° Phase, 48V, -20 pad, and HiZ impedance switches, the front panel features combo XLR with ¼" jack connector that lets you plug a microphone or instrument into the 32Cpre+ directly without having to access the rear panel of the 500 Series rack.

Legendary Harrison filters

A Harrison mic pre wouldn’t be complete without our legendary filters. As found in the original 3232 and latest 32Classic console, the filters have a musical 12dB/octave slope, with the High Pass Filter featuring a characterful 3 dB resonant peak. The High Pass Filter range is 25 Hz – 3.1 KHz, and the Low Pass Filter is 160 Hz – 20 KHz.

Key features:

• The sound of Harrison.

• Jensen JT-MB-CPCA transformer-coupled mic-pre.

• +20 to +70 dB of gain.

• Front-mounted combo XLR with ¼" jack connector.

• 48V phantom power switch.

• Polarity reverse switch.

• HiZ impedance switch.

• Input overload LED.

• Compatible with 500 Series format chassis.

Originally developed for the Harrison MR3 studio console, the MR3eq stands out as one of Harrison's most popular EQ designs, renowned for its punchy, smooth sound, and powerful sculpting capabilities. Introduced in 1981, the Music Recording 3 (MR3) console rapidly became the preferred tool for numerous leading engineers and studios worldwide, helping to create some of the most iconic albums from the 70s and 80s. Like all Harrison production tools, the MR3 EQ delivers the vibe to inspire artists and the precision for engineers to excel. Thanks to the MR3eq module, the distinctive Harrison sound is now accessible in the 500 series format.

Legacy in analog

Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums. The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

MR3eq design

The MR3eq is a high-performance analog EQ, crafted from decades of experience in equalizer and filter design. The circuit design of this EQ allows for precision in surgical tasks or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character.

3-band parametric with HPF

This powerful three-band parametric equalizer features Low and High-frequency 6 dB/octave Shelf bands, which can be switched to a 2^nd order Bell response with Harrison’s renowned proportional Q. The Mid-band offers a continuously variable Q, while a separate High Pass Filter section includes a distinctive 3 dB resonant peak. The MR3eq’s flexible design and powerful sculpting capabilities make it a versatile tool that enhances a wide array of source materials, proving equally effective in both tracking and mixdown scenarios.　

Key features:

• The Harrison sound.

• Perfect for both precision EQ’ing and broad musical strokes.

• Three-band parametric EQ with +/- 10 dB boost/cut range.

• High-frequency (800 Hz –15 kHz) 6 dB/octave Shelf band, switchable to 2^nd order bell.

• Low-frequency (40 Hz – 800 Hz) 6 dB/octave Shelf band, switchable to 2^nd order bell.

• Mid-band (400 Hz – 8 kHz) with continuously variable, proportional Q.

• Separate High Pass Filter with characterful 2 dB resonant peak.

• Separate ‘In’ switches for EQ and HPF sections.

• Input overload LED

• Compatible with 500 Series format chassis.